I Am Semiramis | |
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![]() Film poster | |
Directed by | Primo Zeglio |
Written by | Primo Zeglio Luigi De Santis |
Screenplay by | Fede Arnaud Alberto Liberati |
Starring | Yvonne Furneaux John Ericson |
Cinematography | Alvaro Mancori |
Edited by | Alberto Gallitti |
Music by | Carlo Savina |
Production company | Apo Films |
Distributed by | Globe International Film |
Release date |
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Running time | 100 min |
Country | Italy |
Languages | Italian English |
Io Semiramide (AKA: I Am Semiramis, AKA: Slave Queen of Babylon, AKA: Duelo de Reyes) is a 1963 Italian peplum film about Semiramis, a queen of the Neo-Assyrian Empire. It was directed by Primo Zeglio. [1] The legends are in part based on the historical Shammuramat, queen consort of Shamshi-Adad V and regent for her son Adad-nirari III. [2]
During the reign of Semiramis, the beautiful queen of the Assyrian people, Assyria reaches one of the periods of greatest splendour, and to crown her successes she gives the order to build the great city of Babylon. A young woman of the court of great political ambition, Semiramis falls in love with Kir, a prince enslaved who reciprocates. Kir, king of the Dardanians, is defeated in combat by General Onnos during a military campaign launched by the latter against Nineveh in Assyria.
Reduced to slavery, Kir is taken with other slaves to the capital where the general presents his prizes to King Minurte. Semiramis persuades Minurte to offer him Kir and also obtains a domain. She employs her slaves, including Kir, to build a city that becomes Babylon. Meanwhile, she leads political machinations and alliances with Kir and Onnos in order to overthrow Minurte and take her place on the throne.
The conspirators manage to take Kir from the queen and convince him that he has been betrayed by Semiramis with another man. Furious, Kir takes charge of the conspiracy against his beloved. Discovering the truth, Semiramis poisons Kir by making him drink from a poisoned cup. Later, during the funeral, the queen is shot by an arrow thrown by the conspirators. The bodies of the two lovers are then burned together, united in death. [3]
Babylonia was an ancient Akkadian-speaking state and cultural area based in the city of Babylon in central-southern Mesopotamia. It emerged as an Amorite-ruled state c. 1894 BC. During the reign of Hammurabi and afterwards, Babylonia was called "the country of Akkad", a deliberate archaism in reference to the previous glory of the Akkadian Empire. It was often involved in rivalry with the older ethno-linguistically related state of Assyria in the north of Mesopotamia and Elam to the east in Ancient Iran. Babylonia briefly became the major power in the region after Hammurabi created a short-lived empire, succeeding the earlier Akkadian Empire, Third Dynasty of Ur, and Old Assyrian Empire. The Babylonian Empire rapidly fell apart after the death of Hammurabi and reverted to a small kingdom centered around the city of Babylon.
Ninus, according to Greek historians writing in the Hellenistic period and later, was the founder of Nineveh, ancient capital of Assyria. The figure or figures with which he corresponds in Assyrian records is uncertain; an association or identification with Ninurta has been proposed. An identification with Shamshi-Adad I, Shamshi-Adad V, and/or a conflation of the two have also been suggested.
Semiramis was the legendary Lydian- Babylonian wife of Onnes and of Ninus, who succeeded the latter on the throne of Assyria, according to Movses Khorenatsi. Legends narrated by Diodorus Siculus, who drew primarily from the works of Ctesias of Cnidus, describe her and her relationships to Onnes and King Ninus.
Ashurbanipal was the king of the Neo-Assyrian Empire from 669 BCE to his death in 631. He is generally remembered as the last great king of Assyria. Ashurbanipal inherited the throne as the favored heir of his father Esarhaddon; his 38-year reign was among the longest of any Assyrian king. Though sometimes regarded as the apogee of ancient Assyria, his reign also marked the last time Assyrian armies waged war throughout the ancient Near East and the beginning of the end of Assyrian dominion over the region.
Semiramide is an opera in two acts by Gioachino Rossini. The libretto by Gaetano Rossi is based on Voltaire's tragedy Semiramis, which in turn was based on the legend of Semiramis of Assyria. The opera was first performed at La Fenice in Venice on 3 February 1823.
Shamshi-Adad V was the King of Assyria from 824 to 811 BC. He was named after the god Adad, who is also known as Hadad.
Ninurta-apal-Ekur, inscribed mdMAŠ-A-é-kur, meaning “Ninurta is the heir of the Ekur,” was a king of Assyria in the early 12th century BC who usurped the throne and styled himself king of the universe and priest of the gods Enlil and Ninurta. His reign overlaps the reigns of his Babylonian contemporaries Adad-šuma-uṣur and Meli-Šipak.
Shammuramat, also known as Sammuramat or Shamiram and Semiramis, was a powerful queen of the Neo-Assyrian Empire. Beginning her career as the primary consort of the king Shamshi-Adad V, Shammuramat reached an unusually prominent position in the reign of her son Adad-nirari III. Though there is dispute in regard to Shammuramat's formal status and position, and if she should be considered a co-regent, it is clear that she was among the most powerful and influential women of the ancient Near East; she is the only known Assyrian queen to have retained her status as queen after the death of her husband and the only known ancient Assyrian woman to have partaken in, and perhaps even led, a military campaign.
Ercole contro i tiranni di Babilonia is a 1964 Italian sword-and-sandal film directed by Domenico Paolella and starring Peter Lupus.
Marduk-zâkir-šumi, inscribed mdAMAR.UTU-za-kir-MU in a reconstruction of two kinglists, “Marduk pronounced the name,” was a king of Babylon from 855 to 819 BC during the mixed dynastic period referred to in antiquity as the dynasty of E. He was a contemporary of the Assyrian kings, Salmānu-ašarēdu III) and Šamši-Adad V with whom he was allied.
During the Middle Assyrian Empire and the Neo-Assyrian Empire, Phoenicia, what is today known as Lebanon and coastal Syria, came under Assyrian rule on several occasions.
The Neo-Assyrian Empire was the fourth and penultimate stage of ancient Assyrian history. Beginning with the accession of Adad-nirari II in 911 BC, the Neo-Assyrian Empire grew to dominate the ancient Near East throughout much of the 8th and 7th centuries BC, becoming the largest empire in history up to that point. Because of its geopolitical dominance and ideology based in world domination, the Neo-Assyrian Empire is by many researchers regarded to have been the first world empire in history. It influenced other empires of the ancient world culturally, governmentally, and militarily, including the Babylonians, the Achaemenids, and the Seleucids. At its height, the empire was the strongest military power in the world and ruled over all of Mesopotamia, the Levant and Egypt, as well as parts of Anatolia, Arabia and modern-day Iran and Armenia.
The Old Assyrian period was the second stage of Assyrian history, covering the history of the city of Assur from its rise as an independent city-state under Puzur-Ashur I c. 2025 BC to the foundation of a larger Assyrian territorial state after the accession of Ashur-uballit I c. 1363 BC, which marks the beginning of the succeeding Middle Assyrian period. The Old Assyrian period is marked by the earliest known evidence of the development of a distinct Assyrian culture, separate from that of southern Mesopotamia and was a geopolitically turbulent time when Assur several times fell under the control or suzerainty of foreign kingdoms and empires. The period is also marked with the emergence of a distinct Assyrian dialect of the Akkadian language, a native Assyrian calendar and Assur for a time becoming a prominent site for international trade.
The Middle Assyrian Empire was the third stage of Assyrian history, covering the history of Assyria from the accession of Ashur-uballit I c. 1363 BC and the rise of Assyria as a territorial kingdom to the death of Ashur-dan II in 912 BC. The Middle Assyrian Empire was Assyria's first period of ascendancy as an empire. Though the empire experienced successive periods of expansion and decline, it remained the dominant power of northern Mesopotamia throughout the period. In terms of Assyrian history, the Middle Assyrian period was marked by important social, political and religious developments, including the rising prominence of both the Assyrian king and the Assyrian national deity Ashur.
Šamaš-mudammiq, inscribed mdŠamaš-mumudammiq (mdUTU-mu-SIG5), meaning “Šamaš shows favor,” was the 4th king of Babylon in a sequence designated as the Dynasty of E and ruled during the latter part of the 10th century BC. He was contemporary with the Assyrian king Adad-Nārāri II with whom he sparred.
Marduk-balāssu-iqbi, inscribed mdAMAR.UTU-TI-su-iq-bi or mdSID-TI-zu-DUG4, meaning "Marduk has promised his life," was the 8th king of the Dynasty of E of Babylon; he was the successor of his father Marduk-zākir-šumi I, and was the 4th and final generation of Nabû-šuma-ukin I's family to reign. He was contemporary with his father's former ally, Šamši-Adad V of Assyria, who may have been his brother-in-law, who was possibly married to his (Marduk's) sister Šammu-ramat, the legendary Semiramis, and who was to become his nemesis.
Bāba-aḫa-iddina, typically inscribed mdBA.Ú-PAB-AŠ "Bau has given me a brother,” ca. 812 BC, was the 9th king of the Dynasty of E, a mixed dynasty of kings of Babylon, but probably for less than a year. He briefly succeeded Marduk-balāssu-iqbi, who had been deposed by the Assyrians, a fate he was to share.
Naqiʾa or Naqia (Akkadian: Naqīʾa, also known as Zakutu, was a wife of the Assyrian king Sennacherib and the mother of his son and successor Esarhaddon. Naqiʾa is the best documented woman in the history of the Neo-Assyrian Empire and she reached an unprecedented level of prominence and public visibility; she was perhaps the most influential woman in Assyrian history. She is one of the few ancient Assyrian women to be depicted in artwork, to commission her own building projects, and to be granted laudatory epithets in letters by courtiers. She is also the only known ancient Assyrian figure other than kings to write and issue a treaty.
The timeline of ancient Assyria can be broken down into three main eras: the Old Assyrian period, Middle Assyrian Empire, and Neo-Assyrian Empire. Modern scholars typically also recognize an Early period preceding the Old Assyrian period and a post-imperial period succeeding the Neo-Assyrian period.
The Sasî movement was a set of conspiracies and plots directed against the Assyrian king Esarhaddon in 671–670 BCE, each in some way involving Sasî, a high-ranking official of dubious loyalty. Aimed at dethroning Esarhaddon, the conspiracies involved the simultaneous proclamation of perhaps as many as three rival contenders for the throne, including Sasî himself. Conspirators were active throughout the Assyrian Empire, apparently concentrated around the city of Harran but also operating in Babylonia and even in central Assyria.