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Poetry, also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.
A villanelle, also known as villanesque, is a nineteen-line poetic form consisting of five tercets followed by a quatrain. There are two refrains and two repeating rhymes, with the first and third lines of the first tercet repeated alternately at the end of each subsequent stanza until the last stanza, which includes both repeated lines. The villanelle is an example of a fixed verse form. The word derives from Latin, then Italian, and is related to the initial subject of the form being the pastoral.
Wystan Hugh Auden was a British-American poet. Auden's poetry was noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content. Some of his best known poems are about love, such as "Funeral Blues"; on political and social themes, such as "September 1, 1939" and "The Shield of Achilles"; on cultural and psychological themes, such as The Age of Anxiety; and on religious themes such as "For the Time Being" and "Horae Canonicae".
A tercet is composed of three lines of poetry, forming a stanza or a complete poem.
Musophilus is a long poem by Samuel Daniel, first published in 1599 in his Poetical Essays.
Rhyme royal is a rhyming stanza form that was introduced to English poetry by Geoffrey Chaucer. The form enjoyed significant success in the fifteenth century and into the sixteenth century. It has had a more subdued but continuing influence on English verse in more recent centuries.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.
Terza rima is a rhyming verse form, in which the poem, or each poem-section, consists of tercets with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the tercet that follows. The poem or poem-section may have any number of lines, but it ends with either a single line or a couplet, which repeats the rhyme of the middle line of the previous tercet.
Chain rhyme is a rhyme scheme that links together stanzas by carrying a rhyme over from one stanza to the next.
"Do not go gentle into that good night" is a poem in the form of a villanelle by Welsh poet Dylan Thomas (1914–1953), and is one of his best-known works. Though first published in the journal Botteghe Oscure in 1951, the poem was written in 1947 while Thomas visited Florence with his family. Subsequent publication, along with other Thomas works, include In Country Sleep, and Other Poems and Collected Poems, 1934–1952.
A rondeau is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of verse with a refrain. The rondeau is believed to have originated in dance songs involving singing of the refrain by a group alternating with the other lines by a soloist. The term "Rondeau" is used both in a wider sense, covering older styles of the form which are sometimes distinguished as the triolet and rondel, and in a narrower sense referring to a 15-line style which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated to the much later instrumental dance form that shares the same name in French baroque music, which is more commonly called the rondo form in classical music.
This is a glossary of poetry.
"Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten. The second version was first published in 1938 and was titled "Funeral Blues" in Auden's 1940 Another Time. The poem experienced renewed popularity after being read in the film Four Weddings and a Funeral (1994), which also led to increased attention on Auden's other work. It has since been cited as one of the most popular modern poems in the United Kingdom.
The following outline is provided as an overview of and introduction to poetry:
"The Sea and the Mirror: A Commentary on Shakespeare's The Tempest" is a long poem by W.H. Auden, written 1942–44, and first published in 1944. Auden regarded the work as “my Ars Poetica, in the same way I believe The Tempest to have been Shakespeare’s.”
"Mad Girl's Love Song" is a poem written by Sylvia Plath in villanelle form that was published in the August 1953 issue of Mademoiselle, a New York based magazine geared toward young women. The poem explores a young woman's struggle between memory and madness. She wrote this poem as a third-year undergraduate at Smith College and described it as being one of her favorite poems that she had written. However, the poem was never republished or found in any of Plath's later collections during her lifetime. After her suicide, "Mad Girl's Love Song" appeared in the afterword of the reprint of The Bell Jar.
"In Praise of Limestone" is a poem written by W. H. Auden in Italy in May 1948. Central to his canon and one of Auden's finest poems, it has been the subject of diverse scholarly interpretations. Auden's limestone landscape has been interpreted as an allegory of Mediterranean civilization and of the human body. The poem, sui generis, is not easily classified. As a topographical poem, it describes a landscape and infuses it with meaning. It has been called the "first … postmodern pastoral." In a letter, Auden wrote of limestone and the poem's theme that "that rock creates the only human landscape."
Fixed verse forms are a kind of template or formula that poetry can be composed in. The opposite of fixed verse is free verse poetry, which by design has little or no pre-established guidelines.
"One Art" is a poem by American poet Elizabeth Bishop, originally published in The New Yorker in 1976. Later that same year, Bishop included the poem in her book Geography III, which includes other works such as "In the Waiting Room" and "The Moose". It is considered to be one of the best villanelles in the English language, and is compared to the works of W.H. Auden, Dylan Thomas, Theodore Roethke, Sylvia Plath, and more.
Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.
References
- ↑ "If I Could Tell You" . Retrieved 24 July 2021.
- ↑ A Study Guide for W. H. Auden's "If I Could Tell You". Gale. 2016. ISBN 9781410349187.
- ↑ "A short analysis of W.H. Auden's 'If I Could Tell You'" . Retrieved 24 July 2021.
- ↑ "Classic W.H.Auden poems everyone should read (No.8)" . Retrieved 24 July 2021.
- ↑ Martiny, Erik (2011). A Companion to Poetic Genre. John Wiley & Sons. ISBN 9781444344295.
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