Berthe Marie Pauline Morisot was a French painter and a member of the circle of painters in Paris who became known as the Impressionists.
Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
Paul Jackson Pollock was an American painter. A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided critics: some praised the immediacy of the creation, while others derided the random effects.
Oil painting is a painting method involving the procedure of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on canvas, wood panel or copper for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied.
En plein air, or plein-air painting, is the act of painting outdoors.
Abstract expressionism in the United States emerged as a distinct art movement in the immediate aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates. Key figures in the New York School, which was the center of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Theodoros Stamos and Lee Krasner among others.
Robert Delaunay was a French artist of the School of Paris movement; who, with his wife Sonia Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes. His later works were more abstract. His key influence related to bold use of colour and a clear love of experimentation with both depth and tone.
Helen Galloway McNicoll was a Canadian impressionist painter. She was one of the most notable women artists in Canada in the early twentieth century and achieved considerable success during her decade-long career. McNicoll played an important role in popularizing Impressionism in Canada, at a time when it was still relatively unknown, with her lively representations of rural landscapes, intimate child subjects and modern female figures. She was elected to the Royal Society of British Artists in 1913 and was created an Associate of the Royal Canadian Academy of Arts in 1914.
Émilie Charmy was an artist in France's early avant-garde. She worked closely with Fauve artists like Henri Matisse, and was active in exhibiting her artworks in Paris, particularly with Berthe Weill.
Dod Procter, born Doris Margaret Shaw, (1890–1972) was a famous early twentieth-century English artist, best known for Impressionistic landscapes and delicate "nearly sculptural studies of solitary female subjects." Her sensual portrait, Morning, of a fisherman's daughter in Newlyn, caused a sensation. It was bought for the public by the Daily Mail in 1927.
Frank Bramley RA was an English post-impressionist genre painter of the Newlyn School.
Alexandr Onishenko, Czech: Alexandr Oniščenko is an artist based in Prague, Czech Republic. Well known for his vibrant impressionist paintings, his work is exhibited throughout Europe and the United States.
La danse is an oil painting created circa 1906 by the French artist and theorist Jean Metzinger (1883–1956). Bacchante is a pre-Cubist or Proto-Cubist work executed in a highly personal Divisionist style during the height of the Fauve period. Bacchante was painted in Paris at a time when Metzinger and Robert Delaunay painted portraits of one another, exhibiting together at the Salon d'Automne and the Berthe Weill gallery. Bacchante was exhibited in Paris during the spring of 1907 at the Salon des Indépendants, along with Coucher de soleil and four other works by Metzinger.
Les Grandes Baigneuses, or The Large Bathers, is a painting by Pierre-Auguste Renoir made between 1884 and 1887. The painting is in the Philadelphia Museum of Art, in Philadelphia.
Summer's Day is an oil-on-canvas painting by the French Impressionist painter Berthe Morisot, created in 1879. The painting depicts two women seated in a row boat, and was painted in the Bois de Boulogne. It is held at the National Gallery, in London.
View of the Village is an oil-on-canvas painting created in 1868 by the French Impressionist Jean-Frédéric Bazille, now in the Musée Fabre in Montpellier.
The Harbor at Lorient is an oil-on-canvas painting by French artist Berthe Morisot, executed in 1869. The painting has the dimensions of 43 by 72 cm. It is held at the National Gallery of Art, in Washington, D.C.
The Mother and Sister of the Artist, also known as The Reading, is an oil-on-canvas painting by French artist Berthe Morisot, created in 1869–1870. It is exhibited at the National Gallery of Art, in Washington, D.C.
On a French River is an impressionist oil painting on canvas painted by the artist Emma Lampert Cooper during the late 1800s. It is a landscape painting that depicts a river scene in Parthenay, France. It is part of the permanent collection at the Memorial Art Gallery (MAG) in Rochester, New York.Emma Lampert Cooper's husband, Colin Campbell Cooper, also produced similar paintings in the same location when they traveled together. Specifically, the paintings titled Port St. Jacques, Parthenay, France, and A View of a European Village. Both of these paintings have been auctioned in the past and are privately owned.
