 First edition cover | |
| Author | Jonathan Franzen |
|---|---|
| Country | United States |
| Language | English |
| Genre | Essays |
| Publisher | Farrar, Straus and Giroux |
Publication date | October 1, 2002 |
| Media type | Print (Hardback & Paperback) |
| Pages | 278 pp (first edition, hardback) |
| ISBN | 0-374-17327-3 (first edition, hardback) |
| OCLC | 49226197 |
| 814/.54 21 | |
| LC Class | PS3556.R352 H69 2002 |
How to Be Alone is a 2002 book collecting fourteen essays by American writer Jonathan Franzen.
Most of the essays previously appeared in The New Yorker , Harper's Magazine , Details , and Graywolf Forum. In the introductory essay, "A Word About This Book," Franzen notes that the "underlying investigation in all these essays" is "the problem of preserving individuality and complexity in a noisy and distracting mass culture: the question of how to be alone." [1]
Included in the collection are "Why Bother?"—a revised version of "Perchance to Dream," Franzen's infamous 1996 Harper's essay on the novelists' obligation to social realism—and "My Father's Brain," nominated for a 2002 National Magazine Award. The latter essay details the elder Franzen's struggle with Alzheimer's. [2] These experiences informed Franzen’s writing of the character Alfred Lambert in his 2001 novel The Corrections .
The 2003 trade paperback edition includes a fifteenth essay, "Mr. Difficult", on the subject of "difficult" fiction in general and the novels of William Gaddis in particular. To accommodate this additional essay, the essay “Scavenging” was substantially edited.
Janet Maslin, in The New York Times , called the book "captivating but uneven"—"this collection emphasizes [Franzen's] elegance, acumen and daring as an essayist, with an intellectually engaging self-awareness as formidable as Joan Didion's. He's funny, too." Maslin praised the essay "My Father's Brain" as "a tough, haunting account." [3] In The New York Times Book Review , critic A.O. Scott discussed Franzen's, "calm, passionate critical authority." Scott closed,
"At present, in Franzen's humane, pessimistic view, our individuality is under assault from all quarters, and the novel is part of a web of modern institutions—along with the daily mail, the industrial city and the idea of a democratic public sphere—undermined by the irresistible (that is, both unstoppable and undeniably attractive) forces of standardization and privatization. To point this out is, inevitably, to sound like something of a crank, and the accomplishment of this book is to offer its cranky author and his like-minded readers a suitably contradictory and ambiguous consolation: we're not alone." [4]
Jonathan Earl Franzen is an American novelist and essayist. His 2001 novel The Corrections, a sprawling, satirical family drama, drew widespread critical acclaim, earned Franzen a National Book Award, was a Pulitzer Prize for Fiction finalist, earned a James Tait Black Memorial Prize, and was shortlisted for the International Dublin Literary Award. His novel Freedom (2010) garnered similar praise and led to an appearance on the cover of Time magazine alongside the headline "Great American Novelist". Franzen's latest novel Crossroads was published in 2021, and is the first in a projected trilogy.
William Thomas Gaddis, Jr. was an American novelist. The first and longest of his five novels, The Recognitions, was named one of TIME magazine's 100 best novels from 1923 to 2005 and two others, J R and A Frolic of His Own, won the annual U.S. National Book Award for Fiction. A collection of his essays was published posthumously as The Rush for Second Place (2002). The Letters of William Gaddis was published by Dalkey Archive Press in February 2013.
Ben Marcus is an American author and professor at Columbia University. He has written four books of fiction. His stories, essays, and reviews have appeared in publications including Harper's, The New Yorker, The Paris Review, Granta, The New York Times, GQ, Salon, McSweeney's, Time, and Conjunctions. He is also the fiction editor of The American Reader. His latest book, Notes From The Fog: Stories, was published by Alfred A. Knopf in August 2018.
Anatole Paul Broyard was an American writer, literary critic, and editor who wrote for The New York Times. In addition to his many reviews and columns, he published short stories, essays, and two books during his lifetime. His autobiographical works, Intoxicated by My Illness (1992) and Kafka Was the Rage: A Greenwich Village Memoir (1993), were published after his death.
John Barrett "Jay" McInerney Jr. is an American novelist, screenwriter, editor, and columnist. His novels include Bright Lights, Big City, Ransom, Story of My Life, Brightness Falls, and The Last of the Savages. He edited The Penguin Book of New American Voices, wrote the screenplay for the 1988 film adaptation of Bright Lights, Big City, and co-wrote the screenplay for the television film Gia, which starred Angelina Jolie. He was the wine columnist for House & Garden magazine, and his essays on wine have been collected in Bacchus & Me (2000) and A Hedonist in the Cellar (2006). His most recent novel is titled Bright, Precious Days, published in 2016. From April 2010 he was a wine columnist for The Wall Street Journal. In 2009, he published a book of short stories which spanned his entire career, titled How It Ended, which was named one of the 10 best books of the year by Janet Maslin of The New York Times.
Andrew Holleran is the pseudonym of Eric Garber, an American novelist, essayist, and short story writer, born on the island of Aruba. Most of his adult life has been spent in New York City, Washington, D.C., and a small town in Florida. He was a member of The Violet Quill, a gay writer's group that met in 1980 and 1981 and also included Robert Ferro, Edmund White and Felice Picano. Following the critical and financial success of his first novel Dancer from the Dance in 1978, he became a prominent author of post-Stonewall gay literature. Historically protective of his privacy, the author continues to use the pseudonym Andrew Holleran as a writer and public speaker.
Thomas Mallon is an American novelist, essayist, and critic. His novels are renowned for their attention to historical detail and context and for the author's crisp wit and interest in the "bystanders" to larger historical events. He is the author of ten books of fiction, including Henry and Clara, Two Moons, Dewey Defeats Truman, Aurora 7, Bandbox, Fellow Travelers, Watergate, Finale, Landfall, and most recently Up With the Sun. He has also published nonfiction on plagiarism, diaries, letters and the Kennedy assassination, as well as two volumes of essays.
Anthony Oliver Scott is an American journalist and cultural critic, known for his film and literary criticism. After starting his career at The New York Review of Books, Variety, and Slate, he began writing film reviews for The New York Times in 2000, and became the paper's chief film critic in 2004, a title he shared with Manohla Dargis. In 2023, he moved to The New York Times Book Review.
Janet R. Maslin is an American journalist, best known as a film and literary critic for The New York Times. She served as a Times film critic from 1977 to 1999 and as a book critic from 2000 to 2015. In 2000, Maslin helped found the Jacob Burns Film Center in Pleasantville, New York. She is president of its board of directors.
Tod Wodicka is an American author who grew up in Queensbury, New York. He has lived in Manchester, England; Prague; Rock City Falls; and Moscow. He currently lives in Berlin, Germany.
Worth the Fighting For is a 2002 book by John McCain with Mark Salter. Published by Random House, it is part autobiography, part mini-biographies of others.
Columbine is a non-fiction book written by Dave Cullen and published by Twelve on April 6, 2009. It is an examination of the Columbine High School massacre, on April 20, 1999, and the perpetrators Eric Harris and Dylan Klebold. The book covers two major storylines: the killer's evolution leading up to the attack, and the survivors' struggles with the aftermath over the next decade. Chapters alternate between the two stories. Graphic depictions of parts of the attack are included, in addition to the actual names of friends and family.
Freedom is a 2010 novel by American author Jonathan Franzen. It was published by Farrar, Straus and Giroux. Freedom received general acclaim from book critics, was ranked one of the best books of 2010 by several publications, and called by some critics the "Great American Novel". In 2022, it was announced that Freedom would be adapted for television.
The Corrections is a 2001 novel by American author Jonathan Franzen. It revolves around the troubles of an elderly Midwestern couple and their three adult children, tracing their lives from the mid-20th century to "one last Christmas" together near the turn of the millennium. The novel was awarded the National Book Award in 2001 and the James Tait Black Memorial Prize in 2002.
Robert W. Cort is an American film producer. Since 1985 he has produced forty-eight feature films which have grossed more than $2.5 billion in worldwide box office. These include: On the Basis of Sex, Three Men and a Baby, Cocktail, Jumanji, Bill & Ted's Excellent Adventure, Revenge of the Nerds II: Nerds in Paradise, The Cutting Edge, Against the Ropes, Runaway Bride, and Save the Last Dance.
"Why Bother?", originally published as "Perchance to Dream: In the Age of Images, a Reason to Write Novels", is a literary essay by American novelist Jonathan Franzen. It is often referred to as "The Harper's Essay". First published in the April 1996 issue of Harper's magazine, the essay concerns the persistence of reading within the context of technological growth and distraction. Franzen recounts his meditations on the state and possibility of the novel form, often against the backdrop of his personal experience, eventually concluding that the novel still has potential cultural agency in the United States, and often gains it by paradoxical drives of both culture and author.
Farther Away is a 2012 collection of essays by the American writer Jonathan Franzen.
"Mr. Difficult", subtitled "William Gaddis and the problem of hard-to-read books", is a 2002 essay by Jonathan Franzen that appeared in the 9/30/2002 issue of The New Yorker. It was reprinted in the paperback edition of How to Be Alone without the subtitle.
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