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Horror Victorianorum (terror of the Victorian), coined by the philosopher David Stove, is an extreme distaste or condemnation of Victorian culture, art and design. The term was used in Stove's book The Plato Cult as part of his argument against Karl Popper and other philosophers whom he characterised as "modernists". For Stove, Popper was influenced by the pervasive anti-Victorian mentality of the era, epitomised by Evelyn Waugh's book A Handful of Dust , in which the absurdity of Victorian values is expressed by a parody of "Victorian" conceptions of the civilizing mission of imperialism, when the hero is finally trapped in the Amazonian jungle, forced eternally to read the works of Dickens to a tribal chief.
For Stove, the ascription of absurdity to Victorian culture was essentially a matter of taste, but one so powerful and irrational that it possessed the intensity of religious faith. As a result, it produced a revulsion – rather than a reasoned scepticism – to writers such as the Victorian philosopher of science William Whewell.
Following Stove's usage, the term was taken up by the design historian Shelagh Wilson to refer to modernist distaste for Victorian architecture and design. Wilson argued that "Palissyite" design, influenced by the methods of Bernard Palissy, had been ridiculed and misunderstood by proponents of "Puginite" design, following the proto-modernist principles of Augustus Pugin. Wilson's argument formed part of a reaffirmation of the aesthetic principles of the grotesque.
The argument that distaste for Victorian cultural values ('Anti-victorianism') is irrational has been adopted by other writers, either following Stove's politically conservative attack on liberal thought, or Wilson's critique of modernism.
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Existentialism ( or ) is a form of philosophical inquiry that explores the problem of human existence and centers on the lived experience of the thinking, feeling, acting individual. In the view of the existentialist, the individual's starting point has been called "the existential angst," a sense of dread, disorientation, confusion, or anxiety in the face of an apparently meaningless or absurd world. Existentialist thinkers frequently explore issues related to the meaning, purpose, and value of human existence.
Historicism is the idea of attributing significance to elements of space and time, such as historical period, geographical place, and local culture, in order to contextualize theories, narratives and other interpretative instruments. The term "historicism" (Historismus) was coined by German philosopher Karl Wilhelm Friedrich Schlegel. Over time, what historicism is and how it is practiced have developed different and divergent meanings. Elements of historicism appear in the writings of French essayist Michel de Montaigne (1533–1592) and Italian philosopher G. B. Vico (1668–1744), and became more fully developed with the dialectic of Georg Wilhelm Friedrich Hegel (1770–1831), influential in 19th-century Europe. The writings of Karl Marx, influenced by Hegel, also include historicism. The term is also associated with the empirical social sciences and with the work of Franz Boas. Historicism tends to be hermeneutic because it values cautious, rigorous, and contextualized interpretation of information; or relativist, because it rejects notions of universal, fundamental and immutable interpretations.
Sir Karl Raimund Popper was an Austrian-British philosopher, academic and social commentator.
Modernism is both a philosophical movement and an art movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial world, including features such as urbanization, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach.
Eroticism is a quality that causes sexual feelings, as well as a philosophical contemplation concerning the aesthetics of sexual desire, sensuality, and romantic love. That quality may be found in any form of artwork, including painting, sculpture, photography, drama, film, music, or literature. It may also be found in advertising. The term may also refer to a state of sexual arousal or anticipation of such – an insistent sexual impulse, desire, or pattern of thoughts.
Dialectic or dialectics, also known as the dialectical method, is at base a discourse between two or more people holding different points of view about a subject but wishing to establish the truth through reasoned methods of argumentation. Dialectic resembles debate, but the concept excludes subjective elements such as emotional appeal and the modern pejorative sense of rhetoric. Dialectic may thus be contrasted with both the eristic, which refers to argument that aims to successfully dispute another's argument, and the didactic method, wherein one side of the conversation teaches the other. Dialectic is alternatively known as minor logic, as opposed to major logic or critique.
Aestheticism was an art movement, both practical and theoretical, of the late 19th century supporting an emphasis on aesthetic value and effects— in preference to the socio-political themes and positions— of literature, fine art, music and other arts. This meant that the art of the movement was produced with a view toward being beautiful first and foremost, rather than serving a moral, allegorical, doctrinal or other such purpose — "art for art's sake". It was particularly prominent in England during the late 19th century, supported by notable writers such as Walter Pater and Oscar Wilde, having started in a small way in the 1860s in the studios and houses of a radical group of artists and designers, including William Morris and Dante Gabriel Rossetti, reformers who explored new ways of living in defiance of the design standards of the age as revealed in the 1851 Great Exhibition at Hyde Park, London. Flourishing in the 1870s and 1880s, critic Walter Hamilton was the first writer to name the movement, publishing The Aesthetic Movement in England in 1882.
Leo Strauss was a German-American political philosopher and classicist who specialized in classical political philosophy. Born in Germany to Jewish parents, Strauss later emigrated from Germany to the United States. He spent much of his career as a professor of political science at the University of Chicago, where he taught several generations of students and published fifteen books.
The Open Society and Its Enemies is a work on political philosophy by the philosopher Karl Popper, in which the author presents a "defence of the open society against its enemies", and offers a critique of theories of teleological historicism, according to which history unfolds inexorably according to universal laws. Popper indicts Plato, Georg Wilhelm Friedrich Hegel, and Karl Marx as totalitarian for relying on historicism to underpin their political philosophies.
Obscurantism and Obscurationism describe the practice of deliberately presenting information in an imprecise, abstruse manner designed to limit further inquiry and understanding. There are two historical and intellectual denotations of Obscurantism: (1) the deliberate restriction of knowledge—opposition to disseminating knowledge; and (2) deliberate obscurity—a recondite literary or artistic style, characterized by deliberate vagueness.
David Charles Stove was an Australian philosopher.
Philosophical realism is usually not treated as a position of its own but as a stance towards other subject matters. Realism about a certain kind of thing is the thesis that this kind of thing has mind-independent existence, i.e. that it is not just a mere appearance in the eye of the beholder. This includes a number of positions within epistemology and metaphysics which express that a given thing instead exists independently of knowledge, thought, or understanding. This can apply to items such as the physical world, the past and future, other minds, and the self, though may also apply less directly to things such as universals, mathematical truths, moral truths, and thought itself. However, realism may also include various positions which instead reject metaphysical treatments of reality entirely.
The Republic is a Socratic dialogue, authored by Plato around 375 BC, concerning justice, the order and character of the just city-state, and the just man. It is Plato's best-known work, and has proven to be one of the world's most influential works of philosophy and political theory, both intellectually and historically.
An absurdity is a thing that is extremely unreasonable, so as to be foolish or not taken seriously, or the state of being so. "Absurd" is an adjective used to describe an absurdity, e.g., "Tyler and the boys laughed at the absurdity of the situation." It derives from the Latin absurdum meaning "out of tune", hence irrational. The Latin surdus means "deaf", implying stupidity. Absurdity is contrasted with seriousness in reasoning. In general usage, absurdity may be synonymous with ridiculousness and nonsense. In specialized usage, absurdity is related to extremes in bad reasoning or pointlessness in reasoning; ridiculousness is related to extremes of incongruous juxtaposition, laughter, and ridicule; and nonsense is related to a lack of meaningfulness. Absurdism is a concept in philosophy related to the notion of absurdity.
Literary modernism, or modernist literature, originated in the late 19th and early 20th centuries, mainly in Europe and North America, and is characterized by a self-conscious break with traditional ways of writing, in both poetry and prose fiction writing. Modernism experimented with literary form and expression, as exemplified by Ezra Pound's maxim to "Make it new." This literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of their time. The horrors of the First World War saw the prevailing assumptions about society reassessed, and much modernist writing engages with the technological advances and societal changes of modernity moving into the 20th century.
Alan Musgrave is an English-born New Zealand philosopher.
Articles in social and political philosophy include:
Popper and After: Four Modern Irrationalists is a book about irrationalism by the philosopher David Stove. First published by Pergamon Press in 1982, it has since been reprinted as Anything Goes: Origins of the Cult of Scientific Irrationalism and Scientific Irrationalism: Origins of a Postmodern Cult.
Common sense is sound, practical judgment concerning everyday matters, or a basic ability to perceive, understand, and judge in a manner that is shared by nearly all people.
Antitheatricality is any form of opposition or hostility to theater. Such opposition is as old as theater itself, suggesting a deep-seated ambivalence in human nature about the dramatic arts. Jonas Barish's 1981 book, The Antitheatrical Prejudice, was, according to one of his Berkeley colleagues, immediately recognized as having given intellectual and historical definition to a phenomenon which up to that point had been only dimly observed and understood. The book earned the American Theater Association's Barnard Hewitt Award for outstanding research in theater history. Barish and some more recent commentators treat the anti-theatrical, not as an enemy to be overcome, but rather as an inevitable and valuable part of the theatrical dynamic.