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Hippolyte Victor Valentin Sebron (21 August 1801, Caudebec-en-Caux - 1 September 1879, Paris) was a French landscape, cityscape and portrait painter. He was also a photographer and worked in pastels.
He studied at the École des Beaux-arts. At first, he worked as a decorative painter. His first exhibition at the Salon came in 1825. Soon, he gained a reputation as a painter of interior portraits. Later, he became a student of Léon Cogniet.
In 1827, while decorating the new Théâtre de l'Ambigu-Comique, he was taken as a student by Louis Daguerre and became a collaborator on Daguerre's popular theatre dioramas. [2]
After some time, he began to feel that he was not getting proper recognition, but chose to remain in the partnership, despite offers of permanent work in London during a trip to England. The break-up came when the French government awarded Daguerre an annual pension of 2,000 Francs for devising new techniques that Sebron felt were his ideas. He also claimed to have been entirely responsible for fourteen of the thirty dioramas created during his time with Daguerre. [2]
He quit making dioramas entirely, although his style would always reflect that experience. In 1830, he made a visit to Italy where he created over 150 views of cities and monuments. That, however, proved to be just the beginning of his travels. In 1838, he went to Spain, Portugal and North Africa with Baron Isidore Justin Séverin Taylor to create an illustrated album. After executing a commission from King Louis-Philippe I for the historical museum at Versailles, he spent some time in England. This was followed by another trip to Spain and Morocco.
During the Revolution of 1848, over twenty of his works were destroyed in the burning of the Château de Neuilly. Soon after, he began planning a trip to North America. He left in 1849 and would spend the next six years travelling throughout Canada and the United States, with stays in Louisiana and New York, where he participated in the Exhibition of the Industry of All Nations. Nevertheless, he found that the demand for art in America was much less than in Europe and turned to painting portraits to make a living.
Upon returning to France in 1855, he still found himself unable to settle down, wandering throughout Europe and the Mediterranean, as far as Egypt, Istanbul and Syria, where he toured the ruins in 1870. He did, however, die in Paris.
Daguerreotype was the first publicly available photographic process; it was widely used during the 1850s and 1860s. "Daguerreotype" also refers to an image created through this process.
Louis-Jacques-Mandé Daguerre was a French artist and photographer, recognized for his invention of the eponymous daguerreotype process of photography. He became known as one of the fathers of photography. Though he is most famous for his contributions to photography, he was also an accomplished painter, scenic designer, and a developer of the diorama theatre.
Alexandre Cabanel was a French painter. He painted historical, classical and religious subjects in the academic style. He was also well known as a portrait painter. According to Diccionario Enciclopedico Salvat, Cabanel is the best representative of L'art pompier, and was Napoleon III's preferred painter.
Hippolyte Bayard was a French photographer and pioneer in the history of photography. He invented his own process that produced direct positive paper prints in the camera and presented the world's first public exhibition of photographs on 24 June 1839. He claimed to have invented photography earlier than Louis-Jacques Mandé Daguerre in France and William Henry Fox Talbot in England, the men traditionally credited with its invention.
A diorama is a replica of a scene, typically a three-dimensional model either full-sized or miniature. Sometimes it is enclosed in a glass showcase for a museum. Dioramas are often built by hobbyists as part of related hobbies such as military vehicle modeling, miniature figure modeling, or aircraft modeling.
Jean-Hippolyte Flandrin was a French Neoclassical painter. His most celebrated work, Jeune Homme Nu Assis au Bord de la Mer, from 1836, is held in the Louvre.
Léon Cogniet was a French history and portrait painter. He is probably best remembered as a teacher, with more than one hundred notable students.
Anne-François-Louis Janmot was a French painter and poet.
Jean Antoine Théodore Gudin was a French marine painter and court painter to both king Louis Philippe and subsequently Emperor of the French Napoleon III. Along with Louis-Philippe Crépin, he became one of the first two official Peintres de la Marine in 1830.
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Noël Marie Paymal Lerebours was a French optician and daguerreotypist. He is best known today for his Excursions Daguerriennes, books of views of the world's monuments, based on early photographs redrawn by hand as Aquatint engravings.
Paris during the reign of King Louis-Philippe (1830-1848) was the city described in the novels of Honoré de Balzac and Victor Hugo. Its population increased from 785,000 in 1831 to 1,053,000 in 1848, as the city grew to the north and west, while the poorest neighborhoods in the center became even more crowded.
Pierre Albéric Second, was a 19th-century French journalist, novelist and playwright.
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Philippe Rousseau was a French painter known primarily for his still life paintings.
Albert de Meuron was a Swiss landscape, genre, portrait and history painter associated with the Düsseldorf School.
Charles-Caius Renoux was a French painter, lithographer, and illustrator. He first achieved success with paintings of medieval churches, particularly the ruins of cloisters and monasteries destroyed during the French Revolution, works for which he is still best known. Renoux also painted landscapes, large-scale battle scenes, and historical subjects, works which uniquely prepared him for the final phase of his career, the creation of spectacular dioramas, the "moving pictures" of the era. He also taught at the École des Beaux-Arts in Paris; his notable students included Narcisse Berchère and Hector Hanoteau.
The Diorama, Regent's Park, London, was a specialised theatre built in 1823 to show large, dramatized tableaux paintings as entertainment.
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