Hilary Easton (born 1960) is a contemporary dance choreographer, director, dancer and educator. [1] [2] A native New Yorker, [3] she holds both a BFA and MFA from New York University Tisch School of the Arts. She founded Hilary Easton + Company in 1992, which has been presented at venues including American Dance Festival, Danspace Project and Dance Theater Workshop. She is on the faculty of The Juilliard School, where she teaches dance composition.
Alvin Ailey Jr. was an American dancer, director, choreographer, and activist who founded the Alvin Ailey American Dance Theater (AAADT). He created AAADT and its affiliated Alvin Ailey American Dance Center as havens for nurturing Black artists and expressing the universality of the African-American experience through dance.
St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan.
Performance Space New York, formerly known as Performance Space 122 or P.S. 122, is a non-profit arts organization founded in 1980 in the East Village of Manhattan in an abandoned public school building.
New York Theatre Ballet or NYTB was founded in 1978 by Diana Byer, who became its artistic director. Dedicated to the principles of the Cecchetti-Diaghilev tradition, the company both reprises classic masterworks and produces original ballets.
Danspace Project is a performance venue for contemporary dance. Its performances are held in St. Mark's Church in the East Village area of the Manhattan borough of New York City.
Kate Weare is an American choreographer. She is the founder and artistic director of the Kate Weare Company.
Yoshiko Chuma is a dancer, a choreographer and the director of the Bessie Award winning performance art group The School of Hard Knocks. Described in 2007 by Bloomberg as "a fixture on New York's downtown scene for over a quarter-century", her work spans from early "absurdist gaiety" to more recent serious reflection, which nevertheless represents the "maverick imagination and crazy-quilt multimedia work" for which the artist is known. Dance commentators have found her work difficult to classify; in a 2006 profile, Dance Magazine speculated that "One might call her a postmodern choreographer, a movement designer, or a visual artist whose primary medium is human beings--dancers, musicians, pedestrians". Chuma favors abstract art and discourages efforts to interpret her work, telling Bloomberg that "What I do is ambiguous. I don't have a statement. If I had a statement, I'd be a writer". In 2007, Chuma received a Bessie Award honoring her sustained achievements as a choreographer.
David Dorfman is a dancer, choreographer, musician, activist and teacher. A native of Chicago, he received his bachelor of science in business administration degree in 1977 from Olin Business School at Washington University in St. Louis. In 1981, he received his MFA in dance from Connecticut College in New London, Connecticut, where he is regularly the chairperson of the department of dance, having joined the faculty in 2004. In 1985 he founded his company David Dorfman Dance, one of the nation's leading modern dance companies. He received a Guggenheim Fellowship in 2005 to continue his research and choreography in the topics of power and powerlessness, including activism, dissidence and underground movements. He has also been awarded four fellowships from the National Endowment for the Arts, three New York Foundation for the Arts fellowships, an American Choreographer's Award, the first Paul Taylor Fellowship from The Yard, and a 1996 New York Dance & Performance Award ("Bessie").
Liz Lerman is an American dance choreographer and founder of Liz Lerman Dance Exchange.
Colin Connor is a Canadian–British dancer, choreographer, and educator, based in the United States. With over forty commissions that span the worlds of contemporary dance, ballet and flamenco. Works draws from a large range of influences – musical, literary, social, and scientific – all used to bring attention back to the communicative power of the human body. He frequently, collaborates with artists of other disciplines, including composers, artists, and designers. As a choreographer, teacher and dancer, Connor is currently influencing the next generation of contemporary dancers and dance makers. Dancers who have trained with Connor have gone on to Mark Morris Dance Group, Scapino Ballet, Hubbard Street Dance, The Limon Dance Company and others.
Patrice M. Regnier is an American choreographer, director, producer and inventor. She is the developer of the TERP system, a patented and trademarked technology to facilitate choreographed movement without rehearsal.
Barbara Dilley (Lloyd) (born 1938) is an American dancer, performance artist, improvisor, choreographer and educator, best known for her work as a prominent member of the Merce Cunningham Dance Company (1963-1968), and then with the groundbreaking dance and performance ensemble The Grand Union, from 1969 to 1976. She has taught movement and dance at Naropa University in Boulder, Colorado, since 1974, developing a pedagogy that emphasizes what she calls “embodied awareness,” an approach that combines dance and movement studies with meditation, “mind training” and improvisational composition. She served as the president of Naropa University from 1985 to 1993.
Meg Wolfe is a choreographer, performer, and artistic director based in Los Angeles, CA.
Ze'eva Cohen is an Israeli American dancer and modern/ postmodern dance choreographer who founded and directed the dance program at Princeton University between 1969 and 2009.
Blondell Cummings was an American modern dancer and choreographer. She is known for her experimental choreography and was a fixture in the New York and Harlem dance scene for decades.
Jennifer Monson is an American dancer and choreographer. She has been actively creating dance work since the 1980s. She works with dance improvisation and creates choreography that is at times improvised or devised through scores, as well as collaborating with other dancers, visual artists, architects and scientists. Monson grew up in southern California and, at one point, wanted to be a park ranger. She was awarded the Foundation for Contemporary Arts Grants to Artists award (1998) and in 2000, Monson received the Creative Capital Performing Arts Award. She now resides in Illinois as a professor at the University of Illinois Urbana Champaign, after living in Williamsburg in Brooklyn from 1991–2002. At one point, she was also involved with the University of Vermont, where she was a professor at large from 2010–2016 with the dance, environmental studies, and library faculty.
Mary Overlie was an American choreographer, dancer, theater artist, professor, author, and the originator of the Six Viewpoints technique for theater and dance. The Six Viewpoints technique is both a philosophical articulation of postmodern performance and a teaching system addressing directing, choreographing, dancing, acting, improvisation, and performance analysis. The Six Viewpoints has been taught in the core curriculum of the Experimental Theater Wing within Tisch School of the Arts at New York University since its inception (1978).
Muna Tseng is a Chinese-American dancer, choreographer, author and lecturer. She has lived in New York since 1978 and in 1984 founded Muna Tseng Dance Projects in New York City. She created over 40 dance productions and performed in over 30 cities and festivals in 15 countries. Since 1990 she has been the director and executrix of her late brother Tseng Kwong Chi's photography archive. She has served for several years on the 'Current Practice' subcommittee for the annual Bessie Awards, also known as the New York Dance and Performance Awards.
Rabia Christine Brodbeck is a Swiss dancer and author. She had an international career as a modern dancer. Since her conversion to Islam in 1986 she has written two spiritual books.
Karen Brown is an American ballerina, educator, répétiteur, ballet mistress, and director. She is noted for her long career as a principal dancer with the Dance Theatre of Harlem and as the first African-American woman to lead a ballet company.