Homegoing

Last updated

A homegoing (or home-going) service is an African-American and Black-Canadian Christian funeral tradition marking the going home of the deceased to the Lord or to Heaven. It is a celebration that has become a vibrant part of African American and Black Canadian history and culture. As with other traditions, practices, customs and norms of African American and Black Canadian culture, this ritual for dealing with death was shaped by the African American and Black Canadian experience.

Contents

History

The history of the homegoing service can be traced back to the arrival of African slaves in America. Early during the slave trade, slaves believed death meant their soul would return home to their native Africa. This belief that enslaved and free Africans in America fly back to Africa after their death was found in the Gullah Geechee Nation. In 1803, a slave ship landed in St. Simons Island, Georgia with captive Africans from Nigeria carrying a cargo of Igbo people. The Igbo people took control of the slave vessel, and when it landed in Georgia many of the Igbos chose suicide than a lifetime in slavery by drowning in the swamp. African Americans in Georgia and in the Gullah Geechee Nation says that when the Igbo people died from suicide their souls flew back to Africa. The location became known as Igbo landing. [1] Also in the Gullah Geechee Nation, the practice of placing seashells on graves is believed to return souls back to Africa, as the sea brought Africans to America on slave ships and the sea will return them back home in Africa when they die. [2] Enslaved and free blacks were not allowed to congregate to perform any kind of ritual for burying their dead because slaveholders feared the slaves would conspire to create an uprising during any such gathering. [3]

The Old Testament stories of God and Moses freeing a captive and enslaved race resonated with the slaves. The New Testament stories of Jesus and promises of glory in heaven and a far better after-life allowed slaves to forge through the turmoil of mortal life and look forward to the day when they would return home to the Lord. They fully embraced Christianity and death, for slaves, was viewed as freedom. Their death rituals were jubilant, and it became one of the earliest forms of African American culture.

At the beginning of the twentieth century, there were few, if any black-owned or black-managed funeral homes. Survivors of deceased blacks were forced to depend on white funeral homes for embalming if they would even agree to service them. Jim Crow laws and white bias required blacks to enter these white funeral homes through back doors and basements, a degrading experience that added to the tragedy of losing a loved one. [4]

Although the embalming was mostly done by white funeral homes, the homegoing service took place in the black Christian church. The churches began forming burial societies to collect money for funerals. Black businessmen who opened funeral homes during the early-to-mid-twentieth century saw not only a business opportunity, but a way to help the community. Funeral parlors were among some of the first black-owned businesses and the black funeral director was a trusted friend and neighbor in the community. The tradition of the black community funeral director and the support of the black Christian church exists in many black communities today, though the rise of funeral parlor chains poses a threat to the uniqueness of homegoing traditions in the early twenty-first century. [5]

Homegoing services

The funeral portion of a homegoing service follows many of the same practices as any other Christian funeral service. There are pall bearers and flowers and the service is typically held in a church. Because African-American Christians believe death marks the return to the Lord and an end to the pain and suffering of mortal life, the homegoing service is an occasion marked by rejoicing because the deceased is going on to a better place.

A homegoing service usually contains some or all of these elements:

A homegoing service is sometimes reminiscent of an African-American and Black Canadian Christian church services, in which it is rooted. [5] In addition to the eulogy, there is often a sermon and a choir that sings gospel hymns. The service often allows for friends and family to speak briefly about their remembrances of the deceased. Homegoing Service goers may experience both mourning and rejoicing.

Each service is specialized to the needs and interest of survivors, and in recent years, the variety of funerary themes may be increasing. [6]

In 2013, Homegoings, a documentary directed by Christine Turner, was released as part of PBS' series POV.

Related Research Articles

A mojo, in the African-American spiritual practice called Hoodoo, is an amulet consisting of a flannel bag containing one or more magical items. It is a "prayer in a bag", or a spell that can be carried with or on the host's body. Alternative American names for the mojo bag include gris-gris bag, hand, mojo hand, toby, nation sack,conjure hand, lucky hand, conjure bag, juju bag, trick bag, tricken bag, root bag, and jomo. The word mojo also refers to magic and charms. Mojo containers are bags, gourds, bottles, shells, and other containers. The making of mojo bags in Hoodoo is a system of African-American occult magic. The creation of mojo bags is an esoteric system that involves sometimes housing spirits inside of bags for either protection, healing, or harm and to consult with spirits. Other times mojo bags are created to manifest results in a person's life such as good-luck, money or love.

<span class="mw-page-title-main">Simbi</span> Water spirits in Kongo spirituality

A Simbi is a water and nature spirit in traditional Kongo spirituality, as well as in Hoodoo.

<span class="mw-page-title-main">Gullah language</span> Creole language of southern US

Gullah is a creole language spoken by the Gullah people, an African-American population living in coastal regions of South Carolina and Georgia as well as extreme northeastern Florida and the extreme southeast of North Carolina.

<span class="mw-page-title-main">Hoodoo (spirituality)</span> Spiritual practices, traditions and beliefs

Hoodoo is a set of spiritual practices, traditions, and beliefs that were created by enslaved African Americans in the Southern United States from various traditional African spiritualities and elements of indigenous botanical knowledge. Practitioners of Hoodoo are called rootworkers, conjure doctors, conjure man or conjure woman, and root doctors. Regional synonyms for Hoodoo include rootwork and conjure. As a syncretic spiritual system, it also incorporates beliefs from Islam brought over by enslaved West African Muslims, and Spiritualism. Scholars define Hoodoo as a folk religion. It is a syncretic religion between two or more cultural religions, in this case being African indigenous spirituality and Abrahamic religion.

<span class="mw-page-title-main">Gullah</span> African American ethnic group in south United States

The Gullah are an African American ethnic group who predominantly live in the Lowcountry region of the U.S. states of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands. Their language and culture have preserved a significant influence of Africanisms as a result of their historical geographic isolation and the community's relation to their shared history and identity.

<span class="mw-page-title-main">Sapelo Island</span> Island in Georgia, United States

Sapelo Island is a state-protected barrier island located in McIntosh County, Georgia. The island is accessible only by boat; the primary ferry comes from the Sapelo Island Visitors Center in McIntosh County, Georgia, a seven-mile (11 km), twenty-minute trip. It is the site of Hog Hammock, the last known Gullah community. It is illegal to visit the island without a permit issued by state tourism authorities.

African-American folktales are the storytelling and oral history of enslaved African Americans during the 1700s-1900s. Prevalent themes in African-American folktales include tricksters, life lessons, heartwarming tales, and slavery. African Americans created folktales that spoke about the hardships of slavery and told stories of folk spirits that could outwit their slaveholders and defeat their enemies. These folk stories gave hope to enslaved people that folk spirits would liberate them from slavery. One of these heroes that they looked up to was the charming High John the Conqueror, who was a cunning trickster against his slave masters. He often empowered newly freed slaves, saying that if they needed him, his spirit would be in a local root. Other common figures in African-American folktales include Anansi, Brer Rabbit, and Uncle Monday. Many folktales are unique to African-American culture, while others are influenced by African, European, and Native American tales.

<span class="mw-page-title-main">Atlantic Creole</span> Ethnic group

Atlantic Creole is a cultural identifier of those with origins in the transatlantic settlement of the Americas via Europe and Africa.

A shout or ring shout is an ecstatic, transcendent religious ritual, first practiced by African slaves in the West Indies and the United States, in which worshipers move in a circle while shuffling and stomping their feet and clapping their hands. Despite the name, shouting aloud is not an essential part of the ritual.

<span class="mw-page-title-main">Joseph Opala</span> American historian

Joseph A. Opala, OR is an American historian noted for establishing the "Gullah Connection," the historical links between the indigenous people of the West African nation of Sierra Leone and the Gullah people of the Low Country region of South Carolina and Georgia in the United States.

Sierra Leonean Americans are an ethnic group of Americans of full or partial Sierra Leonean ancestry. This includes Sierra Leone Creoles whose ancestors were African American Black Loyalists freed after fighting on the side of the British during the American Revolutionary War. Some African Americans trace their roots to indigenous enslaved Sierra Leoneans exported to the United States between the 18th and early 19th century. In particular, the Gullah people of partial Sierra Leonean ancestry, fled their owners and settled in parts of South Carolina, Georgia, and the Sea Islands, where they still retain their cultural heritage. The first wave of Sierra Leoneans to the United States, after the slavery period, was after the Sierra Leone Civil War in the 1990s and early 2000s. According to the American Community Survey, there are 34,161 Sierra Leonean immigrants living in the United States.

<span class="mw-page-title-main">Gullah-Geechee Cultural Heritage Corridor</span> Federal National Heritage Area in the United States

The Gullah-Geechee Cultural Heritage Corridor is a federal National Heritage Area in the United States. The intent of the designation is to help preserve and interpret the traditional cultural practices, sites, and resources associated with Gullah-Geechee people. Gullah-Geechee Cultural Heritage Corridor, and the federal Gullah-Geechee Cultural Heritage Corridor Commission established to oversee it, were designated by an act of Congress on October 12, 2006 through the National Heritage Areas Act of 2006.

<span class="mw-page-title-main">Igbo Landing</span> Historic site at Dunbar Creek, Georgia

Igbo Landing is a historic site at Dunbar Creek on St. Simons Island, Glynn County, Georgia. It was the setting of a mass suicide in 1803 by captive Igbo people who had taken control of their slave ship and refused to submit to slavery in the United States. The event's moral value as a story of resistance towards slavery has symbolic importance in African American folklore as the flying Africans legend, and in literary history.

<i>Sassafrass, Cypress & Indigo</i> 1982 novel by Ntozake Shange

Sassafrass, Cypress & Indigo is a 1982 novel written by Ntozake Shange and first published by St. Martin's Press. The novel, which took eight years to complete, is a story of three Black sisters, whose names give the book its title, and their mother. The family is based in Charleston, South Carolina, and their trade is to spin, weave, and dye cloth; unsurprisingly, this tactile creativity informs the lives of the main characters as well as the style of the writing. Sassafrass, Cypress & Indigo integrates the whole of an earlier work by Shange called simply Sassafrass, published in 1977 by Shameless Hussy Press. As is common in Shange's work, the narrative is peppered with interludes that come in the form of letters, recipes, dream stories and journal entries, which provide a more intimate approach to each woman's journey toward self-realization and fulfillment. The book deals with several major themes, including Gullah/Geechee culture, women in the arts, the Black Arts Movement, and spirituality, among many others.

<span class="mw-page-title-main">Hog Hammock, Georgia</span> United States historic place

Hog Hammock is an African-American community on Sapelo Island, a barrier island of the U.S. state of Georgia.

Cornelia Walker Bailey was a storyteller, writer, and historian who worked to preserve the Geechee-Gullah culture of Sapelo Island, Georgia.

<span class="mw-page-title-main">Haint blue</span> Shade of blue

Haint blue is a collection of pale shades of blue-green that are traditionally used to paint porch ceilings in the Southern United States. Hex #D1EAEB is a popular shade of haint blue.

Griffin Lotson is an African-American historian, born in Crescent, Georgia. He is a seventh-generation Gullah Geechee. He serves as a councilman and the mayor pro-tem in Darien, Georgia. He also manages the Geechee Gullah Ring Shouters. He is the national Federal Government vice-chairman and former treasurer of the federal Gullah Geechee Cultural Heritage Corridor Commission.

<span class="mw-page-title-main">Representations of Gullah culture in art and media</span> Representations and portrayals of Gullah Geechee culture in art and media

The Gullah are African Americans who live in the Lowcountry region of the U.S. states of Georgia, Florida, South Carolina, and North Carolina, in both the coastal plain and the Sea Islands. They developed a creole language, also called Gullah, and a culture with some African influence.

Emily Meggett was an American Geechee-Gullah community leader, chef, and author who co-wrote Gullah Geechee Home Cooking: Recipes from the Matriarch of Edisto Island in 2022. She lived on Edisto Island, near Charleston, South Carolina.

References

  1. Powell, Timothy. "Ebos Landing". New Georgia Encyclopedia. University of Georgia Press. Retrieved 12 September 2021.
  2. National Park Service (2005). Low Country Gullah Culture Special Resource Study and Final Environmental Impact Statement (PDF). NPS South East Regional Office. p. 76.
  3. Smith, Suzanne (2010). To Serve the Living Funeral Directors and the African American Way of Death. Harvard University Press. ISBN   9780674267442.
  4. Smith (25 February 2010). To Serve the Living Funeral Directors and the African American Way of Death. Harvard University Press. ISBN   9780674267442.
  5. 1 2 "'POV: Homegoings,' TV review". New York Daily News .
  6. "TLC's 'Best Funeral Ever' Runs Reality TV into the Ground". 13 December 2012.

Further reading