I Can't Give You Anything But Love, Baby | |
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Directed by | Albert S. Rogell |
Written by | Paul Gerard Smith (adaptation) |
Screenplay by | Arthur T. Horman |
Story by | James Edward Grant |
Starring | Broderick Crawford Jessie Ralph Johnny Downs Peggy Moran |
Cinematography | Elwood Bredell |
Edited by | Frank Gross |
Distributed by | Universal Pictures |
Release date |
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Running time | 61 minutes |
Country | United States |
Language | English |
I Can't Give You Anything But Love, Baby is a 1940 American musical comedy film starring Broderick Crawford and Jessie Ralph. It was also released under the title Trouble in B flat.
Around the time that the film was produced, Universal Studios were producing a number of musicals named after well-known songs, such as Ma, He's Making Eyes At Me and I'm Nobody's Sweetheart Now .
I Can't Give You Anything But Love, Baby was named after a 1928 song of the same name, written by Jimmy McHugh and Dorothy Fields. McHugh agreed with the use of the title song in the film, sung by Peggy Moran, but did not want to compose further songs for the film's soundtrack. The rest of the film's songs were composed by Frank Skinner and Paul Smith and included the titles "The Tomato Juice Song" and "Sweetheart of Public School 59". [1]
Thomas Wright "Fats" Waller was an American jazz pianist, organist, composer, and singer. His innovations in the Harlem stride style laid much of the basis for modern jazz piano. A widely popular star in the jazz and swing eras, he toured internationally, achieving critical and commercial success in the United States and Europe. His best-known compositions, "Ain't Misbehavin'" and "Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999.
William Broderick Crawford was an American actor. He is best known for his portrayal of Willie Stark in the film All the King's Men (1949), which earned him an Academy Award and a Golden Globe Award. Often cast in tough-guy or slob roles, he later achieved recognition for his starring role as Dan Mathews in the crime television series Highway Patrol (1955–1959).
James Francis McHugh was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. His songs were recorded by many artists, including Chet Baker, June Christy, Bing Crosby, Marlene Dietrich, Deanna Durbin, Ella Fitzgerald, Judy Garland, Adelaide Hall, Billie Holiday, Beverly Kenney, Bill Kenny, The Everly Brothers, Peggy Lee, Carmen Miranda, Nina Simone, Frank Sinatra, and Dinah Washington.
Gordon Hill Jenkins was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, Peggy Lee and Ella Fitzgerald.
Harold Campbell Adamson was an American lyricist during the 1930s and 1940s.
Patrick Ray Leonard is an American songwriter, keyboardist, film composer, and music producer, best known for his longtime collaboration with Madonna. His work with Madonna includes her albums True Blue (1986), Who's That Girl (1987), Like a Prayer (1989), I'm Breathless (1990) and Ray of Light (1998). He scored Madonna's 2008 documentary I Am Because We Are, played keyboards with her at Live Aid (1985), and was musical director and keyboardist on The Virgin Tour (1985) and the Who's That Girl World Tour (1987).
Dreamgirls is a Broadway musical, with music by Henry Krieger and lyrics and book by Tom Eyen. Based on the show business aspirations and successes of R&B acts such as The Shirelles, James Brown, Jackie Wilson, and others, but closely follows the story of The Supremes as the musical follows the story of a young Black female singing trio from Chicago, Illinois called "The Dreams", who become music superstars.
International House is a 1933 American pre-Code comedy film starring Peggy Hopkins Joyce and W. C. Fields, directed by A. Edward Sutherland and released by Paramount Pictures. The tagline of the film was "The Grand Hotel of comedy". It is a mixture of comedy and musical acts tied together by a slim plot line, in the style of the Big Broadcast pictures that were also released by Paramount during the 1930s. In addition to some typical comedic lunacy from W. C. Fields and Burns and Allen, it provides a snapshot of some popular stage and radio acts of the era. The film includes some risqué pre-Code humor. The cast also features Cab Calloway with his orchestra and Bela Lugosi.
Stage Door Canteen is a 1943 American World War II film with musical numbers and other entertainment interspersed with dramatic scenes by a largely unknown cast. The film was produced by Sol Lesser's Principal Artists Productions and directed by Frank Borzage. The film features many celebrity cameo appearances but primarily relates a simple drama set in the famed New York City restaurant and nightclub for American and Allied servicemen. Six bands are featured. The score and the original song, "We Mustn't Say Goodbye", were nominated for Academy Awards.
"I Can't Give You Anything but Love, Baby" is an American popular song and jazz standard by Jimmy McHugh (music) and Dorothy Fields (lyrics). The song was introduced by Adelaide Hall at Les Ambassadeurs Club in New York in January 1928 in Lew Leslie's Blackbird Revue, which opened on Broadway later that year as the highly successful Blackbirds of 1928, wherein it was performed by Adelaide Hall, Aida Ward, and Willard McLean.
Babes in Arms is the 1939 coming of age American film version of the 1937 Broadway musical of the same title. Directed by Busby Berkeley, it stars Mickey Rooney and Judy Garland, and features Charles Winninger, Guy Kibbee, June Preisser, Grace Hayes, and Betty Jaynes. It was Garland and Rooney's second film together as lead characters after their earlier successful pairing in the fourth of the Andy Hardy films. The film concerns a group of youngsters trying to put on a show to prove their vaudevillian parents wrong and make it to Broadway. The original Broadway script was significantly revamped, restructured, and rewritten to accommodate Hollywood's needs. Almost all of the Rodgers and Hart songs from the Broadway musical were discarded.
Blackbirds of 1928 was a hit Broadway musical revue that starred Adelaide Hall, Bill Bojangles Robinson, Tim Moore and Aida Ward, with music by Jimmy McHugh and lyrics by Dorothy Fields. It contained the hit songs "Diga Diga Do", the duo's first hit, "I Can't Give You Anything But Love", "Bandanna Babies" and "I Must Have That Man" all sung by Hall.
My Dream Is Yours is a 1949 American Technicolor musical romantic comedy film directed by Michael Curtiz and starring Jack Carson, Doris Day, and Lee Bowman. This was a loose remake of the 1934 Twenty Million Sweethearts, starring Dick Powell and Ginger Rogers.
Hollywood Canteen is a 1944 American musical romantic comedy film starring Joan Leslie, Robert Hutton, Dane Clark and features many stars in cameo roles. and produced by Warner Bros. The film was written and directed by Delmer Daves and received three Oscar nominations.
Eight Frames a Second is the debut album by British folk musician Ralph McTell. Released in the UK in 1968, it is notable for being the first record produced by Gus Dudgeon, and the first arranged by Tony Visconti. Unusually for a new artist, the front of the album sleeve contained no reference to either McTell or the album title. The entire album cost £350 in total.
Classic Duets is a 2002 compilation album by Frank Sinatra.
Seven Sweethearts is a 1942 musical film directed by Frank Borzage and starring Kathryn Grayson, Marsha Hunt and Van Heflin.
Bing Crosby's Treasury – The Songs I Love is an LP set recorded in 1965 and issued by a mail-order firm, The Longines Symphonette Society, an educational service of the Longines-Wittnauer Watch Company.
Rendezvous with Peggy Lee is the debut solo album by Peggy Lee, released on Capitol Records in 1948 on three 78-rpm shellac records. Backed by husband Dave Barbour and His Orchestra, the original record featured five jazz standards and one original composition, "Don't Smoke in Bed", which itself later became a standard. The original tune was co-penned by Lee, Barbour, and Willard Robison, but was credited only to Robison after he fell seriously ill. The album reached number two on the Billboard Best-Selling Popular Record Albums chart.