Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
Paul Cézanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century.
Edgar Degas was a French Impressionist artist famous for his pastel drawings and oil paintings.
Comte Henri Marie Raymond de Toulouse-Lautrec-Monfa was a French painter, printmaker, draughtsman, caricaturist and illustrator whose immersion in the colorful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of the sometimes decadent affairs of those times.
Post-Impressionism was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, Pont-Aven School, as well as Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne, Paul Gauguin, Vincent van Gogh and Georges Seurat.
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the Museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free.
Paul Bede Johnson is an English journalist, popular historian, speechwriter, and author. Although associated with the political left in his early career, he is now a conservative popular historian.
Theodorus van Gogh was a Dutch art dealer. He was the younger brother of Vincent van Gogh, and Theo's unfailing financial and emotional support allowed his brother to devote himself entirely to painting. Theo died at the age of 33, six months after his brother died at the age of 37.
The Burlington Magazine is a monthly publication that covers the fine and decorative arts of all periods. Established in 1903, it is the longest running art journal in the English language. It has been published by a charitable organisation since 1986.
The Courtauld Gallery is an art museum in Somerset House, on the Strand in central London. It houses the collection of the Courtauld Institute of Art, a self-governing college of the University of London specialising in the study of the history of art.
Sir Michael Vincent Levey, LVO, FBA, FRSL was an English art historian and was the director of the National Gallery from 1973 to 1986.
The painter Francis Bacon was largely self-taught as an artist. As well as other visual artists, Bacon drew inspiration from the poems of T. S. Eliot, Ezra Pound and Yeats, the plays of Aeschylus, Sophocles and Shakespeare; Proust and Joyce's Ulysses.
Ambroise Vollard was a French art dealer who is regarded as one of the most important dealers in French contemporary art at the beginning of the twentieth century. He is credited with providing exposure and emotional support to numerous then-unknown artists, including Paul Cézanne, Aristide Maillol, Pierre-Auguste Renoir, Louis Valtat, Pablo Picasso, André Derain, Georges Rouault, Paul Gauguin and Vincent van Gogh. He was also an avid art collector and publisher.
Sir Alan Bowness CBE was a British art historian, art critic, and museum director. He was the director of the Tate Gallery between 1980 and 1988.
The Foundation E. G. Bührle Collection is an art museum in Zürich, Switzerland. It was established by the Bührle family to make Emil Georg Bührle's collection of European sculptures and paintings available to the public. The museum is in a villa adjoining Bührle's former home. In 2021 many works were exhibited on 20-year loan in almost a whole floor of the new extension of the Kunsthaus Zürich museum. There was controversy due to suspicions that many works were looted from Jews by Nazi Germany.
Timothy Hyman is a British figurative painter, art writer and curator. He has published monographs on both Sienese Painting and on Pierre Bonnard, as well as most recently The World New Made: Figurative Painting in the Twentieth Century. He has written extensively on art and film, has been a regular contributor to The Times Literary Supplement and has curated exhibitions at the Tate, Institute of Contemporary Arts and Hayward galleries. Hyman is a portraitist, but is best known for his narrative renditions of London. Drawing inspiration from artists such as Max Beckmann and Bonnard, as well as Lorenzetti and Brueghel, he explores his personal relationship, both real and mythological, with the city where he lives and works. He employs vivid colours, shifting scale and perspectives, to create visionary works. He was elected an RA in 2011.
Henry Pearlman (1895–1974) was a Brooklyn-born, self-made businessman, and collector of impressionist and post-impressionist art. Over three postwar decades, he assembled a "deeply personal" and much revered collection centered on thirty-three works by Paul Cézanne and more than forty by Vincent van Gogh, Amedeo Modigliani, Chaïm Soutine, Paul Gauguin, Édouard Manet, Henri de Toulouse-Lautrec and a dozen other European modernists.
Eugene Victor Thaw was an American art dealer and collector. He was the owner of an art gallery on Madison Avenue in Manhattan, and a past president of the Art Dealers Association of America. With his wife, he donated over 1,000 works of art to the Fenimore Art Museum and the Morgan Library & Museum.
Valley with Ploughman Seen from Above or Landscape with House and Ploughman is an 1889 oil on canvas painting by Vincent van Gogh, produced during the autumn of his stay in Saint-Rémy. Its catalogue numbers are F 727 and JH 1877. It is now in the Hermitage Museum.
