Murder in Greenwich Village | |
---|---|
Directed by | Albert S. Rogell |
Screenplay by | Michael L. Simmons |
Story by | Robert T. Shannons |
Produced by | Wallace MacDonald |
Starring | Richard Arlen Fay Wray Raymond Walburn |
Cinematography | Henry Freulich |
Edited by | Richard Fantl |
Color process | Black and white |
Production company | |
Distributed by | Columbia Pictures |
Release date |
|
Running time | 68 minutes |
Country | United States |
Language | English |
Murder in Greenwich Village is a 1937 American mystery film directed by Albert S. Rogell and starring Richard Arlen, Fay Wray and Raymond Walburn. [1] The screenplay involves an heiress who is falsely accused of murder. The film's sets were designed by the art directors Lionel Banks and Stephen Goosson.
When she is falsely accused of murder, an heiress ropes in a photographer to provide her with an alibi.
Vina Fay Wray was a Canadian-American actress best known for starring as Ann Darrow in the 1933 film King Kong. Through an acting career that spanned nearly six decades, Wray attained international recognition as an actress in horror films. She has been dubbed one of the early "scream queens".
Thunderbolt is a 1929 American pre-Code proto-noir film directed by Josef von Sternberg and starring George Bancroft, Fay Wray, Richard Arlen, Tully Marshall and Eugenie Besserer. It tells the story of a criminal, facing execution, who wants to kill the man in the next cell for being in love with his former girlfriend.
Wallace Fitzgerald Beery was an American film and stage actor. He is best known for his portrayal of Bill in Min and Bill (1930) opposite Marie Dressler, as General Director Preysing in Grand Hotel (1932), as the pirate Long John Silver in Treasure Island (1934), as Pancho Villa in Viva Villa! (1934), and his title role in The Champ (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid film actor in the world during the early 1930s. He was the brother of actor Noah Beery and uncle of actor Noah Beery Jr.
The year 1937 in film involved some significant events, including the Walt Disney production of the first American full-length animated film, Snow White and the Seven Dwarfs.
Lane Chandler was an American actor specializing mainly in Westerns.
Raymond Walburn was an American character actor of stage and screen who appeared in dozens of Hollywood movie comedies and an occasional dramatic role during the 1930s and 1940s.
Sweethearts is a 1938 American Technicolor musical romance film directed by W.S. Van Dyke and starring Jeanette MacDonald and Nelson Eddy. The screenplay, by Dorothy Parker and Alan Campbell, uses the “play within a play” device: a Broadway production of the 1913 Victor Herbert operetta is the setting for another pair of sweethearts, the stars of the show. It was the first color film for Nelson or Jeanette. It was their first film together without uniforms or period costumes.
Gene Morgan was an American actor. He appeared in 111 films between 1926 and 1941.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
Jealousy is a 1934 American drama film directed by Roy William Neill and starring Nancy Carroll, George Murphy, Donald Cook and Raymond Walburn. The film was released on November 23, 1934 by Columbia Pictures.
Kansas Raiders is a 1950 American Western film directed by Ray Enright, and stars Audie Murphy, Brian Donlevy, Marguerite Chapman, and Scott Brady. It is set during the American Civil War and involves Jesse James coming under the influence of William Quantrill.
Missing Daughters is a 1939 American crime film directed by Charles C. Coleman. It stars Richard Arlen, Rochelle Hudson, and Marian Marsh.
The Border Legion is a 1930 American pre-Code Western film directed by Otto Brower. It stars Jack Holt, Fay Wray, and Richard Arlen. It is based on the 1916 novel of the same name by Zane Grey.
The Sea God is a 1930 American pre-Code adventure film written and directed by George Abbott. The film stars Richard Arlen, Fay Wray, Eugene Pallette, Ivan Simpson, Maurice Black, and Bob Perry. The film was released on September 13, 1930, by Paramount Pictures.
The Conquering Horde is a 1931 American pre-Code Western directed by Edward Sloman and written by Emerson Hough, Grover Jones and William Slavens McNutt. The film stars Richard Arlen, Fay Wray, Claude Gillingwater, Ian Maclaren, Frank Rice, Arthur Stone and George Mendoza. The film was released on January 31, 1931, by Paramount Pictures. It was a remake of the 1924 silent film North of 36.
The Lawyer's Secret is a 1931 American pre-Code crime film directed by Louis J. Gasnier and Max Marcin and written by Lloyd Corrigan, James Hilary Finn, and Max Marcin. The film stars Clive Brook, Charles "Buddy" Rogers, Richard Arlen, Fay Wray, Jean Arthur, Francis McDonald, and Harold Goodwin. The film was released on June 6, 1931, by Paramount Pictures.
They Met in a Taxi is a 1936 American comedy film directed by Alfred E. Green and starring Chester Morris, Fay Wray and Raymond Walburn. It was produced and distributed by Columbia Pictures.
Gateway is a 1938 American drama film directed by Alfred L. Werker and written by Lamar Trotti. The film stars Don Ameche, Arleen Whelan, Gregory Ratoff, Binnie Barnes, Gilbert Roland, Raymond Walburn and John Carradine. The film was released on August 5, 1938, by 20th Century Fox.
Vanity Street is a 1932 American Pre-Code crime drama film directed by Nick Grinde and starring Charles Bickford, Helen Chandler and Mayo Methot. It was produced and distributed by Columbia Pictures.
Michael L. Simmons (1896–1980) was an American screenwriter and novelist. The 1933 film The Bowery was based on his novel Chuck Connors.