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I'm Gonna Git You Sucka | |
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![]() Theatrical release poster | |
Directed by | Keenen Ivory Wayans |
Produced by |
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Written by | Keenen Ivory Wayans |
Starring | |
Music by | David Michael Frank |
Cinematography | Tom Richmond |
Edited by | Michael R. Miller |
Distributed by | United Artists |
Release date |
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Running time | 89 minutes [1] |
Country | United States |
Language | English |
Budget | $3 million |
Box office | $13 million [1] |
I'm Gonna Git You Sucka is a 1988 American blaxploitation parody film written, directed by, and starring Keenen Ivory Wayans in his feature film directorial debut. Featured in the film are several noteworthy African-American actors who were part of the genre of blaxploitation: Jim Brown, Bernie Casey, Antonio Fargas, and Isaac Hayes. Other actors in the film are Kadeem Hardison, Ja'net Dubois, John Witherspoon, Damon Wayans, Clarence Williams III, and Chris Rock. The film is also the film debut of comedian Robin Harris, who appears as a bartender.
The film's main villain, "Mr. Big," was played by John Vernon.
Soldier Jack Spade returns home to Any Ghetto, U.S.A. after receiving news that his brother, Junebug, died of an "OG" – overdosing on gold chains. Surveying the old neighborhood, Jack observes the effect of gold chains on his community and desires revenge not only for his brother's death, but for the community at large. He vows to destroy Mr. Big, the neighborhood chain lord responsible for the epidemic that claimed Junebug's life. Jack asks for the aid of his childhood idol and local hero John Slade in planning the demise of Mr. Big's empire. Together, they form a team including Kung Fu Joe, Flyguy, Slammer, and Hammer. With the help of his crew, Jack sets out to take down Mr. Big and the gold trade in the streets.
The film was written and directed by then first time director Keenan Ivory Wayans. The inspiration behind the film came from Wayans, who is a fan of blaxploitation films, and his childhood spent growing up watching these films as they made up the majority of black films on the movie screen during the 1960s and 1970s. Sitting with friends and making fun of the genre struck the idea for the film in Wayans. [2] Before making I’m Gonna Git You Sucka, Wayans spent five years earning credentials for films such as Hollywood Shuffle and Eddie Murphy Raw . Eddie Murphy suggested the concept of a blaxploitation parody and its title. [3] Once Wayans earned enough credibility to have his film picked up by a studio and a budget of $3 million, Wayans filmed his debut feature film in 32 days. It grossed a total of $3 million in the box office in the first month of the film's release. [2]
I'm Gonna Git You Sucka has a rating of 64% on Rotten Tomatoes, the critical consensus on the website saying that the film "puts a satirical spin on '70s nostalgia with a comedy whose somewhat scattershot laughs are often offset by pure energetic silliness." [4]
The film opened with rave responses from the black community. African-American audience members were thrilled to attend the screening of a movie filled with black actors about a black film genre. [5] I’m Gonna Git You Sucka received critical receptions that were wide-ranging and numerous in viewpoint. To the urban public, the parody film perfectly captured the era of blaxploitation films in the 1960s and 1970s. [6] Critics also noted Wayans’ ability to satirically capture the era of the “Buck” in blaxploitation film: the white man's notion of the all-powerful brutal black man. [7]
In her analysis of the film, Harriet Margolis writes that this is not because “[Jack] consciously chooses to reject his mother’s values as that he wants to establish his own based on the macho heroic values he learned during the heyday of blaxploitation films." [8]
Robert Sklar wrote “The [blaxploitation film] movement quickly developed into a phenomenon not of an African-American audience but of a specific subgroup, a segment of a segment: young urban males,” so often the perspective and narratives of young black women were left out or included as the background in many of these films during the 1970s. [9]
Critics of the film argued that the film not only failed at producing humor in its use of black stereotypes, but generally was not funny. Chicago Sun-Times film critic Roger Ebert wrote I’m Gonna Git You Sucka is “a comedy that feeds off the blaxploitation movie, and although, like all good satires, it is cheerfully willing to be offensive, it is almost completely incapable of being funny.” There was also a concern about the perception of the film by the white movie going audience. The film's villain, Mr. Big, is not only a white man, but a white man responsible for the deterioration of an inner city black community. [5]
On December 15, 1990, the hour-long television pilot titled Hammer, Slammer, & Slade was shown on ABC-TV. [10] It was directed by Michael Schultz.
Isaac Hayes (Hammer), Jim Brown (Slammer), and Bernie Casey (Slade) continued in their parts from the movie I'm Gonna Git You Sucka. Also returning were Ja'net Dubois and Steve James. Although Keenen Ivory Wayans wrote the pilot, and he served as the executive producer, he did not appear in this pilot. Instead, the character of Jack Spade was portrayed by Eriq La Salle. Also acting in the pilot was the little-known (at the time) Martin Lawrence in Kadeem Hardison's former role as Willie "Ya-te-dee" (Mr. Big's nephew and one of his henchmen). Bentley Kyle Evans played the role of Lenny (Willie's sidekick).
Hammer, Slammer, & Slade was not sold to any TV network, but it was shown several times in syndication.
In Living Color is an American sketch comedy television series that originally ran on Fox from April 15, 1990 to May 19, 1994. Keenen Ivory Wayans created, wrote and starred in the program. The show was produced by Ivory Way Productions in association with 20th Television and was taped at stage 7 at the Fox Television Center on Sunset Boulevard in Hollywood, California.
Keenen Ivory Desuma Wayans Sr. is an American actor, comedian, filmmaker, and a member of the Wayans family of entertainers. He first came to prominence as the host and the creator of the 1990–1994 Fox sketch comedy series In Living Color. He has produced, directed and/or written several films, starting with Hollywood Shuffle, which he cowrote, in 1987.
Marlon Lamont Wayans is an American actor, comedian, writer, and producer. Wayans began his career portraying a pedestrian in I'm Gonna Git You Sucka (1988). He went on to regularly collaborate with his brother Shawn Wayans on The WB sitcom The Wayans Bros. (1995–1999), and in the comedy films Scary Movie (2000), Scary Movie 2 (2001), White Chicks (2003), Little Man (2006), and Dance Flick (2009). Wayans had a dramatic role in Darren Aronofsky's critically acclaimed film Requiem for a Dream (2000), which saw his departure from the usual comedies.
Kim N. Wayans is an American actress, comedian, producer, writer and director. Wayans is the sister of Keenen Ivory, Damon Sr., Marlon, Shawn and Nadia Wayans. She is best known for her numerous roles on the Fox sketch comedy show In Living Color (1990–94), and Tonia Harris on In the House (1995–98). Wayans is also best known as the noted family matriarch of The Wayans Family.
Shawn Mathis Wayans is an American actor, comedian, writer, producer, and DJ. Along with his brother Marlon Wayans, he wrote and starred in The WB sitcom The Wayans Bros.(1995–1999), and in the comedy films Don’t Be a Menace (1996), Scary Movie (2000), Scary Movie 2 (2001), White Chicks (2003), Little Man (2006), and Dance Flick (2009).
David Alan Grier is an American actor and comedian. He is best known for his work on the sketch comedy television show In Living Color, as David Bellows on Life with Bonnie (2002-2004), as Joe Carmichael on The Carmichael Show (2015-2017), as Hal on A Series of Unfortunate Events (2018); and for his movie roles such as Roger in Streamers (1983), Carl Bentley in Jumanji (1995), and Jim Fields in Bewitched (2005).
Antonio Juan Fargas is an American actor known for his roles in 1970s blaxploitation movies, as well as his portrayal as Huggy Bear in the 1970s TV series Starsky & Hutch.
John Shaft is a fictional character created by screenwriter Ernest Tidyman. He was portrayed by Richard Roundtree in the original 1971 film and in its four sequels, Shaft's Big Score! (1972), Shaft in Africa (1973), Shaft (2000) and Shaft (2019), with Samuel L. Jackson portraying his son, named John Shaft II, in Shaft (2000) and Shaft (2019), and Jessie Usher portraying the character's grandson in Shaft (2019). The blurb on the paperback on which the original film is based states Shaft is "Hotter than Bond, cooler than Bullitt."
John Keith Vernon was a Canadian actor. He made a career in Hollywood after achieving initial television stardom in Canada. He was best known for playing Dean Wormer in Animal House, the Mayor in Dirty Harry and Fletcher in The Outlaw Josey Wales.
Kadeem Hardison is an American actor. He is best known for his role as Dwayne Wayne on A Different World, a spin-off of the long-running NBC sitcom The Cosby Show. He also starred in the Disney Channel series K.C. Undercover as Craig Cooper, the title character's father. Hardison played Norman in OWN's Love Is before it was cancelled. As of 2019, he is starring in the Showtime comedy Black Monday.
Steve James was an American actor, stunt performer and martial artist. He starred mostly in action films such as the American Ninja series, The Delta Force (1986), The Exterminator (1980), and Enter the Game of Death (1978). James also portrayed Kung Fu Joe in the 1988 comedy/spoof film I'm Gonna Git You Sucka, and its 1990 television pilot spinoff Hammer, Slammer, & Slade.
Don't Be a Menace to South Central While Drinking Your Juice in the Hood is a 1996 American crime comedy parody film directed by Paris Barclay in his feature film directorial debut, and produced by Keenen Ivory Wayans, and also written by Wayans brothers Shawn and Marlon Wayans, who also both starred in the lead roles. The film was released in the United States on January 12, 1996.
Three the Hard Way is a 1974 action blaxploitation film directed by Gordon Parks Jr., written by Eric Bercovici and Jerrold L. Ludwig, and starring Fred Williamson, Jim Brown, and Jim Kelly.
Hollywood Shuffle is a 1987 American satirical comedy film about the racial stereotypes of African Americans in film and television. The film tracks the attempts of Bobby Taylor to become a successful actor and the mental and external roadblocks he encounters, represented through a series of interspersed vignettes and fantasies. Produced, directed, and co-written by Robert Townsend, the film is semi-autobiographical, reflecting Townsend's experiences as a black actor when he was told he was not "black enough" for certain roles.
Vampire in Brooklyn is a 1995 American comedy horror film directed by Wes Craven. Eddie Murphy, who also produced and stars in the film, wrote the film's script, alongside Vernon Lynch and Murphy's older brother Charles Q. Murphy. Vampire in Brooklyn co-stars Angela Bassett, Allen Payne, Kadeem Hardison, John Witherspoon, Zakes Mokae, and Joanna Cassidy. Murphy also plays an alcoholic preacher and a foul-mouthed Italian gangster.
Ms. Melodie, the stage name of Ramona Parker, was an American emcee. She was associated with KRS-One's group Boogie Down Productions (BDP) and was for a time married to KRS-One. She was described by Vibe as "one of the ladies who could sonically spar with the fellas, spit raw lyrics, rhyme from a female's perspective, and hold their own."
The Wayans family is an American show business comedian family. Family members include Chaunté Wayans, Damon Wayans Sr., Kim Wayans, Marlon Wayans, Damon Wayans Jr., Keenen Ivory Wayans and Shawn Wayans. Some works created by Wayans family members include the Scary Movie film series, The Wayans Bros., In Living Color, White Chicks, My Wife and Kids, and Little Man.
Blaxploitation or blacksploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s. The films, while popular, suffered backlash for disproportionate numbers of stereotypical film characters showing bad or questionable motives, including most roles as criminals resisting arrest. However, the genre does rank among the first in which black characters and communities are the heroes and subjects of film and television, rather than sidekicks, villains, or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.
"Eddie said somebody should do a parody of these movies and call it I'm [Gon] Git You Sucka.