Ib Valentin Braase (7 August 1923 – 18 March 2009) was a Danish sculptor. [1] From 1968, he lived and worked in Marcoussis near Paris. [2]
Born in Stege on the island of Møn, Braase was the son of the stonemason Christian Braase who introduced him to the art of stonework. As a 14-year-old, he crafted his first busts of family members. He studied at the Royal Danish Academy of Fine Arts from 1949 to 1954 under Einar Utzon-Frank and Aksel Jørgensen, becoming the assistant of Astrid Noack with whom he created small stone figures. [3]
After initially working with stone, in the 1950s Braase turned to bronze, embarking on a new, experimental phase which soon led him to abandon the traditional approach of the Academy. One of his acclaimed works from this period is Barneværelset (1969) which juxtaposes iron profiles and belongs to his bronze creations in an open structure. [4] In 1968, he moved to Marcoussis near Paris where he developed an independent approach with unconventional materials such as bronze, iron, wood, zinc and paint in works resembling unfinished furniture or makeshift scaffolding. [1]
Braase exhibited widely from 1949, first as a member of the Den Polychrome association, then in Den Frie Udstilling and Grønningen. His work has also been presented in numerous solo exhibitions in Denmark and France. [3]
In 1968, Braase was awarded the Eckersberg Medal and, in 1985, the Thorvaldsen Medal. [4]
Peter Vilhelm Glob, also known as P. V. Glob, was a Danish archaeologist.
Louis Marcoussis was a Polish-French avant-garde painter active primarily in Paris. Markus studied law in Warsaw before attending the Kraków Academy of Fine Arts, and later moved to Paris to study under Jules Lefebvre at the Académie Julian. His work was first featured in a major exhibition at the Salon d'Automne in 1905. In Paris, he became acquainted with prominent artists of the School of Paris and writers in the cafes of Montmartre and Montparnasse.
Marcoussis is a commune in the southern suburbs of Paris, France. It is located 24.8 km (15.4 mi) from the center of Paris.
Ludwig Lewin Jacobson was a Danish surgeon.
The Skagen Painters were a group of Scandinavian artists who gathered in the village of Skagen, the northernmost part of Denmark, from the late 1870s until the turn of the century. Skagen was a summer destination whose scenic nature, local milieu and social community attracted northern artists to paint en plein air, emulating the French Impressionists—though members of the Skagen colony were also influenced by Realist movements such as the Barbizon school. They broke away from the rather rigid traditions of the Royal Danish Academy of Fine Arts and the Royal Swedish Academy of Arts, espousing the latest trends that they had learned in Paris. Among the group were Anna and Michael Ancher, Peder Severin Krøyer, Holger Drachmann, Karl Madsen, Laurits Tuxen, Marie Krøyer, Carl Locher, Viggo Johansen and Thorvald Niss from Denmark, Oscar Björck and Johan Krouthén from Sweden, and Christian Krohg and Eilif Peterssen from Norway. The group gathered together regularly at the Brøndums Hotel.
Danish sculpture as a nationally recognized art form can be traced back to 1752 when Jacques Saly was commissioned to execute a statue of King Frederick V of Denmark on horseback. While Bertel Thorvaldsen was undoubtedly the country's most prominent contributor, many other players have produced fine work, especially in the areas of Neoclassicism, Realism, and in Historicism, the latter resulting from growing consciousness of a national identity. More recently, Danish sculpture has been inspired by European trends, especially those from Paris, including Surrealism and Modernism.
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Thorvald Simeon Niss was a Danish landscape painter who became interested in marine art after becoming a member of the Skagen Painters.
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Svend Johansen was a Danish painter, scenographer and illustrator.
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Mary Jane Crafoord Muus was a Danish painter and illustrator. Most of her works portray people, either in portraits or walking about on streets or market places in foreign countries. She is remembered above all for her sensitive, realistic illustrations in a wide range of Danish books. One of Denmark's foremost 20th-century illustrators, she had a unique style of her own.