Ihlara Jayne McIndoe (born 1997) is a New Zealand composer.
McIndoe was born in 1997. [1] Growing up she learnt the piano and played in school orchestras and sang in choirs. [2] She attended St Hilda's Collegiate School in Dunedin and the University of Otago where she graduated with a BA (Hons), a BMus and LLB. [2] She studied composition with Anthony Ritchie, Peter Adams, Dylan Llardelli, Chris Gendall and Graeme Downes. [2] [3]
In 2018 McIndoe led the Aotearoa Youth Leadership Institution delegation to the 62nd Commission on the Status of Women in New York City. [4]
McIndoe visited Antarctica in 2020 as an Inspiring Explorer with the Antarctic Heritage Trust. [5] Using sounds she recorded there as inspiration she composed five pieces: On Satin Waters,Wavering Horizon,On Whistling Sands,Ushuaia Sketches and Ephemeral Boundaries. [6] [7] All five works were performed in A Musical Journey to Antarctica a live-streamed concert in Christchurch in 2022. [5] [6] Memory Traps (2023) was a finalist for the SOUNZ Contemporary Award at the APRA Awards. [8] The work uses poetry by Hera Lindsay Bird. [3]
In 2021 she was Composer in Residence with the National Youth Orchestra. [9] [10] From 2021 to 2022 McIndoe spent almost two years working as a lawyer in Wellington. [2] Her area of interest was litigation, public law and public arts institutions in particular. [2] [9] She held the voluntary position of Marketing Manager for the New Zealand Women's Law Journal. [2] [9]
McIndoe studied at McGill University graduating with an MMus. [3] [11] As at 2024 McIndoe is attached to the Department of Music at Columbia University. [11]
In 2016 she won the Douglas Lilburn Student Composition Award. [12] In 2022 she received an Arts Excellence Award from the Dame Malvina Major Foundation towards her study for a Masters at McGill University. [13]
McIndoe is married to New Zealand composer Nathaniel Otley. [2] [3]
John Stanley Body was a New Zealand composer, ethnomusicologist, photographer, teacher, and arts producer. As a composer, his work comprised concert music, music theatre, electronic music, music for film and dance, and audio-visual gallery installations. A deep and long-standing interest in the music of non-Western cultures – particularly South-East Asian – influenced much of his composing work, particularly his technique of transcribing field recordings. As an organiser of musical events and projects, Body had a significant impact on the promotion of Asian music in New Zealand, as well as the promotion of New Zealand music within the country and abroad.
RNZ Concert is a publicly funded non-commercial New Zealand FM fine music radio network. Radio New Zealand owns the network and operates it from its Wellington headquarters. The network's playlist of classical, jazz, contemporary, and world music includes recordings by local musicians and composers. Around 15 percent of its airtime features live concerts, orchestral performances, operas, interviews, features, and specialty music programs, many of them recorded locally.
Dame Gillian Karawe Whitehead is a New Zealand composer. She is of Māori Ngāi Te Rangi descent. Her Māori heritage has been an important influence on her composing.
The New Zealand Symphony Orchestra (NZSO) is a symphony orchestra based in Wellington, New Zealand. The national orchestra of New Zealand, the NZSO is an autonomous Crown entity owned by the New Zealand Government, per the New Zealand Symphony Orchestra Act 2004. It is currently based in the Michael Fowler Centre and has frequently performed in the adjacent Wellington Town Hall before it was closed in 2013. It also performs in Auckland, Christchurch and Dunedin.
David Blair Hamilton is a New Zealand composer and teacher.
Hirini (Sid) Melbourne was a Māori composer, singer, university lecturer, poet and author who was notable for his contribution to the development of Māori music and the revival of Māori culture. He played traditional instruments and his waiata (songs) have preserved traditions and used Māori proverbs. He received the New Zealand Order of Merit in recognition of his services to Māori music. He was from Ngāi Tūhoe and Ngāti Kahungunu Māori tribes.
Andrew Perkins is a New Zealand composer, choral conductor and teacher. He has had a number of works recorded and performed internationally.
Eve de Castro-Robinson is a New Zealand composer, professor and graphic designer. Her compositions include orchestral, vocal, chamber and electroacoustic works. She studied at the University of Auckland, where in 1991 she became the first person to receive a DMus from the University. She is Associate Professor of Composition at the University of Auckland.
Kenneth Young is a composer, conductor, radio presenter and lecturer in composition, conducting and orchestration at the New Zealand School of Music, Massey University and Victoria University of Wellington. As a composer, Young has had works commissioned by New Zealand and Australian orchestras and arts organisations including the New Zealand Symphony Orchestra, Auckland Philharmonia Orchestra, Tasmanian Symphony Orchestra New Zealand International Arts Festival and Chamber Music New Zealand. He works as a freelance composer and is fully represented by SOUNZ: The Centre for New Zealand Music. In 1976, Young became the principal tuba for the New Zealand Symphony Orchestra and first conducted the orchestra in 1985 becoming Conductor in Residence in 1993. In 2001, he resigned from the orchestra to become a full-time conductor, composer and recording artist for orchestras in New Zealand and Australia, as well as engagements in Japan and the United Kingdom. He is well known for his interpretation of Romantic, 20th Century, New Zealand and Australian orchestral repertoire and in 2012 conducted both the winning album, Angel at Ahipara and finalist album, Releasing the Angel, for Best Classical Album at the New Zealand Music Awards. Young has been recorded by EMI, Atoll Records, Continuum, Trust Records, ABC Classics and Naxos and is a frequent presenter on RESOUND, Radio New Zealand Concert introducing and contextualising work from the RNZ archives. In 2004 was awarded the Lilburn Trust Citation in Recognition of Outstanding Services to New Zealand Music.
Dorothy Ker is a New Zealand-born composer of instrumental and vocal music who has lived in the UK since 1992. She is known for her inter-disciplinary collaborations and experimentation with live electronic music performances.
Salina Fisher is a New Zealand composer and violinist currently based in Wellington.
The Philip Neill Memorial Prize is an annual prize administered by the University of Otago for excellence in original composition. The award is open to all past and present students of a university in New Zealand, except previous winners who are excluded for a period of five years.
Leonie Joyce Holmes is a New Zealand composer and lecturer at the University of Auckland with an interest in music education.
Ross Talbot Harris is a New Zealand composer, multi-instrumentalist, and music educator.
Christopher John Cree Brown is a New Zealand sonic artist and composer of orchestral and electroacoustic works. Now a freelance composer he was an Associate Professor of Music at the University of Canterbury until 2018.
Nathaniel Otley is a New Zealand composer, violinist and conductor.
Reuben Jelleyman is a New Zealand composer.
Christopher Thomas Gendall is a New Zealand composer and lecturer in composition at the University of Auckland.
Madeleine Pierard is a New Zealand lyric soprano opera singer and teacher. She holds the Dame Malvina Major Chair in Opera at the University of Waikato.
Chris Watson is a New Zealand composer and film–maker.