"Hombres al Borde de un Ataque de Celos" | ||||
---|---|---|---|---|
Single by Yuri | ||||
from the album Isla del Sol | ||||
Released | 1988 | |||
Recorded | 1988 Estudio Baby (Milan, Italy) Cerroni (Bologna, Italy) Eurosonic Torres Sonido (Madrid, Spain) | |||
Genre | Latin dance | |||
Length | 2:59 | |||
Label | CBS Discos | |||
Songwriter(s) | J.R. Florez | |||
Producer(s) | Gian Pietro Felisatti · Loris Ceroni | |||
Yuri singles chronology | ||||
|
"Hombres al Borde de un Ataque de Celos" ("Men on the Verge of a Jealous Outbreak") is a dance song written by J.R. Florez, produced by Gian Pietro Felisatti and Loris Ceroni, and performed by Mexican singer Yuri. It was released in 1988 as the first single from her studio album Isla del Sol (1988), and became her second number-one single in the Billboard Hot Latin Tracks chart after "Qué Te Pasa" in 1988. Isla del Sol was the first album recorded by the singer on CBS, her record label until 1995. This song became one of her staple on every live performance and was also included on the live album Vive la Historia . [1] [2]
The song debuted on the Billboard Hot Latin Tracks chart at number 24 on January 7, 1989 and climbed to the top ten three weeks later. [3] It reached the top position of the chart on February 18, 1989, replacing "Cómo Tu Mujer" by Spanish singer Rocío Dúrcal and being replaced four weeks later by José José's "Como Tú". [4] "Hombres al Borde de un Ataque de Celos" ended 1989 as the ninth best-performing Latin single of the year in United States. [5]
Yuri also recorded the song in Brazilian Portuguese.
Chart (1989) | Peak position |
---|---|
Ecuador ( El Siglo de Torreón ) [6] | 3 |
Mexico (AMPROFON) [7] | 4 |
Panama ( El Siglo de Torreón ) [8] | 7 |
Puerto Rico ( El Siglo de Torreón ) [9] | 2 |
US Hot Latin Songs ( Billboard ) [10] | 1 |
"Como Tu Mujer" is a song and title track written and produced by Mexican singer-songwriter Marco Antonio Solís and first recorded by Spanish performer Rocío Dúrcal. It was released in 1988 as the first single from studio album Como Tu Mujer (1988), this would be the first album produced by Solís for the singer. This song became a hit all over Latin America and in the United States where it went on to number-one for 10 consecutive weeks. This song is considered by some to be one of her most successful singles. This song earned her many awards such as the Premio Aplauso FM 98, given by "Spanish Broadcasting System", in Los Angeles, California and Premio TV y Novelas for 'Best Female Artist'.
"Non c'è" is an Italian ballad written by Pietro Cremonesi, Angelo Valsiglio and Federico Cavalli and recorded by pop singer Laura Pausini. It is the second single from the singer's first album, Laura Pausini. The song was also recorded in Spanish under the title "Se fue" and included in Pausini's Spanish-language debut album, released in 1994. A remix version of "Se fue" was released in 1994 and became popular in Spanish dance clubs. The song later became one of Pausini's best known singles.
"Strani amori'" is a song by Italian singer Laura Pausini, released in February 1994 as the first single from her second studio album, Laura.
Areíto is the sixth album by Juan Luis Guerra with his band 440, released on December 8, 1992 by Karem Records. The album, meant to be a tribute to the indigenous tribes of the Dominican Republic, is named after a dance that the aboriginal inhabitants of the Greater Antilles (Taínos) accompanied with songs during their festivals and religious rites. The album contains twelve tracks including "Cuando te Beso", interpret by Santo Domingo Philharmonic Orchestra. Congolese musician Diblo Dibala played guitar on the song "El Costo de la Vida", which was a Spanish cover of his own soukous song "Kimia Eve", while the last track on the album, "Naboria daca, mayanimacaná", is sung in Arawak, the language of the Taíno people. Areíto was originally set to be released in early April 1992, but was first delayed to the end of October 1992 and was finally released on December 8, 1992.
"¡Ay, Amor!" is a ballad written and performed by Mexican singer-songwriter Ana Gabriel and produced by Mariano Pérez Bautista. It was released as the first single from her third studio album, Pecado Original (1987). This song became the second to spend 14 consecutive weeks at number one in the Billboard Hot Latin Tracks chart, after fellow Mexican singer Daniela Romo with "De Mí Enamórate", being surpassed in the same year by Yuri when her single "Qué Te Pasa" achieved sixteen weeks at the top of the chart.
"Cómo Tú" is a pop song written by Chilean singer-songwriter Wildo, produced by Daniel Freiberg and Óscar López, and performed by Mexican singer José José. It was released in 1989 as the first single from the studio album ¿Qué Es El Amor? (1989), and became his third number-one single in the Billboard Hot Latin Tracks chart after "¿Y Quién Puede Ser?" (1986) and "Soy Así" (1988).
"La Incondicional" is a pop song written, produced, and arranged by Spanish Juan Carlos Calderón and performed by Mexican singer Luis Miguel. It was released in 1989 as the third single from his studio album entitled Busca una Mujer (1988) and became his second #1 single on the Billboard Hot Latin Tracks chart after "Ahora Te Puedes Marchar" in 1987. The song broke several airplay records in Latin America, topping the charts in Mexico, Chile and Peru; and the top-ten in other countries. The success of the song helped push the album to #3 on the Billboard Latin Pop Albums with approximate sales of four million units.
"Fría Como el Viento" is a ballad written, produced and arranged by Juan Carlos Calderón and performed by Mexican singer Luis Miguel. It was released as the first single from the Grammy-nominated studio album Busca una Mujer (1988). The song became the third number-one single for the singer in the Billboard Hot Latin Tracks chart after "Ahora Te Puedes Marchar" in 1987 and "La Incondicional", the preceding single.
"Tengo Todo Excepto a Ti" is a pop song written, produced, and arranged by Juan Carlos Calderón, and performed by Mexican singer Luis Miguel. It was released as the lead single from his studio album 20 Años (1990). It reached the number one position all over Ibero-America, became his fourth number-one single in the Billboard Hot Latin Songs chart after "Ahora Te Puedes Marchar", "La Incondicional" and "Fría Como el Viento" and was nominated for Pop Song of the Year at the Lo Nuestro Awards. The parent album peaked at number two in the Latin Pop Albums chart and sold more than 600,000 copies in its first week of release.
"Fuego Contra Fuego" is the debut single by Puerto Rican singer Ricky Martin from his debut solo studio album Ricky Martin '91 (1991). It was released by Sony Music Mexico and CBS Discos on September 9, 1991. A music video was also released.
"Inolvidable" ("Unforgettable") is a song written by Julio Gutiérrez in 1944. It is considered one of the most popular boleros released during the Cuban musical movement led by pianists. The song has been recorded by several performers, including Roberto Carlos, Diego El Cigala, Fania All-Stars, Eydie Gormé, Danny Rivera, Tito Rodríguez and Bebo Valdés, among others.
"Detrás de Mi Ventana" is a Latin pop song by Mexican recording artist Yuri from her studio album Nueva Era (1993). The track was written by Guatemalan singer-songwriter Ricardo Arjona. It was released as the lead single in Latin America and the United States, peaking atop the Billboard's Latin Songs chart, becoming the third number-one song in the chart for the singer and the first for Arjona as a songwriter.
"América América" is a song written by José Luis Armenteros and Pablo Herrero and performed by Spanish performer Nino Bravo. It was released as a single for his fifth studio album y volumen 5 (1973). The song reached number one on the Spanish Singles Chart in 1973. In 2013, the song was inducted into the Latin Grammy Hall of Fame.
"Hasta Que Me Olvides" is a song written by Juan Luis Guerra and performed by Mexican recording artist Luis Miguel. It was released as the second single from his album Aries in August 1993. The song reached number one on the Billboard Hot Latin Songs chart in the United States, becoming his tenth number one song on the chart. It received a nomination for Pop Song of the Year at the 6th Annual Lo Nuestro Awards, but lost to "Nunca Voy a Olvidarte" by Cristian Castro.
"Suave" ("Smooth") is a song written by Orlando Castro and Kiko Cibrian and performed by Mexican recording artist Luis Miguel. It was released as the third single from his album Aries in 1993. The song peaked at number nine on the Billboard Hot Latin Songs chart in the United States. "Suave" was recognized by the Broadcast Music, Inc. (BMI) at the 1995 BMI Latin Awards. The song was included in Miguel's compilation album Grandes Éxitos (2005). Two live performances of the song were included on El Concierto (1995) and Vivo (2000). A remix by Hex Hector was included in Miguel's remix album No Culpes a La Noche (2009). The music video for the song was directed by Kiko Guerrero and was filmed at Acapulco. "Suave" ranked at number 54 in the South American edition of the "VH1 100 Greatest Songs of the Nineties in Spanish".
"Sangre" is the first single taken from the album Love by Mexican singer Thalía. The song was composed by the singer herself and the lyrics are dedicated to Alfredo Díaz Ordáz who died before the album was released. The song was successful in Mexico peaking at number two in the Notitas Musicales chart. "Sangre" is the third of four songs in which Thalía talks about body fluids, the others are "Saliva", "Sudor" and "Lágrimas" from the albums Thalía, Mundo de Cristal and En éxtasis, respectively.
"La Bilirrubina" is a song by Dominican singer-songwriter Juan Luis Guerra. It was written by Guerra and released by Karem Records on 1990 and 1991 in Europe as the second single from his fifth studio album, Bachata Rosa. It was nominated for Record of the Year at 1991 Lo Nuestro Awards. The merengue track is considered one of Guerra's signature songs and most popular. It receive positive reviews and was listed one of the best tracks of the album.
"Bachata Rosa" is a song by Dominican Republic singer-songwriter Juan Luis Guerra released in 1991 and served as the lead seventh and final from his fifth studio album Bachata Rosa (1990). Along with Estrellitas y Duendes and Como Abeja Al Panal, is one of Guerra`s first international hits and helped to contributed to the bachata sophistication and have recognition in Latin America and Europe. The track was a comercial sucess, toping the airplay charts in Mexico and was the fourth single of the album to peak insade of the top 10 at the US Hot Latin Tracks.
Señales de Humo is the second single of Juan Luis Guerra sixth studio album Areito (1992). The track is divided in two parts: The first part is a bachata and the second one the rhythm transformed to Mambo with elements of son and salsa. The title made reference of the communication that the indigenous use between vast and unpopulated areas and that are made by bonfires. The song met with critical acclaim and won Song of The Year at the 1994`s BMI Latin Awards. The track was a great success in Latin America and Billboard US Latin charts. The track was included on Guerra`s compilation album Colección Romantica (2001).
La Cosquillita is the lead single seventh studio album Fogarate! by dominican superstar Juan Luis Guerra. It was released on June 21, 1994 by Karem Records. The rural merengue track, Perico Ripio. track was written and produced with the collaboration of the Dominican accordionist Francisco Ulloa and his band. About the success of the track, Guerra stated "With the `perico ripiao' we are doing the same thing that we did with the `bachata,' breaking down the barriers that prevent it from reaching all of Dominican society, and then exporting it". The song reached the Top 20 on Spain, Dominican Republic, Puerto Rico, Venezuela and US Latin Airplay charts.