Achtung! Auto-Diebe! is a 1930 German crime film directed by Harry Piel and written by Hans Rameau. The film starred Harry Piel and Leopold von Ledebur.
Artisten is a German circus movie from 1934 to 1935 starring Susi Lanner, Hans Junkermann, Hilde Hildebrand and Harry Piel, who also acted as director. The screenplay was written by Max W. Kimmich after the silent movie The secret of the circus Barré.
The Mistress is a 1927 German silent drama film directed by Robert Wiene and starring Edda Croy, Harry Liedtke and Eugen Burg. It was based on a play by Alexander Brody. It was the first film Wiene made after returning to Germany after two years working in Austria, although the film's location shooting was done in Vienna, where the story is set.
The Page from the Dalmasse Hotel is a 1933 German comedy film directed by Victor Janson and starring Dolly Haas, Harry Liedtke and Hans Junkermann. The art direction was by Fritz Maurischat and Hans Minzloff. The film is based on the novel of the same title by Maria von Peteani. It was later adapted into a 1958 Austrian film.
Target in the Clouds is a 1939 German drama film directed by Wolfgang Liebeneiner and starring Albert Matterstock, Leny Marenbach and Brigitte Horney. It was based on a novel by Hans Rabl. The film portrays the struggles of the fictional German aviation pioneer Walter von Suhr, an officer in the pre-First World War German army who saw the potential for military aircraft.
A Waltz by Strauss or As Long as Strauss Waltzes are Heard is a 1931 German historical musical film directed by Conrad Wiene and starring Hans Junkermann, Gustav Fröhlich and Julia Serda. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Willy Schiller.In the United Kingdom it was released as Johann Strauss.
Inherited Passions is a 1929 German silent drama film directed by Gustav Ucicky and starring Walter Rilla, Fritz Alberti, and Valerie Boothby.
Because I Love You or The Dance Student is a 1928 German silent film directed by Johannes Guter and starring Fritz Alberti, Suzy Vernon, and Valerie Boothby.
Men Without Work is a 1929 German silent film directed by and starring Harry Piel.
The Monte Cristo of Prague is a 1929 Austrian-Czech silent adventure film directed by Hans Otto and starring Albert Heine, Valerie Boothby and Walter Rilla.
Good-for-Nothing is a 1922 German silent film directed by Carl Froelich based on the novella by Joseph von Eichendorff. and starring Erhard Siedel, Julia Serda and Valerie von Martens. e It premiered on 1 September 1922 at the UT Kurfürstendamm in Berlin.
A Dream of Happiness is a 1924 German silent film directed by Paul L. Stein and starring Harry Liedtke, Ferdinand von Alten and Uschi Elleot.
Die Fledermaus is a 1923 German silent film directed by Max Mack and starring Eva May, Lya De Putti and Harry Liedtke. It is an adaptation of the operetta Die Fledermaus by Johann Strauss II, Karl Haffner and Richard Genée.
The Princess of the Riviera is a 1926 German silent film directed by Géza von Bolváry.
Winter Night's Dream is a 1935 German romantic comedy film directed by Géza von Bolváry and starring Magda Schneider, Wolf Albach-Retty, and Richard Romanowsky. While accompanying her employer to a resort, a secretary falls in love with a ski instructor.
Shadows of the Underworld is a 1931 German action film directed by and starring Harry Piel. It also features Dary Holm, Elisabeth Pinajeff and Hans Junkermann.
The World Without a Mask is a 1934 German science fiction film directed by and starring Harry Piel. It also features Olga Tschechowa and Rudolf Klein-Rogge.
Overnight Sensation or Overnight Happiness is a 1932 German comedy film directed by Max Neufeld and starring Magda Schneider, Hermann Thimig, and S. Z. Sakall.
Ash Wednesday is a 1931 German drama film directed by Johannes Meyer and starring Karl Ludwig Diehl, Hans Stüwe and Claire Rommer.
Grandstand for General Staff is a 1926 Austrian-German silent comedy film directed by Hans Otto and Erich Schönfelder and starring Alexander Roda Roda, Harry Liedtke and Olga Tschechowa. It is based on a play of the same name.
