Magic Bus: The Who on Tour is a compilation album by English rock band the Who. It was released as the band's fourth album in the United States by Decca in September 1968 to capitalize on the success of their single of the same name. It is a compilation album of previously released material, and was not issued in the UK, although the album was also released at approximately the same time in Canada. It peaked at #39 on the Billboard 200.
John Symon Asher Bruce was a Scottish musician. He gained popularity as the primary lead vocalist and bassist of rock band Cream. After the group disbanded in 1968, he pursued a solo career and also played with several bands.
Fresh Cream is the debut studio album by the British rock band Cream, consisting of bassist Jack Bruce, guitarist Eric Clapton and drummer Ginger Baker.
Peace in Our Time is the fourth studio album by the Scottish band Big Country, released in 1988.
The Rolling Stones, Now! is the third American studio album by the English rock band the Rolling Stones, released on 13 February 1965 by their initial American distributor, London Records. Although it contains two previously unissued songs and an alternative version, the album mostly consists of songs released earlier in the United Kingdom, as well as the group's recent single in the United States, "Heart of Stone" backed with "What a Shame". Mick Jagger and Keith Richards wrote four of the songs on the album, with the balance composed by American rhythm and blues and rock and roll artists.
"I Feel Free" is a song first recorded by the British rock band Cream. The lyrics were written by Pete Brown, with the music by Jack Bruce. The song showcases the band's musical diversity, effectively combining blues rock with psychedelic pop.
Down in the Groove is the twenty-fifth studio album by American singer-songwriter Bob Dylan, released on May 30, 1988 by Columbia Records.
Yellow Moon is an album by the Neville Brothers, released in 1989. The track "Healing Chant" won best pop instrumental performance at the 32nd (1989) Grammy Awards.
Life in a Tin Can is the Bee Gees' eleventh studio album, released in January 1973.
Hat Trick is the third studio album by the American folk rock trio America, released on Warner Bros. Records in 1973. It peaked at number 28 on the Billboard album chart; it failed to go gold, whereas the group's first two releases had platinum sales. The album produced the single, "Muskrat Love", which reached number 67 on the Billboard singles chart and number 11 on the adult contemporary chart. That song would become a much bigger hit for Captain & Tennille three years later.
One of the Boys is the third solo studio album by the Who's lead vocalist, Roger Daltrey. It was released in 1977, on Polydor in the UK, and MCA in the US. The sessions were recorded at the Who's Ramport Studios during the winter of 1976, and Daltrey allowed students from the local Battersea technical school to film them as an educational project. This also marked the first time that Daltrey had written or co-written a song since "Here for More" in 1970, and Lisztomania in 1975. Daltrey's original choice for producers were Jerry Leiber and Mike Stoller, but they declined.
Who's Last is the second live album by British rock band The Who, recorded in 1982 during what was then billed as the band's "farewell tour". Thus, this album, released in 1984, was to be the band's last album.
Walk a Mile in My Shoes: The Essential '70s Masters is a five-disc box set compilation of the recorded work of Elvis Presley during the decade of the 1970s. It was released in 1995 by RCA Records, catalog number 66670-2, following similar box sets that covered his musical output in the 1950s and both his non-soundtrack and soundtrack work of the 1960s. This set's initial long-box release included a set of collectable stamps duplicating the record jackets of the LP albums on which the tracks in the box set were originally released by RCA. It also includes a booklet with an extensive session list and discography, as well as a lengthy essay by Dave Marsh, some of it excerpted from his 1982 book on Presley. The box set was certified gold by the Recording Industry Association of America on July 15, 1999.
Why Dontcha is the first studio album by power trio West, Bruce and Laing.
Join Together is a box set of live material released from The Who's 1989 25th Anniversary Tour. Several of the tracks were recorded at Radio City Music Hall, New York, and at Universal Amphitheatre, Los Angeles, with the rest from various other concerts during the tour.
Pink Cadillac is the sixth studio album by the American musician John Prine, released in 1979 on Asylum Records. The working title was Storm Windows, which Prine used for his next album.
This Thing Called Wantin' and Havin' It All is the eleventh studio album by American country music band Sawyer Brown. Their fourth studio album for Curb Records, it produced four hit singles on the Billboard country music charts between 1995 and 1996: the title track, "'Round Here", "Treat Her Right", and "She's Gettin' There". "She's Gettin' There" was also the band's first single since 1991's "Mama's Little Baby Loves Me" to miss the country Top 40.
Best of Cream is a compilation album of material recorded from 1966 to 1968 by the rock band Cream, and released shortly after their disbanding. The album was originally released by Cream's U.S. label Atco (Atlantic) Records, and was available on that label during the years 1969–1972. The album was briefly reissued in the U.S. in 1977 by RSO/Polydor Records, to whom U.S. distribution rights for Cream's recordings had reverted by that time. A re-release was pressed in 2014 by Polydor on 180g vinyl.
Five Three One - Double Seven O Four is the 19th UK studio album by the English rock/pop group the Hollies. When rendered as digits, the album title is the band's name upside down in digital number view. The idea is credited to guitarist Terry Sylvester.
Jet Set Jewel is the sixth studio album by Scottish musician Jack Bruce. The album was recorded in 1978 with the same musicians as his previous album, How's Tricks, but was rejected as uncommercial and not released until Polydor Records' Jack Bruce re-issue campaign in 2003.
[2]