 | |
| Frequency | Quarterly |
|---|---|
| Circulation | 1,500 |
| Publisher | Matica hrvatska |
| First issue | 1928 (1st run); 1951 (2nd run); 2001 (present run) |
| Country | Croatia |
| Based in | Zagreb |
| Language | Croatian |
| ISSN | 1330-2493 |
Hrvatska revija (English: Croatian Review or HR) is a Croatian quarterly published by Matica hrvatska (MH) based in Zagreb.
The magazine's original run lasted between 1928 and 1945 when it was published by MH and during which it became a renowned literary and cultural magazine. [1] The magazine was published regularly from 1929 onwards and its editor from 1930 was Blaž Jurišić. [2] In 1932 Miroslav Krleža, August Cesarec and a group of younger left leaning authors left the magazine which exposed them to nationalist and clerical attacks on them. [2] The publication of the magazine came to an abrupt end in 1945 as the magazine was banned by the Yugoslav communist authorities following the end of World War II.
In 1951 it was re-established abroad in Buenos Aires, Argentina by Croatian émigrés Vinko Nikolić and Antun Bonifačić. [1] Apart from literary pieces, the magazine started publishing memoir and travel writing as well as nonfiction. In 1966 the magazine moved to Europe and was published for a time in Paris, and then in Munich, before settling in Barcelona. During this time the magazine developed a following in the Croat émigré community and became one of its two most widely read magazines, along with the largely news-oriented bi-weekly Nova Hrvatska (New Croatia) based in London. [1]
Following the breakup of Yugoslavia and Croatia's independence in 1991, its long-time editor Vinko Nikolić returned to Zagreb and the magazine began to be published by Matica hrvatska, which was re-established in 1990 after having been dissolved in 1972, in the aftermath of the Croatian Spring. [3] However, the magazine's popularity rapidly dwindled in the 1990s. In 2001 MH's quarterly Kolo took on the role as the institution's flagship literary magazine, while Hrvatska revija changed focus and began to be centered on articles covering various aspects of Croatian history, travelogues, Croatian communities abroad and occasional opinion pieces. [1] The magazine also changed its visual identity which was more in line with the original 1930s design and restarted its numeration. [1]
Ivan Meštrović was a Croatian and Yugoslav sculptor, architect, and writer. He was the most prominent modern Croatian sculptor and a leading artistic personality in contemporary Zagreb. He studied at Pavle Bilinić's Stone Workshop in Split and at the Academy of Fine Arts Vienna, where he was formed under the influence of the Secession. He traveled throughout Europe and studied the works of ancient and Renaissance masters, especially Michelangelo, and French sculptors Auguste Rodin, Antoine Bourdelle and Aristide Maillol. He was the initiator of the national-romantic group Medulić. During the First World War, he lived in emigration. After the war, he returned to Croatia and began a long and fruitful period of sculpture and pedagogical work. In 1942 he emigrated to Italy, in 1943 to Switzerland and in 1947 to the United States. He was a professor of sculpture at the Syracuse University and from 1955 at the University of Notre Dame in South Bend, Indiana.
The Croatian Spring, or Maspok, was a political conflict that took place from 1967 to 1971 in the Socialist Republic of Croatia, at the time part of the Socialist Federal Republic of Yugoslavia. As one of six republics comprising Yugoslavia at the time, Croatia was ruled by the League of Communists of Croatia (SKH), nominally independent from the League of Communists of Yugoslavia (SKJ), led by President Josip Broz Tito. The 1960s in Yugoslavia were marked by a series of reforms aimed at improving the economic situation in the country and increasingly politicised efforts by the leadership of the republics to protect the economic interests of their respective republics. As part of this, political conflict occurred in Croatia when reformers within the SKH, generally aligned with the Croatian cultural society Matica hrvatska, came into conflict with conservatives.
Dragutin Tadijanović was a Croatian poet, and in his native Croatia he is referred to as a "Bard."
August Cesarec was a Croatian writer and communist activist from the interwar period.
Petar Preradović was a Croatian poet, writer, and military general. He was one of the most important Croatian poets of the 19th century Illyrian movement and the main representative of romanticism in Croatia.
Matica hrvatska is the oldest independent, non-profit and non-governmental Croatian national institution. It was founded on February 2, 1842 by the Croatian Count Janko Drašković and other prominent members of the Illyrian movement during the Croatian National Revival (1835–1874). Its main goals are to promote Croatian national and cultural identity in the fields of art, science, spiritual creativity, economy and public life as well as to care for social development of Croatia.
Vijenac is a biweekly magazine for literature, art and science, established in December 1993 and published by Matica hrvatska, the central national cultural institution in Croatia.
The Croatian Publishing and Bibliographic Institute was a lexicographic institute in the Independent State of Croatia founded on August 9, 1941. Mate Ujević was its director. In 1944, Dragutin Tadijanović became the literary secretary of the institute. With the creation of communist Yugoslavia in 1945, the institute's work was stopped.
The Slovene Society is the second-oldest publishing house in Slovenia, founded on 4 February 1864 as an institution for the scholarly and cultural progress of Slovenes.
Viktor Vida was a Croatian writer.
Hugo Badalić was a Croatian writer.
Croatian literature refers to literary works attributed to the medieval and modern culture of the Croats, Croatia, and Croatian. Besides the modern language whose shape and orthography were standardized in the late 19th century, it also covers the oldest works produced within the modern borders of Croatia, written in Church Slavonic and Medieval Latin, as well as vernacular works written in Čakavian and Kajkavian dialects.
Ivan Slamnig was a Croatian poet, novelist, literary theorist and translator.
Spremnost was a weekly newsmagazine of the Ustaše movement with articles about many topics like politics, war, economy and culture. It was published in Zagreb from early 1942 to the collapse of the Independent State of Croatia in May 1945. Its publication was restarted in 1957 in Sydney by Fabijan Lovoković, a former Ustaše Youth member who had fled to Australia in 1950. Publication of the magazine ceased in 2007.
Mladen Lorković was a Croatian politician and lawyer who became a senior member of the Ustaše and served as the Foreign Minister and Minister of Interior of the Independent State of Croatia (NDH) during World War II. Lorković led the Lorković-Vokić plot, an attempt to establish a coalition government between the Ustaše and the Croatian Peasant Party and align the Independent State of Croatia with the Allies.
Vinko Nikolić was a Croatian writer, poet and journalist, and a high-ranking official in the Independent State of Croatia (NDH). After the downfall of NDH, he emigrated to Buenos Aires, Argentina, where he lived in exile until returning to Croatia, several years before his death.
Vladimir Košak was a Croatian economist, lawyer, politician and NDH diplomat, hanged for war crimes after World War II.
Ante Nikšić was a Croatian lawyer and politician who served as Minister of Interior of the Independent State of Croatia between 1942 and 1943.
Croatian Writers' Association is the official association of Croatian writers. It was founded in 1900 in Zagreb with the goal "to unite writers and help them support one another, and promote Croatian literature regardless of political objectives", "to protect the interests and increase the reputation of writers" and "supports its members and their orphans." The DHK's president is Hrvojka Mihanović Salopek, while Željka Lovrenčić and Mirko Ćurić are vice-presidents.
Rijeka Philological School was a 19th-century philological school that operated in Rijeka, offering a set of solutions for the issues involved in the standardization of Croatian literary language. It was led by Fran Kurelac.
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