IV | ||||
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Studio album by | ||||
Released | March 1981 | |||
Recorded | David Volksmund Studio, Fresenhagen, Germany | |||
Genre | German rock | |||
Length | 90:56 | |||
Label | David Volksmund | |||
Producer | Ton Steine Scherben | |||
Ton Steine Scherben chronology | ||||
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IV is a double album released by Ton Steine Scherben. Because of the black album cover, it is also referred to as die Schwarze ("the black one"). It is a collection of various influences from folk to punk and marks a departure from the band's earlier work, even though it continues the change that began with the previous album Wenn die Nacht am tiefsten…. Anarchist slogans such as "destroy what destroys you" or "no power for nobody" are no longer prevalent, although some of the songs were political, such as Der Turm stürzt ein ("the tower is collapsing").
All the songs on the album aside from Morgenlicht were composed with the aid of Tarot cards from the Major Arcana. The so-called "Tarot secret" was not revealed until years after Rio Reiser's death, as it was worried that the magic of the innovative and sometimes very different texts would be lost. Most of the text is composed of images and metaphors; very little is unambiguous. After all the living participants in the process agreed, the following list of tarot cards was offered from the year 1980:
The Tarot cards were also used to assign different tasks for each song, i.e. who wrote the lyrics and composed the music. This was the first time the drummer Funky Götzner wrote lyrics for the group and the first time the bassist Kai Sichtermann composed the music, who had previously been uninvolved. Hannes Eyber, a friend of the band, also contributed lyrics. The song Morgenlicht was not written in connection with a tarot card as it was written in 1978 for the theater group "Transplantis"; the text was written by Rainer von der Marwitz. Earlier albums were co-written by R. P. S. Lanrue and Rio Reiser; this album's diversity and creativity can be attributed to the much larger songwriting team.
An additional component of the album was the musical variety used in production. Several guest musicians were invited for the recordings: Jörg Schlotterer, a former band member, returned to play trombone and flute; Wolfgang Seidel - the group's first drummer - returned to play percussion under the pseudonym Wolf Sequenza; Klaus van Velzen played saxophone. A youth choir from Niebüll was also used for the song Wie in den Tagen Midians. Members of the band also played using less common instruments, such as the hammered dulcimer.
Ralph Christian Möbius, known professionally as Rio Reiser, was a German musician and the singer of rock group Ton Steine Scherben. He supported squatting in the early 1970s and later the green political party Die Grünen. After the German reunification, he joined the Party of Democratic Socialism.
Ton Steine Scherben was one of the first and most influential German language rock bands of the 1970s and early 1980s. Well known for the highly political and emotional lyrics of vocalist Rio Reiser, they became a musical mouthpiece of new left movements, such as the squatting movement, during that time in Germany and their hometown of West Berlin in particular. Today, after the band's demise in 1985, and the death of Rio Reiser in 1996, Ton Steine Scherben have retained a cult following and popularity in the related scenes. Recently, some of the remaining members have given reunion concerts.
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This following is a list of the work released by German rock band Ton Steine Scherben. It is currently missing the (few) singles issued by the band.
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Warum geht es mir so dreckig? is the first album released by the German rock band Ton Steine Scherben. It includes—among other pieces—the song Macht kaputt, was euch kaputt macht, which expressed the built-up anger and radicalization of the youth of the late 1960s and early 1970s.
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