IceTV Pty Ltd v Nine Network Australia Pty Ltd

Last updated
IceTV Pty Ltd v Nine Network Australia Pty Ltd
Coat of Arms of Australia.svg
Court High Court of Australia
Full case nameIceTV Pty Ltd v Nine Network Australia Pty Ltd
Decided22 April 2009
Citation(s) [2009] HCA 14; (2009) 239 CLR 458; 254 ALR 386; 83 ALJR 585
Case history
Prior action(s)Nine Network Australia Pty Ltd v IceTV Pty Ltd [2007] FCA 1172

Nine Network Australia Pty Ltd v IceTV Pty Ltd [2008] FCAFC 71; (2008) 168 FCR 14

Contents

Nine Network Australia Pty Ltd v IceTV Pty Ltd [No 2] [2008] FCAFC 154
Case opinions
Appeal allowed. IceTV's use of time and title information was not a reproduction of a substantial part of Nine's weekly schedules in the qualitative sense required to constitute copyright infringement.
Court membership
Judge(s) sittingFrench CJ, Gummow, Hayne, Heydon, Crennan and Kiefel JJ

IceTV Pty Ltd v Nine Network Australia Pty Ltd is a 2009 decision of the High Court of Australia concerning the application of copyright law to a compilation of television schedules broadcast by the Nine Network and published by IceTV.

Background

IceTV provided a subscription-based television program guide known as the "IceGuide," which used time and title information obtained in part from aggregated guides published in newspapers and online. Nine broadcast television according to a weekly schedule which was incorporated into the aggregated guides. [1]

Nine argued before a single judge of the Federal Court of Australia that IceTV's reproduction of time and title information from the aggregated guides amounted to reproduction of a substantial part of the weekly schedules which had been prepared by Nine Network staff. On that basis, Nine argued that IceTV had infringed Nine's copyright in the weekly schedule. The trial judge disagreed. Nine successfully appealed to the Full Court of the Federal Court. The High Court granted IceTV special leave to appeal against the Full Court's decision. [1]

Judgment

French CJ, Crennan and Kiefel JJ explained that the information–expression dichotomy has been central to the social contract which has underpinned copyright law since the Statute of Anne. [2] :[22]–[25] While both the primary judge and the Full Court had considered whether there had been an "appropriation" of the author's skill and labour, their Honours emphasised the need to "focus on the nature of the skill and labour, and in particular to ask whether it is directed to the originality of the particular form of expression." [2] :[49] The evidence disclosed considerable skill and labour involved in programming decisions, but that skill and labour was not directed to the originality of the particular form of expression of the time and title information used by IceTV. [2] :[53]–[54]

Gummow, Hayne and Heydon JJ reviewed the history of copyright law in Australia and the United States, noting the protection for "compilations of data" required by the 1994 TRIPS Agreement and 1996 Database Directive. [2] :[73],[135] Their Honours emphasised the dangers of adopting the rhetoric of "appropriation" of "skill and labour," which of itself cannot determine the issue of infringement of a copyright work. [2] :[131] Referring to Nichols v. Universal Pictures Corp. , they found that the Full Court "approached the issue of substantiality at too high a level of abstraction, and in doing so tipped the balance too far against the interest of viewers of digital free to air television in the dissemination by means of new technology of programme listings." [2] :[160]–[161]

All six judges agreed that the appeal should be allowed, and the orders of the trial judge dismissing Nine's claim restored.

Consequences

The decision in IceTV transformed Australian copyright law, by placing a new emphasis on the role of an author or authors in producing original works. [3] It suggested that the courts might be retreating from the position held or assumed in previous cases, particularly Telstra Corporation Ltd v Desktop Marketing Systems Pty Ltd , which focused on the skill and labour used simply to create the compilation and the interests of the creator and copier. [4]

While Australia has traditionally applied a low threshold of originality for copyright protection, the Australian Copyright Council identified IceTV as the beginning of a trend away from this approach. [5] Subsequent decisions of the Federal Court of Australia have applied IceTV by finding that copyright does not subsist in newspaper headlines [6] or telephone directories. [7]

See also

Related Research Articles

<i>Walter v Lane</i> UK copyright case of 1900

Walter v Lane [1900] AC 539, was a judgement of the House of Lords on the question of Authorship under the Copyright Act 1842. It has come to be recognised as a seminal case on the notion of originality in copyright law and has been upheld as an early example of the sweat of the brow doctrine.

A database right is a sui generis property right, comparable to but distinct from copyright, that exists to recognise the investment that is made in compiling a database, even when this does not involve the "creative" aspect that is reflected by copyright. Such rights are often referred to in the plural: database rights.

Originality is the aspect of created or invented works that distinguish them from reproductions, clones, forgeries, or substantially derivative works. The modern idea of originality is according to some scholars tied to Romanticism, by a notion that is often called romantic originality. The validity of "originality" as an operational concept has been questioned. For example, there is no clear boundary between "derivative" and "inspired by" or "in the tradition of."

The threshold of originality is a concept in copyright law that is used to assess whether a particular work can be copyrighted. It is used to distinguish works that are sufficiently original to warrant copyright protection from those that are not. In this context, "originality" refers to "coming from someone as the originator/author", rather than "never having occurred or existed before".

A reverse telephone directory is a collection of telephone numbers and associated customer details. However, unlike a standard telephone directory, where the user uses customer's details in order to retrieve the telephone number of that person or business, a reverse telephone directory allows users to search by a telephone service number in order to retrieve the customer details for that service.

<i>Telstra Corporation Ltd v Desktop Marketing Systems Pty Ltd</i>

Telstra Corporation Limited v Desktop Marketing Systems Pty Ltd is a 2001 decision of the Federal Court of Australia related to the originality required to attract copyright protection. Heard before Justice Finkelstein in June 2000, the case concerned the release of a product called "Phonedisc" created by the Respondents, Desktop Marketing Systems.

<span class="mw-page-title-main">Sweat of the brow</span> Copyright law doctrine

Sweat of the brow is an intellectual property law doctrine that is chiefly related to copyright law. According to this doctrine, an author gains rights through simple diligence during the creation of a work, such as a database, or a directory. Substantial creativity or "originality" is not required.

Feist Publications, Inc., v. Rural Telephone Service Co., 499 U.S. 340 (1991), was a landmark decision by the Supreme Court of the United States establishing that information alone without a minimum of original creativity cannot be protected by copyright. In the case appealed, Feist had copied information from Rural's telephone listings to include in its own, after Rural had refused to license the information. Rural sued for copyright infringement. The Court ruled that information contained in Rural's phone directory was not copyrightable and that therefore no infringement existed.

<i>Bridgeman Art Library v. Corel Corp.</i> U.S. legal case on copyright originality

Bridgeman Art Library v. Corel Corp., 36 F. Supp. 2d 191, was a decision by the United States District Court for the Southern District of New York, which ruled that exact photographic copies of public domain images could not be protected by copyright in the United States because the copies lack originality. Even though accurate reproductions might require a great deal of skill, experience and effort, the key element to determine whether a work is copyrightable under US law is originality.

The copyright law of Australia defines the legally enforceable rights of creators of creative and artistic works under Australian law. The scope of copyright in Australia is defined in the Copyright Act 1968, which applies the national law throughout Australia. Designs may be covered by the Copyright Act as well as by the Design Act. Since 2007, performers have moral rights in recordings of their work.

<i>Roadshow Films Pty Ltd v iiNet Ltd</i>

Roadshow Films Pty Ltd & others v iiNet Ltd was a case in the Federal and High Courts of Australia between members of the Australian Federation Against Copyright Theft (AFACT) and other movie and television studios and iiNet, Australia's second-largest Internet service provider (ISP). The alliance of 34 companies unsuccessfully claimed that iiNet authorised primary copyright infringement by failing to take reasonable steps to prevent its customers from downloading and sharing infringing copies of films and television programs using BitTorrent.

<span class="mw-page-title-main">Australian Digital Alliance</span> Australian trade association

The Australian Digital Alliance (ADA) is an Australian non-profit coalition of public and private sector interests, formed to promote balanced copyright law by providing a voice for the public interest perspective in debates about copyright change and reform. The ADA engages with government through submissions, lobbying, and media activities.

<i>Stevens v Kabushiki Kaisha Sony Computer Entertainment</i>

Stevens v Kabushiki Kaisha Sony Computer Entertainment, was a decision of the High Court of Australia concerning the "anti-circumvention" provisions of the Copyright Act 1968. The appellant, Stevens, had sold and installed modchips that circumvented the Sony PlayStation's copy protection mechanism. Sony argued that Stevens had knowingly sold or distributed a "circumvention device" which was capable of circumventing a "technological protection measure", contrary to s 116A of the Copyright Act.

Peter Vogel is an Australian inventor and technologist known for developing the Fairlight CMI.

<span class="mw-page-title-main">IceTV</span>

IceTV is an Australian company providing an independently curated Electronic Program Guide (EPG) for digital free-to-air television. It also produces Smart Recording Software.

Susan Coralie Kenny AM is a Judge of the Federal Court of Australia, and formerly a Judge of the Supreme Court of Victoria, where she was the first woman to serve on the Court of Appeal.

Delrina Corporation v. Triolet Systems Inc, 2002 CanLII 11389, 58 OR (3d) 339, also known as Delrina II, is a 2002 Ontario Court of Appeal case which established the existence of the merger doctrine in Canadian copyright law. The plaintiff, Delrina Corp., sued Triolet Systems Inc. and Brian Duncombe for infringing its copyright of the computer program Sysview by designing similar software, called Assess. The plaintiffs were awarded an interlocutory injunction but ultimately lost at trial. Delrina Corp.’s appeal to the Ontario Court of Appeal was dismissed.

<i>Designer Guild Ltd v Russell Williams (Textiles) Ltd</i>

Designer Guild Limited v. Russell Williams (Textiles) Limited, is a leading House of Lords case on what constitutes copying in copyright infringement cases. The House of Lords considered whether there was infringement of a fabric design. Although both the copyrighted work and the infringing design were different in detail, the overall impression of the designs was the same. This decision is significant because the House of Lords ruled that copyright infringement is dependent on whether the defendant copied a substantial portion of the original work, rather than whether the two works look the same. The outcome suggests that in the United Kingdom the overall impression of a copyrighted work is protected if the copied features involved the labour, skill and originality of the author's work, even if the copyrighted work and infringing work are different in detail.

<i>Milpurrurru v Indofurn Pty Ltd</i> Australian court case

Milpurrurru v Indofurn Pty Ltd was one of three Federal Court of Australia judgments in the 1990s involving the use of copyright law in Australia relating to Indigenous cultural and intellectual property (ICIP), the others being Yumbulul v Reserve Bank of Australia (1991) and Bulun Bulun v R & T Textiles (1998), or "T-shirts case".

References

  1. 1 2 High Court of Australia (22 April 2009). "IceTV Pty Ltd & Anor v Nine Network Australia Pty Ltd" (PDF) (summary).
  2. 1 2 3 4 5 6 IceTV Pty Ltd v Nine Network Australia Pty Ltd [2009] HCA 14.
  3. Lindsay, David (2012). "Protection of compilations and databases after IceTV: authorship, originality and the transformation of Australian copyright law". Monash University Law Review . 38 (1): 17.
  4. Clayton Utz (22 April 2009). "Copyright in compilations under the spotlight in High Court" . Retrieved 24 January 2023.{{cite web}}: CS1 maint: url-status (link)
  5. Fairfax Media Publications Pty Ltd v Reed International Books Australia Pty Ltd (2010) 189 FCR 109; [2010] FCA 984.
  6. Telstra Corporation Ltd v Phone Directories Company Pty Ltd (2010) 194 FCR 142; [2010] FCAFC 149.