ITC Anna

Last updated
ITC Anna
ITC Anna Standard Typeface Specimen.svg
Category Display
Designer(s) Daniel Pelavin
Foundry ITC
Date created1991
Re-issuing foundries Linotype
Shown hereITC Anna Std

Anna is a geometric, Art Deco typeface created by Daniel Pelavin for ITC in 1991. [1]

History

Designer Daniel Pelavin started the design of Anna in the mid-1980s when he drew a few letters for an Aramis Cologne holiday promotion. He continued to use these letter for various projects, always adding new characters. The design became a family matter when Pelavin's wife, graphic designer Lorraine Louie, used the alphabet on their wedding invitation in 1988. They used it again for the birth announcement of their daughter, Anna, a year later.

It was alphabet Anna's appearance on Louie's business stationery that first brought the design to ITC's attention. In 1990, ITC asked Pelavin to develop a typeface based on the letterforms, and ITC Anna was released as a single design in 1991.

A couple of years later, Pelavin created a suite of swash and alternate characters for the design. Eventually, ITC asked Pelavin to draw a bold weight to complement the original release. ITC Anna Extended is the result. [2]

This font is used on the kid's cartoon TV Show, My Life as a Teenage Robot.[ citation needed ] This font is also noted for having an extended version inspired by the font titled "Astrud", that included lowercase characters, and was designed by Peter Wiegel.[ citation needed ]

Related Research Articles

<span class="mw-page-title-main">Palatino</span> Serif typeface

Palatino is the name of an old-style serif typeface designed by Hermann Zapf, initially released in 1949 by the Stempel foundry and later by other companies, most notably the Mergenthaler Linotype Company.

<span class="mw-page-title-main">Optima</span> 1958 typeface by Hermann Zapf

Optima is a humanist sans-serif typeface designed by Hermann Zapf and released by the D. Stempel AG foundry, Frankfurt, West Germany in 1958.

<span class="mw-page-title-main">Typeface</span> Set of characters that share common design features

A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.

<span class="mw-page-title-main">Gill Sans</span> Humanist sans-serif typeface family developed by Monotype

Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards.

<span class="mw-page-title-main">Typography of Apple Inc.</span> Overview of typography of Apple Inc.

Apple Inc. uses a large variety of typefaces in its marketing, operating systems, and industrial design with each product cycle. These change throughout the years with Apple's change of style in their products. This is evident in the design and marketing of the company. The current logo is a white apple with a bite out of it, which was first utilized in 2013.

<span class="mw-page-title-main">Johnston (typeface)</span> Sans-serif typeface

Johnston is a sans-serif typeface designed by and named after Edward Johnston. The typeface was commissioned in 1913 by Frank Pick, commercial manager of the Underground Electric Railways Company of London, as part of his plan to strengthen the company's corporate identity. Johnston was originally created for printing, but it rapidly became used for the enamel station signs of the Underground system as well.

<span class="mw-page-title-main">Ed Benguiat</span> American type designer (1927–2020)

Ephram Edward Benguiat was an American type designer and lettering artist. He designed over 600 typefaces, including Tiffany, Bookman, Panache, Souvenir, Edwardian Script, and the eponymous Benguiat and Benguiat Gothic.

Oblique type is a form of type that slants slightly to the right, used for the same purposes as italic type. Unlike italic type, however, it does not use different glyph shapes; it uses the same glyphs as roman type, except slanted. Oblique and italic type are technical terms to distinguish between the two ways of creating slanted font styles; oblique designs may be labelled italic by companies selling fonts or by computer programs. Oblique designs may also be called slanted or sloped roman styles. Oblique fonts, as supplied by a font designer, may be simply slanted, but this is often not the case: many have slight corrections made to them to give curves more consistent widths, so they retain the proportions of counters and the thick-and-thin quality of strokes from the regular design.

<span class="mw-page-title-main">Century Gothic</span> Sans-serif font family

Century Gothic is a digital sans-serif typeface in the geometric style, released by Monotype Imaging in 1990. It is a redrawn version of Monotype's own Twentieth Century, a copy of Bauer's Futura, to match the widths of ITC Avant Garde Gothic. It is an exclusively digital typeface that has never been manufactured as metal type.

<span class="mw-page-title-main">Bookman (typeface)</span> 1869 serif typeface

Bookman, or Bookman Old Style, is a serif typeface. A wide, legible design that is slightly bolder than most body text faces, Bookman has been used for both display typography, for trade printing such as advertising, and less commonly for body text. In advertising use it is particularly associated with the graphic design of the 1960s and 1970s, when revivals of it were very popular.

<span class="mw-page-title-main">Kabel (typeface)</span> Geometric sans-serif typeface

Kabel is a geometric sans-serif typeface that was designed by the German designer Rudolf Koch and released by the Klingspor foundry from 1927 onward.

<span class="mw-page-title-main">Adobe Jenson</span> Serif typeface

Adobe Jenson is an old-style serif typeface drawn for Adobe Systems by its chief type designer Robert Slimbach. Its Roman styles are based on a text face cut by Nicolas Jenson in Venice around 1470, and its italics are based on those created by Ludovico Vicentino degli Arrighi fifty years later.

<span class="mw-page-title-main">Multiple master fonts</span> Extension to Adobe Systems Type 1 PostScript fonts

Multiple master fonts are an extension to Adobe Systems' Type 1 PostScript fonts, now superseded by the advent of OpenType and, in particular, the introduction of OpenType Font Variations in OpenType 1.8, also called variable fonts.

<span class="mw-page-title-main">DIN 1451</span> Sans-serif font, used on German traffic signs

DIN 1451 is a sans-serif typeface that is widely used for traffic, administrative and technical applications.

<span class="mw-page-title-main">ITC Benguiat</span>

ITC Benguiat is a decorative serif typeface designed by Ed Benguiat and released by the International Typeface Corporation (ITC) in 1977. The face is loosely based upon typefaces of the Art Nouveau period but is not considered an academic revival. The face follows ITC's design formulary of an extremely high x-height, combined with multiple widths and weights.

<span class="mw-page-title-main">ITC Avant Garde</span> Sans-serif typeface

ITC Avant Garde Gothic is a geometric sans serif font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, and then he and Tom Carnase, a partner in Lubalin's design firm, worked together to transform the idea into a full-fledged typeface.

<span class="mw-page-title-main">Handel Gothic</span> Geometric sans-serif typeface

Handel Gothic is a geometric sans-serif typeface designed in 1965 by Donald J. Handel (1936–2002), who worked for the graphic designer Saul Bass.

ITC Zapf Chancery is a family of script typefaces designed by the type designer Hermann Zapf and marketed by the International Typeface Corporation. It is one of the three typefaces designed by Zapf that are shipped with computers running Apple's Mac OS. It is also one of the core PostScript fonts.

Josef Týfa was a Czech type designer. He significantly contributed to the cultivation of corporate style and the development of book design and advertising in the 1950s and 60s. Typefaces he designed include: Kolektiv, Tyfa, Juvenis, Amos and Academia, many of which he digitized with František Štorm, founder of Storm Type Foundry. He has indicated that his influences include Jaroslav Benda, Pier Luigi Nervi, and modern graphic design and architecture including functionalism.

<span class="mw-page-title-main">Iowan Old Style</span> Typeface

Iowan Old Style is a digital serif typeface designed by John Downer and released by Bitstream in 1991.

References

  1. "Linotype ITC Anna Family" . Retrieved 21 September 2016.
  2. "ITC Anna Family" . Retrieved 21 September 2016.