Hurry Up and Wait | ||||
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Studio album by | ||||
Released | August 6, 2002 | |||
Recorded | Ardent Studios Memphis, Tennessee | |||
Genre | Pop punk | |||
Label | Columbia | |||
Producer | Paul Ebersold | |||
Riddlin' Kids chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | link |
Hurry Up and Wait is the debut album from the punk rock band Riddlin' Kids. It was released August 6, 2002 under major label Columbia Records. The album features the song "I Feel Fine", "Pick Up the Pieces", featured in ATV Offroad Fury 2 .
Document is the fifth studio album by American rock band R.E.M., released on August 31, 1987, by I.R.S. Records. It was the first album by the band to be produced by Scott Litt.
"It's the End of the World as We Know It (And I Feel Fine)" is a song by American rock band R.E.M., which first appeared on their 1987 album, Document. It was released as the album's second single in November 1987, reaching No. 69 in the US Billboard Hot 100 and later reaching No. 39 on the UK Singles Chart on its re-release in December 1991.
"I Feel Fine" is a song by the English rock band the Beatles that was released in November 1964 as the A-side of their eighth single. It was written by John Lennon and credited to the Lennon–McCartney partnership. The recording includes one of the earliest uses of guitar feedback in popular music.
Road Movie is a documentary-style film by rock group R.E.M., released on both VHS and DVD, charting the conclusion of the band's 1995 worldwide tour in support of Monster, their album released the previous year. Directed by Peter Care, the ninety-minute-long footage features nineteen songs performed over the final three nights of the tour, at The Omni in Atlanta, Georgia. The set-list reads very much like a complete R.E.M. show—gigs on the Monster tour were opened by either "I Took Your Name" or "What's the Frequency, Kenneth?", while the last song of the night was invariably "It's the End of the World as We Know It ". The film is a companion piece to the Tourfilm documentary, which chronicles the band's 1989 tour on the back of the previous year's album Green.
Pop Screen is a video feature compiling all of R.E.M.'s Document and Green-era promotional videos. It was released on VHS on July 1, 1990, and on DVD format on August 22, 2000, both on the Warner Brothers label.
And I Feel Fine... The Best of the I.R.S. Years 1982–1987 is a compilation album by American band R.E.M. It features songs from the band's years at I.R.S. Records. All tracks have been remastered, and the set was released 12 September 2006. A companion DVD, titled When the Light Is Mine, was released the same day.
9 is the seventh studio album by Public Image Ltd, but their ninth full-length release including the live albums Paris au Printemps and Live in Tokyo. It was released in May 1989 on the Virgin Records label.
Mary Wilson is the debut solo album by the founding Supremes member, Mary Wilson, released on the Motown label in 1979.
The studio practices of the Beatles evolved during the 1960s and, in some cases, influenced the way popular music was recorded. Some of the effects they employed were sampling, artificial double tracking (ADT) and the elaborate use of multitrack recording machines. They also used classical instruments on their recordings and guitar feedback. The group's attitude towards the recording process was summed up by Paul McCartney: "We would say, 'Try it. Just try it for us. If it sounds crappy, OK, we'll lose it. But it might just sound good.' We were always pushing ahead: Louder, further, longer, more, different."
"Ages of You" is a song by the band R.E.M. from their album Dead Letter Office. It was one of the early songs the group wrote.
Any Day Now is an extended play by Austin, Texas based punk rock band Riddlin' Kids. It features three songs that would later appear on the Riddlin' Kids' debut album Hurry Up and Wait, including "See the Light", "It's The End of the World As We Know It", and their first single, "I Feel Fine". The EP was sold while the Riddlin' Kids were on tour with Goldfinger and Reel Big Fish, and it helped the new band to find airtime on local Austin radio.
Surprise Your Pig: A Tribute to R.E.M. is a tribute album of the songs of R.E.M. released in 1992. The release has received positive reviews from critics.
Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011 is a 2011 greatest hits album from alternative rock band R.E.M. Intended as a coda on their career, this is the first compilation album that features both their early work on independent record label I.R.S. Records in addition to their 10 studio releases through Warner Bros. Records. The double-disc retrospective was released through Warner Bros. on November 11, 2011, and was compiled by the band members; the existence of the compilation was revealed simultaneously with the group's announcement that they were disbanding on September 21, 2011.
"Picking Up the Pieces" is a song by English recording artist Paloma Faith from her second studio album Fall to Grace. Produced by Nellee Hooper and written by Faith, Wayne Hector and Tim Powell, it was released as the album's first single on 18 May 2012. Faith revealed "Picking Up the Pieces" was inspired by the issues and insecurity of dating someone who is recovering from a previous relationship. The artwork for the single was revealed on 5 April 2012.
It's the End of the World as We Know It is the debut EP by American electro house musician Steve Aoki. It was released on December 11, 2012 through Dim Mak Records. The 3-track extended play includes five guest appearances from Angger Dimas, My Name Is Kay, Dan Sena, Miss Palmer, and Rune RK.
Live in Concert is a collaborative EP by American rappers Wiz Khalifa and Curren$y. The EP was released on April 20, 2013, by Jet Life Recordings and Rostrum Records, and consists of the two rapping over songs from Bobbi Humphrey's Fancy Dancer album. The EP was originally planned to be released as a free mixtape in August 2012, but was released to retail as a way to avoid sample clearance issues.
Doubleback: Evolution of R&B is the eleventh studio album by American singer Joe. It was released through Massenburg Media on July 2, 2013 in the United States. His debut with the label, following the dissolution of his former record company, the album incorporates classic rhythm and blues influences and features bits and pieces from 1970s' funk and soul. Joe produced half of the album, while Derek "D.O.A." Allen, The Ambassadorz, and production duo Stargate were consulted to contribute additional material.
Unplugged: The Complete 1991 and 2001 Sessions is a 2014 live album from alternative rock band R.E.M., released initially on vinyl recordings through Rhino Records for Record Store Day, and later made available on compact disc and digitally. The album is composed of two performances that the band made on the U.S. television show MTV Unplugged. Among the album's 33 tracks are 11 performances which were not aired on either broadcast. To promote the album, Mike Mills signed copies at independent record store Bull Moose in Scarborough, Maine. Video of the concerts was released later that year on REMTV.
Blood In, Blood Out is the tenth studio album by American thrash metal band Exodus. It was released on October 14, 2014 through Nuclear Blast, and is the band's first album with vocalist Steve "Zetro" Souza since 2004's Tempo of the Damned. The album also saw a reunion with original guitarist Kirk Hammett, who plays the guitar solo on "Salt the Wound". Blood In, Blood Out received generally favorable critical reviews, and it entered the Billboard 200 at number 38—the band's highest U.S. chart position to date. Exodus promoted the album with its first concert tour with Souza since he left the band in 2004, due to a feud with guitarist Gary Holt. This is also the only studio album the band released whilst Holt did double duties with Exodus and Slayer, the latter of where Holt had filled in for the late Jeff Hanneman until their disbandment in 2019.
"I Won't Be the One to Let Go" is a song recorded by American singers Barbra Streisand and Barry Manilow for the former's sixth compilation album, Duets (2002). It was released as the album's only single on November 4, 2002, by Columbia Records. The track was written and produced by Richard Marx with additional songwriting coming from Manilow and additional production handled by Walter Afanasieff. Initially an airplay and streaming-only single in the United States, a promotional CD single of "I Won't Be the One to Let Go" was released and includes the radio edit and album version of the song.