| Hop to It! | |
|---|---|
 Bobby Ray and Oliver Hardy in the film | |
| Directed by | Ted Burnsten |
| Written by | Ted Burnsten |
| Produced by | Billy West |
| Starring | |
Release date |
|
Running time | 23 minutes |
| Country | United States |
| Languages | |
Hop to It!, also released as Hop to It, Bellhop, is a 1925 American silent comedy film featuring Oliver Hardy. [1]
Double Whoopee is a 1929 Hal Roach Studios silent short comedy starring Laurel and Hardy. It was shot during February 1929 and released by Metro-Goldwyn-Mayer on May 18.
Oliver Norvell Hardy was an American comic actor and one half of Laurel and Hardy, the double act that began in the era of silent films and lasted from 1927 to 1957. He appeared with his comedy partner Stan Laurel in 107 short films, feature films, and cameo roles. He was credited with his first film, Outwitting Dad, in 1914. In most of his silent films before joining producer Hal Roach, he was billed on screen as "Babe Hardy."
Frank Dwight Alexander was an American silent film comedian and actor. He was occasionally billed as Fatty Alexander.
Alpha Video is an entertainment company founded in 1985 as New Age Video, based near Philadelphia, that specializes in the manufacturing and marketing of public domain movies and TV shows on DVD. Alpha Video releases approximately 30 new DVD titles monthly and has over 3,500 DVDs in their active catalog, including hundreds of rare films and TV shows from Hollywood's past.
Hop, the Bellhop is a 1919 American silent comedy film featuring Oliver Hardy.
Married to Order is a 1920 American film featuring Oliver Hardy. Prints of the film survive.
The Bell Hop is a 1921 American silent comedy film directed by Larry Semon and Norman Taurog and featuring Oliver Hardy.
Golf is a 1922 American silent comedy film starring Larry Semon and featuring Oliver Hardy. The film has been released on DVD.
The Midnight Cabaret is a 1923 American film directed by Larry Semon and featuring Oliver Hardy.
Trouble Brewing is a 1924 American silent comedy film featuring Larry Semon, Carmelita Geraghty and Oliver Hardy. A print of the film exists.
Hey, Taxi! is a 1925 American silent comedy film featuring Oliver Hardy.
Rivals is a 1925 American silent comedy film featuring Oliver Hardy.
Wild Papa is a 1925 American silent comedy film featuring Oliver Hardy.
Isn't Life Terrible? is a 1925 American film starring Charley Chase and featuring Oliver Hardy and Fay Wray. This short is a parody on D. W. Griffith's 1924 drama Isn't Life Wonderful (1924). The staircase used in this film is the same outdoor staircase seen in Hats Off (1927) and The Music Box (1932). The staircase still exists in Silver Lake, Los Angeles.
Yes, Yes, Nanette is a 1925 American silent film comedy starring Lyle Tayo and James Finlayson. It also features Oliver Hardy and was co-directed by Stan Laurel. Yes, Yes, Nanette is a parody of the contemporary musical comedy No, No, Nanette.
They All Fall is a 1925 American comedy film featuring Oliver Hardy. It was preserved by the Academy Film Archive in 2007.
The Perfect Clown is a 1925 American silent slapstick comedy film starring Larry Semon and Kate Price. It features an early screen appearance by Oliver Hardy. Directed by Fred C. Newmeyer, the screenplay was written by Thomas J. Crizer, who also wrote the subtitles along with Charlie Saxton.
A Bankrupt Honeymoon is a 1926 American silent comedy film featuring Oliver Hardy.
The Gentle Cyclone is a 1926 American silent Western comedy film directed by W. S. Van Dyke and starring Buck Jones featuring Oliver Hardy. It was produced and released by the Fox Film Corporation. Even though a 38-second movie trailer has survived, The Gentle Cyclone is now a lost film.
Bobby Ray was an American film comedian of the silent era. He appeared in more than sixty short films between 1914 and 1927, including a group from the mid-1920s featuring Oliver Hardy. He was originally a child actor. In addition he directed six short films and two feature films Riley of the Rainbow Division and Dugan of the Dugouts. Following the arrival of sound, Ray developed a new career as an assistant director that continued into the 1950s. Much of his work during this period was for the low-budget studio Monogram Pictures, but he later moved into television.
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