Hit Dem Folks is a hip-hop dance trend popularized in 2015. [1] The move involves crossing the arms twice, raising them in a 'U' shape, and bending them inwards. The move has been done by athletes, celebrities, and other well-known figures. [2] [3] "Hit dem folks" gained recognition through online video-sharing platforms like YouTube and Instagram, and it remains a frequently-used gesture among social media dancers. "Hit dem folks" is one of many dance trends to originate from Southern rap culture. [4] Some dancers known for doing the move are Ayo and Teo. [5]
The dance is thought to have originated in Columbus, Georgia, in the early 2010s. [6] Gaining popularity among local dancers, and the Atlanta club dance scene, "hit dem folks" became a viral sensation in 2015. [5] Rapper, Bankroll Fresh, is one of the first artists to popularize, and benefit commercially from it, with his song "Walked In" becoming a well-known song to "hit dem folks" to. [7]
Many global dance trends have emerged from Southern hip hop's trap scene. Online video-sharing platforms have allowed these trends to spread rapidly, and reach an international audience. [8] Artists would also market their songs by having a unique dance to go along with it, a notable example being Soulja Boy's song, Crank That. Its music video would feature one of the first "viral" dance trends to emerge from the internet, and one of many to showcase the unique cultural elements of America's Black South during the 2000s. [9] Black dance trends have had a significant impact on American pop culture, with "Hit dem folks" specifically being an well-recognized dance move among young people, and one the few to inspire an entire sub-genre of dance.
The dance itself is short sequence of movements, rather than a choreographed routine. A person "hits dem folks" by doing a series of arm crosses followed by the "hit," in which they raise their arms, bend them towards the center of the body, and raise one leg. [1] The dance is typically done to rap music, with the "hit" landing on a certain beat of a hip-hop track. It is often likened to a "flexing" pose.
Other Black dance trends include:
Southern hip hop, also known as Southern rap, South Coast hip hop, or dirty south, is a blanket term for a regional genre of American hip hop music that emerged in the Southern United States, especially in Georgia, Texas, Louisiana, Tennessee, and Florida—often titled "The Big 5," five states which constitute the "Southern Network" in rap music.
Crunk is a subgenre of southern hip hop that emerged in the early 1990s and gained mainstream success during the early to mid 2000s. Crunk is often up-tempo and one of Southern hip hop's more nightclub-oriented subgenres. Distinguishing itself with other Southern hip hop subgenres, crunk is marked and characterized by its energetic accelerated musical tempo, club appeal, recurrent chants frequently executed in a call and response manner, multilayered synths, its pronounced reliance on resounding 808 basslines, and rudimentary musical arrangement. An archetypal crunk track frequently uses a dominant groove composed of a nuanced utilization of intricately multilayered keyboard synthesizers organized in a recurring pattern, seamlessly shifting from a lower to a higher pitch that encompasses the song's primary central rhythm, both in terms of its harmonic and melodic aspects. The main groove is then wrapped up with looped, stripped-down, and crisp 808 dance claps and manipulated snare rolls coupled and accompanied by a bassline of thumping 808 kick drums. The term "crunk" was also used throughout the 2000s as a blanket term to denote any style of Southern hip hop, a side effect of the genre's breakthrough to the mainstream. The word derives from its African-American Vernacular English past-participle form, "crunk", of the verb "to crank". It refers to being excited or high on drugs.
Reggaeton is a modern style of popular and electronic music that originated in Panama during the late 1980s, and which rose to prominence in the late 1990s and early 2000s through a plethora of Puerto Rican musicians. It has evolved from dancehall, with elements of hip hop, Latin American, and Caribbean music. Vocals include toasting/rapping and singing, typically in Spanish.
Jonathan H. Smith, better known by his stage name Lil Jon, is an American hip-hop recording artist and record producer. He was instrumental in the commercial breakthrough of the hip-hop subgenre crunk in the early 2000s and is often credited as a progenitor of the genre. He was the frontman of the crunk group Lil Jon & the East Side Boyz, with whom he has released five albums. In addition, Lil Jon served as a producer for most recordings by artists who popularized the genre; these include Pitbull, Too Short, E-40, Ludacris, Ciara, and Usher.
Country rap is a fusion genre of popular music, blending country music with hip hop–style singing or rapping.
D4L was an American hip hop group formed in 2003, composed of Atlanta-based rappers Fabo, Mook-B, Stoney, and Shawty Lo. They are best known for their 2005 hit single "Laffy Taffy", which peaked at number one on the Billboard Hot 100 in January 2006.
Snap music is a subgenre of hip hop music derived from crunk that originated in southern United States in the 2000s, in Bankhead, West Atlanta, United States. It achieved mainstream popularity throughout the mid-late 2000s, but declined shortly thereafter. Popular snap artists include D4L, Ramage, Dem Franchize Boys and K-Rab.
"Lean wit It, Rock wit It" is a song by the hip hop group Dem Franchize Boyz from their album On Top of Our Game. The recording features Peanut and Charlay and was produced by Classic Buck$ aka Buck and Maurice "Parlae" Gleaton.
Austrian hip hop is not a genre of hip hop music, but covers all hip hop music from Austria. The majority of Austrian hip hop acts do Underground hip hop, as the big radio stations in Austria have no airtime for native hip hop. The only radio station that does so is FM4, which focuses on alternative music.
"Crank That (Soulja Boy)" is the debut single by American rapper Soulja Boy Tell 'Em. It served as the lead single from his debut studio album, souljaboytellem.com (2007) and accompanies the Soulja Boy dance. The song is recognized by its looping steelpan riff. It caused what has been called "the biggest dance fad since the Macarena", with an instructional YouTube video for the dance surpassing 27 million views by early 2008.
Hip-hop or hip hop, formerly known as disco rap, is a genre of popular music,that emerged in the late 1960s and early 1970s primarily from African American, Afro-Latin, and Afro-Caribbean musical aesthetics practiced by youth in the South Bronx. Hip-hop music originated as an anti-drug and anti-violence social movement led by the Afrika Bambaataa and the Universal Zulu Nation. The genre is characterized by stylized rhythmic sounds—often built around disco grooves, electronic drum beats, and rapping, a percussive vocal delivery of rhymed poetic speech as consciousness-raising expression. The music developed as part of the broader hip-hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art or writing. Knowledge is sometimes described as a fifth element, underscoring its role in shaping the values and promoting empowerment and consciousness-raising through music. In 1999, emcee KRS-One, often referred to as "The Teacher," elaborated on this framework in a Harvard lecture, identifying additional elements that extend beyond the basic four. These include self-expression, street fashion, street language, street knowledge, and street entrepreneurialism, which remain integral to hip-hop's musical expression, entertainment business, and sound production. Girls’ double-dutch was also recognized as a key stylistic component of breakdancing, according to KRS. While often used to refer solely to rapping and rap music, "hip-hop" more properly denotes the practice(s) of the entire subculture. The term hip-hop music is sometimes used synonymously with the term rap music, though rapping may not be the focus of hip-hop music. The genre also centers DJing, turntablism, scratching, beatboxing, and instrumental tracks.
Trap is a subgenre of hip hop music which originated in the Southern United States, with lyrical references to trap starting in 1991 but the modern sound of trap appearing in 1999. The genre gets its name from the Atlanta slang term "trap house", a house used exclusively to sell drugs. Trap music is known for its simple, rhythmic, minimalistic productions that uses synthesized drums, and is characterized by complex hi-hat patterns, snare drums, bass drums, some tuned with a long decay to emit a bass frequency, and lyrical content that often focuses on drug use and urban violence.
Twerking is a type of dance to popular music in a sexually provocative manner involving throwing or thrusting the hips back or shaking the buttocks, often in a low squatting stance. It is individually performed chiefly but not exclusively by women.
The HBK Gang is an American hip-hop collective based in San Francisco Bay Area. Founded by Iamsu!, Chief, Skipper, and P-Lo in 2008, members also include singer Kehlani and rapper-producers Sage the Gemini, IsThatCJ, Rossi, Dave Steezy, Jay Ant, and Kool John. After contributing to various mixtapes, including Iamsu's Kilt II, in August 2013, the group released their debut mixtape, Gang Forever. HBK Gang Records is an associated independent record label.
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Richard Lamar "Ricky" Hawk, known professionally as Silentó, is an American former rapper. He is best known for his 2015 debut single "Watch Me ", which charted at number three on the US Billboard Hot 100 when he was 17 years old.
The Nae Nae is a hip-hop dance move that involves placing one arm in the air and swaying from side to side. The Atlanta hip hop group We Are Toonz is credited for inventing the phrase with their hit song "Drop That NaeNae" in 2013. The dance was based on a character from the 1990s sitcom Martin. In the series, Martin Lawrence cross-dressed to play Sheneneh Jenkins, an exaggerated, sassy "ghetto girl". The group member Callamar stated in an interview with Billboard, "It’s really just based on a ratchet girl in the club dancing kind of funny and the best girl to describe it is Sheneneh from Martin." In one interview, Martin Lawrence stated he was "flattered" by the dance.
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