Hong Kil-dong | |
---|---|
Korean name | |
Chosŏn'gŭl | 홍길동 |
Hancha | 洪吉童 |
Revised Romanization | Hong Gildong |
McCune–Reischauer | Hong Kil-tong |
Directed by | Kim Kil-in |
Screenplay by | Kim Se-ryun |
Based on | Hong Gildong jeon |
Starring |
|
Cinematography | Jon Hong-sok |
Edited by | Om So-yong |
Music by | Jon Chang-il Hwang Jin-yong |
Production companies | |
Distributed by | Korea Film Export and Import Corporation Mokép Shochiku Home Video |
Release date |
|
Running time | 108 minutes |
Country | North Korea |
Language | Korean |
Hong Kil-dong is a 1986 North Korean historical drama film directed by Kim Kil In. [1] [2]
The film was based on the Hong Gildong jeon , an anonymous Korean novel about a Robin Hood-like bandit. [3]
In Joseon-era Korea, Hong Kil-dong is born in Hanseong (modern Seoul) as the illegitimate son of a nobleman. His stepmother tries to have him killed by bandits, but he is rescued by a monk who uses magic and martial arts. Hong goes on to train with the monk and defend the oppressed villagers, later fighting an invasion by Japanese ninjas.
Hong Kil-dong was released in 1986. It received a wide release in the Soviet Union and the Eastern bloc, and was very popular in Poland and Bulgaria. [4] [ better source needed ]
Hong Kil-dong is often listed as among the best North Korean films; authors have noted the influence of Shin Sang-ok, a South Korean director abducted by the North Korean regime in 1978 and forced to make films. It is also known for its lack of propaganda and its criticism of policies of the North Korean regime (most notably the Songbun policy). [5] In 2002, North Korean defectors in South Korea were surveyed by The Chosun Ilbo , and declared it the best North Korean film. [4] [6] Simon Fowler of The Guardian wrote that "With heaped spoonfuls of Shaw Brothers-inspired kung fu, the film is unlike the entire pantheon of North Korean cinema that had gone before it. This is a film that needs no historical context to be watched and most unusually for North Korean film, can quite easily be enjoyed." [7]
Pulgasari is an epic monster film Shin Sang-ok directed and produced in 1985 during his abduction in North Korea. A co-production between North Korea, Japan, and China, it is considered a remake of Bulgasari, a lost 1962 South Korean film that also depicts an eponymous creature from Korean folklore. The ensemble cast includes Chang Sŏnhŭi, Ham Kisŏp, Ri Chongguk, Ri Ingwŏn, and Yu Kyŏngae, with Kenpachiro Satsuma in the title role. Set during the Goryeo dynasty, the film follows a blacksmith's daughter who brings to life a metal-eating monster her late father envisioned to defeat the monarchy.
Shin Sang-ok was a South Korean filmmaker with more than 100 producer and 70 director credits to his name. While renowned internationally for directing Pulgasari (1985), Shin is best known in South Korea for his efforts during the 1950s and 60s, many of them collaborations with his wife Choi Eun-hee, when he was known as "The Prince of South Korean Cinema". He posthumously received the Gold Crown Cultural Medal, the country's top honor for an artist.
Choi Eun-hee was a South Korean actress, who was one of the country's most popular stars of the 1960s and 1970s. In 1978, Choi and her then ex-husband, movie director Shin Sang-ok, were abducted to North Korea, where they were forced to make films until they sought asylum at the U.S. embassy in Vienna in 1986. They returned to South Korea in 1999 after spending a decade in the United States.
The cinema of North Korea began with the division of Korea and has been sustained since then by the ruling Kim dynasty. Kim Il Sung and his successor Kim Jong Il were both cinephiles and sought to produce propaganda films based on the Juche ideology.
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The abduction of Shin Sang-ok and Choi Eun-hee occurred in North Korea between 1978 and 1986. Shin Sang-ok was a famous South Korean filmmaker who had been married to actress Choi Eun-hee. Together, they established Shin Film and made many films through the 1960s which garnered recognition for South Korea at various film festivals. In 1978, Choi was abducted in Hong Kong and taken to North Korea to the country's future supreme leader Kim Jong Il. The abduction of Shin followed six months later.
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An Emissary of No Return is a 1984 North Korean historical drama film directed by Shin Sang-ok and Choi Eun-hee. Shin also wrote the script. It was the first of four films Shin and Choi made during their abduction to North Korea under the orders of Kim Jong Il. Adapted from Bloody Conference(혈분만국회 ), a play allegedly written by Kim Il Sung during his guerrilla years, the film retells the dramatized story of the Hague Secret Emissary Affair. The affair ensued when the Korean emperor king Gojong sent three unauthorized emissaries to the talks of the Hague Convention of 1907.
Salt is a 1985 North Korean tragedy film directed by Shin Sang-ok. It is the third of Shin's North Korean films after he and his wife Choi Eun-hee were abducted and brought to the country against their will. Choi stars in Salt as an unnamed mother who disapproves of her son after he runs away with guerrillas, but eventually comes to see them as fighting for a just cause. The film is set in 1930s Kando (Jiandao) where ethnic Koreans are persecuted by the Chinese and Japanese.
Runaway is a 1984 North Korean melodrama film directed by Shin Sang-ok. It was the second film in North Korea by South Korea's Shin after he and his wife Choi Eun-hee had been abducted there. Runaway stars Choe Sang-soo as the protagonist and Choi as his wife.
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Daemyeong is a 1981 South Korean television series starring Kim Dong-hoon, Kim Heung-ki, Seo Young-jin, Won Mi-kyung, Kim Sung-won and Baek Il-sub. It aired on KBS1 from January 5, 1981 until December 28, 1981 every Mondays for 52 episodes.