Tatting is a technique for handcrafting a particularly durable lace from a series of knots and loops. Tatting can be used to make lace edging as well as doilies, collars, accessories such as earrings and necklaces, and other decorative pieces. The lace is formed by a pattern of rings and chains formed from a series of cow hitch or half-hitch knots, called double stitches, over a core thread. Gaps can be left between the stitches to form picots, which are used for practical construction as well as decorative effect.
Interior design is the art and science of enhancing the interior of a building to achieve a healthier and more aesthetically pleasing environment for the people using the space. An interior designer is someone who plans, researches, coordinates, and manages such enhancement projects. Interior design is a multifaceted profession that includes conceptual development, space planning, site inspections, programming, research, communicating with the stakeholders of a project, construction management, and execution of the design.
Decoupage or découpage is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from purpose-manufactured papers. Each layer is sealed with varnishes until the "stuck on" appearance disappears and the result looks like painting or inlay work. The traditional technique used 30 to 40 layers of varnish which were then sanded to a polished finish.
Macramé is a form of textile produced using knotting techniques.
In fashion, an accessory is an item used to contribute, in a secondary manner, to an individual's outfit. Accessories are often chosen to complete an outfit and complement the wearer's look. They have the capacity to further express an individual's identity and personality. Accessories come in different shapes, sizes, hues, etc. The term came into use in the 20th century.
In architecture and decorative art, ornament is decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale. Architectural ornament can be carved from stone, wood or precious metals, formed with plaster or clay, or painted or impressed onto a surface as applied ornament; in other applied arts the main material of the object, or a different one such as paint or vitreous enamel may be used.
A garnish is an item or substance used as a decoration or embellishment accompanying a prepared food dish or drink. In many cases, it may give added or contrasting flavor. Some garnishes are selected mainly to augment the visual impact of the plate, while others are selected specifically for the flavor they may impart. This is in contrast to a condiment, a prepared sauce added to another food item primarily for its flavor. A food item which is served with garnish may be described as being garni, the French term for "garnished."
Wine accessories are things that may be used in the storage or serving of wine. Wine accessories include many items such as wine glasses, corkscrews, and wine racks.
An obi is a belt of varying size and shape worn with both traditional Japanese clothing and uniforms for Japanese martial arts styles. Originating as a simple thin belt in Heian period Japan, the obi developed over time into a belt with a number of different varieties, with a number of different sizes and proportions, lengths, and methods of tying. The obi, which once did not differ significantly in appearance between men and women, also developed into a greater variety of styles for women than for men.
A wine rack is a set of shelves for the organized storage of wine. Wine racks can be built out of a number of different materials. The size of the rack and the number of bottles it can hold can vary widely. Wine racks can be located in a winemaker’s professional wine cellar as well as private homes for personal collections.
Victorian decorative arts refers to the style of decorative arts during the Victorian era. Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration. The Arts and Crafts movement, the aesthetic movement, Anglo-Japanese style, and Art Nouveau style have their beginnings in the late Victorian era and gothic period.
Cake decorating is the art of decorating a cake for special occasions such as birthdays, weddings, baby showers, national or religious holidays, or as a promotional item.
A centrepiece or centerpiece is an important item of a display, usually of a table setting. Centrepieces help set the theme of the decorations and bring extra decorations to the room. A centrepiece also refers to any central or important object in a collection of items.
Norigae is a typical, traditional Korean accessory used in Hanbok, which can be hung on goreum of a woman's jeogori or on her chima. The norigae functions as a decorative pendant and is both a good-luck charm hoped to bring something such as eternal youth, wealth or many sons, as well as a fashion accessory. Usually, the norigae from the parents' or in-laws' home was passed down to descendants.
Millwork is historically any wood mill produced decorative materials used in building construction. Stock profiled and patterned millwork building components fabricated by milling at a planing mill can usually be installed with minimal alteration. Today, millwork may encompass items that are made using alternatives to wood, including synthetics, plastics, and wood-adhesive composites.
Mexican lacquerware is one of the country's oldest crafts, having independent origins from Asian lacquerware. In the pre-Hispanic period, a greasy substance from the aje larvae and/or oil from the chia seed were mixed with powdered minerals to create protective coatings and decorative designs. During this period, the process was almost always applied to dried gourds, especially to make the cups that Mesoamerican nobility drank chocolate from. After the Conquest, the Spanish had indigenous craftsmen apply the technique to European style furniture and other items, changing the decorative motifs and color schemes, but the process and materials remained mostly the same. In the 19th and 20th centuries, the craft waned during armed conflicts and returned, both times with changes to the decorative styles and especially in the 20th century, to production techniques. Today, workshops creating these works are limited to Olinalá, Temalacatzingo and Acapetlahuaya in the state of Guerrero, Uruapan and Pátzcuaro in Michoacán and Chiapa de Corzo in Chiapas.
Basketry of Mexico has its origins far into the pre Hispanic period, pre-dating ceramics and the domestication of crops. By the time the Spanish arrived, there were a number of indigenous forms, a number of which are still made today. These and products that the Spanish introduced form the combined tradition that remains today. Like other Mexican handcrafts, sales to tourists and collectors is important, but basketry is not as popular as other handcrafts. Basketry techniques and materials vary from region to region depending on the vegetation available, with important traditions in Sonora, State of Mexico, Michoacán, Veracruz, Oaxaca and the Yucatán Peninsula.
Guanajuato handcrafts and folk art are mostly of European origin, although some indigenous work still survives in some communities. The most notable craft is the making of glazed mayolica pottery, followed by handmade traditional toys of various materials, especially a hard paper mache called cartonería. While handcrafts are not a large an industry here as in some other states, it does have several major handcraft markets which sell to tourists and foreign residents. Other handcraft traditions include wrought iron work, tin and glass, wood carving and leather working.
Hidalgo (state) handcrafts and folk art are mostly made for local consumption rather than for collectors, although there have been efforts to promote this work to a wider market. Most are utilitarian and generally simply decorated, if decorated at all. The most important handcraft traditions are pottery, especially in the municipality of Huejutla and textiles, which can be found in diverse parts of the state. Most artisans are indigenous, with the Otomi populations of the Mezquital Valley being the most dominant. Other important handcrafts include basketry, metal and wood working.
