Deutsch Amerikanische Freundschaft, or D.A.F., was a German electropunk/Neue Deutsche Welle band from Düsseldorf, formed in 1978 featuring Gabriel "Gabi" Delgado-López (vocals), Robert Görl, Kurt "Pyrolator" Dahlke, Michael Kemner (bass-guitar) and Wolfgang Spelmans (guitar). Kurt Dahlke was replaced by Chrislo Haas in 1979. Since 1981, the band has consisted of Delgado-López and Görl. Gabi Delgado-Lopez died on 22 March 2020 aged 61.
Mute Records is a British independent record label owned and founded in 1978 by Daniel Miller. It has featured several prominent musical acts on its roster such as Depeche Mode, Erasure, Einstürzende Neubauten, Fad Gadget, Goldfrapp, Grinderman, Inspiral Carpets, Moby, New Order, Laibach, Nitzer Ebb, Yann Tiersen, Wire, Yeasayer, Fever Ray, Nick Cave and the Bad Seeds, Yazoo, and M83.
Clock DVA are a musical group from Sheffield, England, whose style has touched on industrial, post-punk, and EBM. They formed in 1978 by Adi Newton and Steven "Judd" Turner. Along with contemporaries Heaven 17, Clock DVA's name was inspired by the Russian-influenced Nadsat language of Anthony Burgess's novel A Clockwork Orange. Dva is Russian for "two".
Xmal Deutschland, often written as X-Mal Deutschland, was a German gothic rock band. Founded in 1980 with a completely female line-up, they had chart success both in and outside their native country. Their last album was released in 1989.
F.S.K. is a German band that formed in Munich in 1980. The band has been associated with avant-garde fringes of Neue Deutsche Welle of the early 1980s and with techno and house music since the mid 1990s.
"The Ballroom Blitz" is a song by British glam rock band The Sweet, written by Nicky Chinn and Mike Chapman. The song reached number one in Canada, number two in the UK Singles Chart and the Australian Chart, and number five on the US Billboard Hot 100.
The Leather Nun are a Swedish rock group. Careening from garage rock to goth and pop-rock.
Thomas Leer is a Scottish musician. He has released a number of albums and singles as a solo artist, and was also one half of the 1980s electropop band Act.
David Cunningham is a composer and record producer from Northern Ireland. His first significant success came with The Flying Lizards' single 'Money', an international hit in 1979.
Bruce Clifford Gilbert is an English musician. One of the founding members of the influential and experimental art punk band Wire, he branched out into electronic music, performance art, music production, and DJing during the band's extended periods of inactivity. He left Wire in 2004, and has since been focusing on solo work and collaborations with visual artists and fellow experimental musicians.
Kammerflimmer Kollektief is a German musical group, founded by Thomas Weber, consisting of Heike Aumüller, Johannes Frisch, Christopher Brunner, Heike Wendelin, and D. Wurm. They play a mixture of jazz, noise, electronic music, free jazz and experimental music. Formed in 1997, they have released to date 8 albums, and have appeared on many jazz and electronic compilation albums. In 2012 they formed the band The Schwarzenbach together with German writer Dietmar Dath and released the album Farnschiffe.
Karl Blake is a vocalist, bassist, guitarist and multi-instrumentalist. Most of his own music can be described as progressive-experimental and sometimes psychedelic.
Document and Eyewitness is the first live album by the post-punk band Wire, released in July 1981 by Rough Trade Records. It marked the end of the first period of Wire's activity (1977–1980) and the end of their association with EMI. Recorded in February 1980 at the Electric Ballroom in London – at the final gig of Wire's first period – the original release came with a 45 rpm 12" EP that featured recordings from a July 1979 show at the Notre Dame Hall in London, along with one track from a March 1979 gig at Le Pavillon in Montreux, Switzerland.
The following is the discography of the industrial music group Throbbing Gristle.
Palais Schaumburg was a German new wave band from Hamburg, Germany. The style was classified as Neue Deutsche Welle, and strongly characterized by their avant garde music and dadaistic attitude.
Der Plan is a German electronic music group from Düsseldorf, formed in the earlier months of 1979 by Moritz Reichelt, Kai Horn, and Frank Fenstermacher, originally under the name of Weltaufstandsplan . This group is considered the pioneer of Neue Deutsche Welle.
The following is a list of items with recorded Mute Records catalogue numbers, starting with label founder Daniel Miller's single as The Normal.
Bureau B is an independent record label, music publisher and booking agency from Hamburg, Germany, founded in 2005 by Gunther Buskies as a sister label to Tapete Records. The label releases varieties of electronic, free-spirited music, with the spectrum ranging from pop to avant-garde. The label has amassed an extensive catalogue of reissues and new productions, including classics from the genre of electronic music in the 1970s and early 1980s popularly classified as Krautrock, alongside new recordings by such formative artists as Faust, Kreidler, Roedelius, Tietchens, Moebius.
Timo Blunck is a German composer, lyricist, producer, bassist and vocalist.
A Fierce Pancake is the second and final album and only full-length studio album by Anglo-Irish experimental rock band Stump, released 7 March 1988 on Ensign Records. After the band had enjoyed some underground success in the 1980s, including the release of their critically acclaimed "Buffalo" single and Quirk Out mini-album in 1986, the band signed to major label Ensign Records and began work on A Fierce Pancake in 1987. A major part of the recording process was undertaken in Berlin's famous Hansa Studios, where many of the band's favourite albums by other artists had been recorded. Recording sessions were very tense and problematic. The band initially worked with Stephen Street as engineer; he departed the sessions to work on Morrissey's Viva Hate, a decision the band would regret. Electronic pioneer Holger Hiller produced the Berlin sessions, a choice taken by bassist Kev Hopper whose recent interest in sampling and similar experimental techniques that Hiller was known for had grown, much to the other band members' disdain, who felt that Hiller and Hopper's direction was not to their liking.
