William Ingham Brooke Bennett, is a British flute player, born on 7 February 1936 in London to parents who were both architects.
Lynsey de Paul was an English singer-songwriter. She had chart hits in the UK and Europe in the 1970s, starting with the UK top 10 single "Sugar Me", becoming the first British female artist to achieve a number one with a self-written song. She represented the UK in the Eurovision Song Contest, scoring another chart topping hit in Switzerland and had a successful career as an Ivor Novello Award-winning composer, record producer, actress and television celebrity.
MAM Records was a British record label launched in 1970 by the management company Management Agency & Music Ltd. (MAM). It was founded by Gordon Mills and Tom Jones and distributed by Decca Records. The first single released on MAM was "I Hear You Knocking" by Dave Edmunds in 1970. Later that year, Gilbert O'Sullivan started his run of hit singles on MAM with "Nothing Rhymed", and he also provided MAM with its first hit album in 1971 with Himself. Other hit albums such as Back to Front, I'm a Writer, Not a Fighter, and A Stranger In My Own Back Yard followed.
Marcel Cellier was a Swiss organist, ethnomusicologist and music producer, internationally known for introducing the singing of Le Mystère des Voix Bulgares, and the playing of Gheorghe Zamfir.
Jaime Martín is a Spanish conductor and flautist.
Christopher Gunning is an English composer of concert works and music for films and television.
"Won't Somebody Dance with Me" is a song written by Lynsey de Paul in 1973, which was awarded an Ivor Novello Award in 1974. Her original version of the ballad made the UK, Irish and Dutch Top 20s, and the song was featured in Michael Winner's remake of the film The Big Sleep, The Muppet Show, and the 1970s version of the New Mickey Mouse Club.
Taste Me...Don't Waste Me is the third album by the English singer-songwriter Lynsey de Paul but the second album of completely new material and de Paul also was the producer for all of the songs. It was first released in the UK in November 1974 and was the first album on Don Arden's then new label, Jet Records, later the home of ELO and Ozzy Osbourne but distributed by Polydor, although Island was soon contracted to take over distribution by Jet Records managing director Don Arden. Releases in all other countries, such as Spain, Germany and South America, were on the Polydor label in early 1975. The album was generally well received by music critics from leading magazines of the day. AllMusic journalist Craig Harris stated that "one of the first successful female singer-songwriters in England, de Paul has had an illustrious career" and lists this as one of her best albums. It was also de Paul's personal favourite album and she wrote on her music store website some years later "The Taste Me... Don't Waste Me album was a romantic collection of songs that I wrote and recorded as a relaxing, late night album", echoing earlier comments to the music press. It has stood the test of time in that it is listed as one of the top albums released in 1974 by online site "Best ever albums", as well as one of the top 1000 albums released in the 1970s.
Concerto Grosso in D Blues is an album by flautist Herbie Mann, merging jazz with classical music. It was recorded in 1968 and released on the Atlantic label.
"Ooh I Do" was the fifth single released by Lynsey de Paul and her only single released on the Warner Brothers label, after moving there from MAM Records. Co-written by de Paul and Barry Blue, this Phil Spector-ish song with a nod to the style of the Roy Wood/Wizzard sound, conveys the angst about parents not believing in a teenage love affair represented a change of style for de Paul, who also produced the recording. It was a hit in the UK Singles Chart, and in corresponding charts in Belgium, the Netherlands and Brazil. It reached number 20 on the NME chart.
"My Man and Me" is a song written, recorded and produced by the British female singer-songwriter Lynsey de Paul for her second album, Taste Me... Don't Waste Me, and released as a single on 21 February 1975. It reached the UK top 40 in March 1975 and was de Paul's seventh UK Singles Chart hit. It was listed as one of the best singles of 1975 in the UK music paper Record Mirror. The song also reached No. 23 on the Radio Capital Countdown on 29 March 1975 and No. 27 on the Radio Luxembourg singles chart on 1 April 1975. Despite not being her biggest hit, it is rated the most played de Paul song on the BBC. Notable performances of the song include a live version for The Old Grey Whistle Test,, a live performance on David Nixon's Christmas Magic shown on prime time TV on Christmas Day, and an appearance singing the song on Top of the Pops on 20 February 1975. It was included as one of the tracks on the K-Tel 1976 compilation album 44 Superstars, as well as various Polydor compilation albums such as That's When The Music Gets Me.
Tigers and Fireflies is an album released by Lynsey de Paul in April 1979 on the Polydor record label. It was launched at a special event at the Mayfair Club in London, with de Paul looking similar to the 1940s film star Veronica Lake. The album was recorded at Long View Farm Studios with additional recording at Mediasound and produced by Rupert Holmes. In his 1986 biography, Justin de Villeneuve, de Paul's manager at the time wrote "I gave Rupert Holmes a call in New York. He agreed to see me if I flew to America. Polydor, with the prospect of the involvement with Holmes, agreed to up the budget". The collaboration between de Paul and Holmes on "Tigers and Fireflies" was mentioned on the Ray Shasho Show, when Shasho interviewed Holmes on his BBS radio show on 7 August 2018.
Surprise is the first album released by Lynsey de Paul on the MAM record label in 1973. In Australia, the album name was changed to Sugar Me, after de Paul's first hit single. All of the songs on the album were written or co-written by de Paul, who was accompanied by some of the UK's leading session musicians including Terry Cox, Ralph McTell, Ray Cooper, Jeff Daly, John Gustafson, Chris Rae, Danny Thompson, Gary Boyle, Barry de Souza, Dick Katz, Robert Kirby, Francis Monkman, John Richardson and violinist Johnny Van Derrick. The album front cover is a portrait photo of de Paul photographed by Clive Arrowsmith, and a gatefold sleeve with illustrations provided by de Paul, a nod to her previous career of designing album sleeves and song lyrics. It received favourable reviews from the mainstream music press with adverts proclaiming "the first album from this enormously talented artist" being placed in most of them. Gramophone (magazine) stated "she has a neatly effective knack of songwriting and puts the numbers across in a competent manner. The Sunday Herald wrote "...her first album, Surprise, demonstrated a ready facility for melody and catchy hooks, but also a knack for sidestepping the most predictable pop clichés."
Before You Go Tonight also known as Take Your Time is a Lynsey de Paul album recorded in 1976 for Jet Records, but shelved out of spite by then manager Don Arden, and not released until 1990. Then it appeared as a CD release in Japan on Century Records, and again on the Vivid Sound under licence from Trojan Records. The album was originally called Singer-Songwriter and was finally released on de Paul's music store as Take Your Time, albeit with a slightly different track listing. All of the songs were written by de Paul, except the amusing "You've Either Got It or You Ain't", which was co-written with David Jordan. The album was produced by de Paul. The track "If I Don't Get You The Next One Will" was released as a single in 1976 and this version is included. "My One and Only" is de Paul's version of a song recorded and released in 1975 by her label mates at the time, the British female vocal trio Bones.
"Sugar Me" is a song written by Lynsey de Paul and Barry Green. The first version of this song to be released was recorded by de Paul as her first single on MAM Records in 1972. It was produced by Gordon Mills and the B-side was de Paul's version of "Storm in a Teacup", a song she co-wrote and had been a hit for The Fortunes earlier that year. The single was a hit in many countries, notably reaching the top of the singles charts in the Netherlands, Belgium and Spain as well as the top 20 in the UK, Australia, Germany, Austria, Denmark, Sweden and Japan. It also reached the no. 1 position on the Bangkok HSA charts in October 1972, and was play listed on some US radio stations. It also received favourable reviews in the United States, and was listed as being among the best 5 singles of 1972 by Cashbox. "Sugar Me" was ranked the 14th best selling single of 1972 in the Netherlands, and 80th best selling single of 1972 in the UK. It entered the Netherlands Digital Top 100 on the 5 October 2014, just after De Paul died. The version on de Paul's debut album, Surprise, was a re-recorded and slightly extended version that featured a longer solo by violinist Johnny Van Derek and was produced by de Paul. "Sugar Me" was re-released as a single in 1977 backed with "Won't Somebody Dance With Me" on the MAM label to tie in with the release of her Eurovision Song contest entry "Rock Bottom".
"Hollywood Romance" is a song written by Lynsey de Paul and David Jordan. It was released as a single on Polydor Records on 20 October 1978 in a picture sleeve, almost six years to the day after the release of their last hit collaboration "Getting a Drag", and it was play-listed on BBC Radio 1. The record label for this single was unusual in that it was printed in silver instead of the usual Polydor red label. In Japan, it was released in February 1979 in the same picture sleeve cover with the title in Japanese added, plus the lyrics were included on the back cover. The song name checks a number of classic era Hollywood movies such as King Kong, Last Tango in Paris, The African Queen, Citizen Kane and Tarzan, as well as the popular song "Begin the Beguine", written by Cole Porter that Fred Astaire and Eleanor Powell danced to in the musical film Broadway Melody of 1940. "Hollywood Romance" was influenced by de Paul's move to California in the late 1970s to be with the actor James Coburn. The B-side to the "Hollywood Romance" single was a blues song that de Paul co-wrote with Coburn, entitled "Losin' The Blues For You". Polydor hosted a launch party in London to celebrate the release of "Hollywood Romance" in a Hollywood style setting complete with Busby Berkeley film clips. The single garnered good reviews with UK music weekly, Record Mirror writing "De Paul is set for a comeback ...with this real eye opener". It was playlisted by BBC radio 1 and also was played on Singapore's FM radio station.
Love Bomb is the fourth album released in 1975 by the British singer-songwriter Lynsey de Paul, and her second album released on Jet Records in the UK and Polydor in Germany, Australia and Japan. In the US and Canada, it was released in January 1976 on Mercury Records. The album was recorded at the Marquee Studios, London, England, produced by de Paul and arranged by Tony Hymas, with Terry Cox playing drums, John Dean percussion, Chris Rea guitar and Frank McDonald bass. The striking sleeve cover photo of de Paul in U.S military style clothing was taken by Brian Aris.
Just a Little Time is an album by Lynsey de Paul. It was originally released in 30 September 1994 on the Music Deluxe label but has since been released on the Tring International PLC label and on Arc Records/The Magic Collection. All of the songs on the album are written or co-written by de Paul.
"Rhythm and Blue Jean Baby" is a song that was written and produced by Lynsey de Paul, and released in July 1975 as her third single on the newly designed yellow Jet Record label in the UK, as a follow up to the hit single "My Man and Me". It was released on Polydor in Belgium, France and Germany ; backed with another de Paul composition "Into My Music". The release of the single was also announced in the American music industry magazine Cashbox. The song as well as the lyrics and credits are listed on the Italian music resource "Rockol". The single received favourable reviews, including from DJ and music journalist James Hamilton who, in his first column for Record Mirror, wrote "With a bass line not unlike ‘Bend Me Shape Me’ and some sexy stop/starts, Lynsey makes straight happy pop noises that sound fine to me". It was reported to be a dance floor hit according to a reaction report.
"Taking It On" is a song written by Lynsey de Paul and Ron Roker, and originally published by ATV Music. Although de Paul recorded her own demo version of the song in 1972, her version of the song was not released until 2013 on her Anthology CD album Sugar and Beyond. De Paul also arranged and produced this recording.
