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"Historiography and Historiophoty" is the name of an essay by historian and literary critic Hayden White first published in 1988 in The American Historical Review . In the essay, White coins the term "historiophoty" to describe the "representation of history and our thought about it in visual images and filmic discourse". [1] White says historiophoty "...is in contrast to Historiography which is the representation of history in verbal images and written discourse,". [1]
White originally coined the term as a rhetorical device in response to an essay by Robert A. Rosenstone in the same issue of AHR entitled "History in images/History in words: Reflections on the possibility of really putting history onto film". For the sake of exploring Rosenstone's premise (that history can be portrayed on film), he created the term historiophoty as a description of the study of history through film. White was not necessarily claiming that historiophoty exists, or that it ought to; his essay was a thought experiment on what historiophoty would be like if in fact such a thing did exist.
Whatever White's intention, since the publication of his 1988 essay the word historiophoty has entered into public and professional discourse. For example Brian Le Beau wrote "Historiography Meets Historiophoty: The Perils and Promise of Rendering the Past on Film" in American Studies Volume 38, no. 1 (Spring 1997). A book has been published titled History of Western Historiography, History of England, Historiophoty by Chou, Liang-kai.
Historiography is the study of the methods used by historians in developing history as an academic discipline, and by extension, the term historiography is any body of historical work on a particular subject. The historiography of a specific topic covers how historians have studied that topic by using particular sources, techniques of research, and theoretical approaches to the interpretation of documentary sources. Scholars discuss historiography by topic—such as the historiography of the United Kingdom, of WWII, of the pre-Columbian Americas, of early Islam, and of China—and different approaches to the work and the genres of history, such as political history and social history. Beginning in the nineteenth century, the development of academic history produced a great corpus of historiographic literature. The extent to which historians are influenced by their own groups and loyalties—such as to their nation state—remains a debated question.
A historian is a person who studies and writes about the past and is regarded as an authority on it. Historians are concerned with the continuous, methodical narrative and research of past events as relating to the human race; as well as the study of all history in time. Some historians are recognized by publications or training and experience. "Historian" became a professional occupation in the late nineteenth century as research universities were emerging in Germany and elsewhere.
Intellectual history is the study of the history of human thought and of intellectuals, people who conceptualize, discuss, write about, and concern themselves with ideas. The investigative premise of intellectual history is that ideas do not develop in isolation from the thinkers who conceptualize and apply those ideas; thus the intellectual historian studies ideas in two contexts: (i) as abstract propositions for critical application; and (ii) in concrete terms of culture, life, and history.
Philosophy of history is the philosophical study of history and its discipline. The term was coined by the French philosopher Voltaire.
Docudrama is a genre of television and film, which features dramatized re-enactments of actual events. It is described as a hybrid of documentary and drama and "a fact-based representation of real event".
The historiography of the French Revolution stretches back over two hundred years.
Hayden V. White was an American historian in the tradition of literary criticism, perhaps most famous for his work Metahistory: The Historical Imagination in Nineteenth-Century Europe (1973/2014).
Metahistory: The Historical Imagination in Nineteenth-century Europe is a work of historiography by Hayden White first published in 1973. On the second page of his introduction, White stated:
My own analysis of the deep structure of the historical imagination of Nineteenth century Europe is intended to provide a new perspective on the current debate over the nature and function of historical knowledge.
Medieval films imagine and portray the Middle Ages through the visual, audio and thematic forms of cinema.
Maria Nikolaeva Todorova is a Bulgarian historian who is best known for her influential book, Imagining the Balkans, in which she applies Edward Said's notion of "Orientalism" to the Balkans. She is the daughter of historian and politician Nikolai Todorov, who was Speaker of the National Assembly of Bulgaria and acting President of Bulgaria in July 1990.
Neoabolitionist is a term used in historiography to characterize historians of race relations motivated by the spirit of racial equality typified by the abolitionists who fought to abolish slavery in the mid-19th century. They write especially about African-American history, slavery in the United States, the American Civil War and the Reconstruction Era.
In postcolonial studies and in critical theory, subalterns are the colonial populations who are socially, politically, and geographically excluded from the hierarchy of power of an imperial colony and from the metropolitan homeland of an empire. Antonio Gramsci coined the term subaltern to identify the cultural hegemony that excludes and displaces specific people and social groups from the socio-economic institutions of society, in order to deny their agency and voices in colonial politics. The terms subaltern and subaltern studies entered the vocabulary of post-colonial studies through the works of the Subaltern Studies Group of historians who explored the political-actor role of the common people who constitute the mass population, rather than re-explore the political-actor roles of the social and economic elites in the history of India.
Orientalism is a 1978 book by Edward Said, in which he establishes the term "Orientalism" as a critical concept to describe the Western world's commonly contemptuous depiction and portrayal of the Eastern world—that is, the Orient. Societies and peoples of the Orient are those who inhabit regions throughout Asia and North Africa. Said argues that Orientalism, in the sense of the Western scholarship about the Eastern world, is inextricably tied to the imperialist societies that produced it, which makes much Orientalist work inherently political and servile to power.
Fareed Armaly is an American artist, curator, author and editor who lives and works in the United States and Berlin, Europe. Starting in the late 1980s, his work introduced a focus on the open definition of contemporary artistic practice as the medium itself, well-suited towards rendering a contemporary syntax from issues pertaining to a politics of culture, identity and representation.
This is a selected bibliography of the main scholarly books and articles of Reconstruction, the period after the American Civil War, 1863–1877.
Mor Michael the Syrian ,(Classical Syriac: ܡܺܝܟ݂ܳܐܝܶܠ ܣܽܘܪܝܳܝܳܐ, romanized: Mīkhoʾēl Sūryoyo), died AD 1199, also known as Michael the Great or Michael Syrus or Michael the Elder, to distinguish him from his nephew, was a patriarch of the Syriac Orthodox Church from 1166 to 1199. He is best known today as the author of the largest medieval Chronicle, which he wrote in the Syriac language. Some other works and fragments written by him have also survived.
In intellectual history and the history of political thought, the Cambridge School is a loose historiographical movement traditionally associated with the University of Cambridge, where many of those associated with the school held or continue to hold academic positions, including Quentin Skinner, J. G. A. Pocock, Peter Laslett, John Dunn, James Tully, David Runciman, and Raymond Geuss.
Consensus history is a term used to define a style of American historiography and classify a group of historians who emphasize the basic unity of American values and the American national character and downplay conflicts, especially conflicts along class lines, as superficial and lacking in complexity. The term originated with historian John Higham, who coined it in a 1959 article in Commentary titled "The Cult of the American Consensus". Consensus history saw its primary period of influence in the 1950s, and it remained the dominant mode of American history until historians of the New Left began to challenge it in the 1960s.
Robert A. Rosenstone is an American author, historian, and Professor Emeritus of history at the California Institute of Technology. He studies the relationship between history and the visual media. He has written two books on the topic, Visions of the Past: the Challenge of Film to Our Idea of History, and History on Film / Film on History, and has edited a collection of essays, Revisioning History: Film and the Construction of a New Past. His most recent addition to the field, co-edited with Constantin Parvulescu, is A Blackwell Companion to Historical Film
The Hispanic American Historical Review is a quarterly, peer-reviewed, scholarly journal of Latin American history, the official publication of the Conference on Latin American History, the professional organization of Latin American historians. Founded in 1916, HAHR is the oldest journal of Latin American history, and, since 1926, published by Duke University Press. On July 1, 2017, editorial responsibility shifted from Duke University to Penn State for the 2017–2022 term.