Hyperrealism is a term coined by the composer Noah Creshevsky to describe a musical language for his and his colleagues' compositional aesthetic. Creshevsky defines this language as "Hyperrealism is an electroacoustic musical language constructed from sounds that are found in our shared environment ("realism"), handled in ways that are somehow exaggerated or excessive ("hyper")." [1] [2] [3]
Postminimalism is an art term coined by Robert Pincus-Witten in 1971 and used in various artistic fields for work which is influenced by, or attempts to develop and go beyond, the aesthetic of minimalism. The expression is used specifically in relation to music and the visual arts, but can refer to any field using minimalism as a critical reference point. In music, "postminimalism" refers to music following minimal music.
Kyle Eugene Gann is an American composer, professor of music, critic, analyst, and musicologist who has worked primarily in the New York City area. As a music critic for The Village Voice and other publications, he has supported progressive music, including such "downtown" movements as postminimalism and totalism.
Downtown music is a subdivision of American music, closely related to experimental music, which developed in downtown Manhattan in the 1960s.
Minimal music is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non-teleological, and non-representational approach, and calls attention to the activity of listening by focusing on the internal processes of the music.
Trimpin is a German born kinetic sculptor, sound artist, and musician currently living in Seattle and Tieton, Washington.
Totalism is a style of art music that arose in the 1980s and 1990s as a response to minimalism. It paralleled postminimalism but involved a younger generation of creators, born in the 1950s. This term, invented by writer and composer Kyle Gann, has not been adopted by contemporary musicology and generally still refers only to Gann's use of it in his writings. It is also used to refer to a radically economically left and authoritarian political ideology in the fictional Hearts of Iron IV mod "Kaiserreich", although the two are unrelated.
Alex Shapiro is a composer of acoustic and electroacoustic music favoring combinations of modal harmonies with chromatic ones, and often emphasizing strong pulse and rhythm.
Black Dice is an American experimental noise music band based in Brooklyn, New York and consisting of brothers Bjorn and Eric Copeland along with Aaron Warren. Formed in 1997, the group was initially inspired by hardcore and noise rock, but subsequently shifted toward the extensive use of signal processing, effects units, and electronic instrumentation. They released their debut album Beaches & Canyons in 2002. They have recorded for labels such as DFA, Fat Cat, and Animal Collective's Paw Tracks.
Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is considered an advancement of photorealism by the methods used to create the resulting paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed since the early 1970s. Carole Feuerman is the forerunner in the hyperrealism movement along with Duane Hanson and John De Andrea.
Noah Creshevsky was a composer and electronic musician born in Rochester, New York. He used the term hyperrealism to describe his work.
Robert Voisey is a composer and producer of electroacoustic and chamber music. He founded Vox Novus in 2000 to promote the music of contemporary composers and in 2001 created The American Composer Timeline, the first in-depth listing of American composers, spanning from 1690 to the present, to appear on the Internet. A producer of new music and multi-media concerts and events, Voisey is best known for producing the 60x60 project, which he started in 2003 in order to promote contemporary composers and their music. He also founded and directs the Composer's Voice Concert Series as well as the chamber music project Fifteen Minutes of Fame as well as vice president of programs for the Living Music Foundation.
Judy Dunaway is a conceptual sound artist, avant-garde composer, free improvisor and creator of sound installations who is primarily known for her sound works for latex balloons. Since 1990 she has created over thirty works for balloons as sound conduits and has also made this her main instrument for improvisation.
Dennis Báthory-Kitsz is a Hungarian-American author and composer.
Robert Carl is an American composer who currently resides in Hartford, Connecticut. He was chair of the composition program at the Hartt School, University of Hartford.
Kalvos & Damian New Music Bazaar is a contemporary new music program hosted by Kalvos and Damian, the alter egos of the composers Dennis Bathory-Kitsz and David Gunn. Beginning in 1995, the program aired for over 10 years on Goddard College's radio station WGDR 91.1 FM Plainfield, Vermont and is now archived on the Internet.
The Composer's Voice Concert Series is a concert series in New York City which presents contemporary chamber music. The series is produced by Vox Novus and was founded in 2001 by the composer Robert Voisey. Currently directed by Voisey, Composer's Voice holds concerts at The Firehouse Space on the third Thursday of every month. John de Clef Pineiro, in New Music Connoisseur, wrote, "[Vox Novus offers] the presentation of serious works by established and emerging composers. Those voices should be heard, and they can even be reheard on the Vox Novus website that generously offers complete audio recordings and even full scores of works presented by Vox Novus at its concerts."
Marco Oppedisano is an American guitarist and composer whose compositions focus on the innovative use of electric guitar in the genre of electroacoustic music. His musique concrète/acousmatic music compositions have utilized multitrack recording and extended performance techniques for electric guitar, nylon string guitar and electric bass. In addition to musique concrète, compositions by Oppedisano also consist of "live" electric guitar in combination with a fixed playback of various electronic, acoustic and sampled sounds.
John McGuire is an American composer, pianist, organist, and music editor.
The Well-Tuned Piano is an ongoing improvisatory solo piano work begun in 1964 by La Monte Young. Young has never considered the composition or performance of this piece finished, and he has performed it differently several times since its debut in 1974. The composition requires a piano tuned in just intonation.
Patrick Grant is a Detroit-born American composer living and working in New York City. His works are a synthesis of classical, popular, and world musical styles that have found place in concert halls, film, theater, dance, and visual media over three continents. Over the last three decades, his music has moved from post-punk and classically bent post-minimal styles, through Balinese-inspired gamelan and microtonality, to ambient, electronic soundscapes involving many layers of acoustic and electronically amplified instruments. Throughout its evolution, his music has consistently contained a "...a driving and rather harsh energy redolent of rock, as well as a clean sense of melodicism...intricate cross-rhythms rarely let up..." Known as a producer and co-producer of live musical events, he has presented many concerts of his own and other composers, including a 2013 Guinness World Record-breaking performance of 175 electronic keyboards in NYC. He is the creator of International Strange Music Day and the pioneer of the electric guitar procession Tilted Axes.