Julie Ethel Dash is an American filmmaker, music video and commercial director, author, and website producer. Dash received her MFA in 1985 at the UCLA Film School and is one of the graduates and filmmakers known as the L.A. Rebellion. The L.A. Rebellion refers to the first African and African-American students who studied film at UCLA. Through their collective efforts, they sought to put an end to the prejudices of Hollywood by creating experimental and unconventional films. The main goal of these films was to create original Black stories and bring them to the main screens. After Dash had written and directed several shorts, her 1991 feature Daughters of the Dust became the first full-length film directed by an African-American woman to obtain general theatrical release in the United States. In 2004, Daughters of the Dust was named to the National Film Registry by the Library of Congress for its "cultural, historical and aesthetic significance". Stemming from the film's success, Dash also released novels of the same title in 1992 and 1999. The film was later a key inspiration for Beyoncé's 2016 album Lemonade.
Charles Burnett is an American film director, film producer, writer, editor, actor, photographer, and cinematographer. His most popular films include Killer of Sheep (1978), My Brother's Wedding (1983), To Sleep with Anger (1990), The Glass Shield (1994), and Namibia: The Struggle for Liberation (2007). He has been involved in other types of motion pictures including shorts, documentaries, and a TV series.
Daughters of the Dust is a 1991 independent film written, directed and produced by Julie Dash and is the first feature film directed by an African-American woman to be theatrically released in the United States. Set in 1902, it tells the story of three generations of Gullah women in the Peazant family on Saint Helena Island as they prepare to migrate off the island, out of the Southern United States, and into the North.
Lonette Rita McKee is an American actress and singer. She made her big screen debut starring as Sister Williams in the original 1976 musical-drama film Sparkle. McKee later appeared in films Which Way Is Up? (1977), The Cotton Club (1984), Brewster's Millions (1985), Round Midnight (1986), Gardens of Stone (1987), Jungle Fever (1991), Malcolm X (1992), Men of Honor (2000), Honey (2003) and ATL (2006).
Rosanne Katon is an American model, actress, comedian and activist. She was Playboy magazine's Playmate of the Month for its September 1978 issue. Her centerfold was photographed by Mario Casilli.
Cheryl Dunye is a Liberian-American film director, producer, screenwriter, editor and actress. Dunye's work often concerns themes of race, sexuality, and gender, particularly issues relating to black lesbians. She is known as the first out black lesbian to ever direct a feature film with her 1996 film The Watermelon Woman. She runs the production company Jingletown Films based in Oakland, California.
"Four Women" is a song written by jazz singer, composer, pianist and arranger Nina Simone, released on the 1966 album Wild Is the Wind. It tells the story of four African American women. Each of the four characters represents an African-American stereotype in society. Thulani Davis of The Village Voice called the song "an instantly accessible analysis of the damning legacy of slavery, that made iconographic the real women we knew and would become."
Julie Dozier is a character in Edna Ferber's 1926 novel Show Boat. In the Jerome Kern and Oscar Hammerstein II's classic musical version of it, which opened on Broadway on December 27, 1927, her stage name is Julie La Verne. She is exposed as Julie Dozier in Act I. In Act II, Julie has changed her name, this time to Julie Wendel.
Ava Marie DuVernay is an American filmmaker, screenwriter, and producer. She is a recipient of a Primetime Emmy Award, two NAACP Image Award, a BAFTA Film Award, and a BAFTA TV Award, as well as a nominee of an Academy Award and Golden Globe. In 2011, she founded her independent distribution company ARRAY.
Zeinabu irene Davis is an American filmmaker and professor in the Department of Communication at the University of California, San Diego. In 1985, she received her M.A in African studies at UCLA and went on to earn her M.F.A in Film and Television production in 1989. Davis is known as one of the graduates and filmmakers of the L.A. Rebellion. The L.A. Rebellion refers to the first African-American students who studied film at UCLA. Through their collective efforts, they sought to put an end to the prejudices of Hollywood by creating experimental and unconventional films. The main goal of these films was to create original Black stories and bring them to the main screens. Her works in film include short narratives, documentaries and experimental films that focus heavily on the African American female perspective.
Black women filmmakers have made contributions throughout the history of film. According to Nsenga Burton, writer for The Root, "the film industry remains overwhelmingly white and male. In 2020, 74.6 percent of movie directors of theatrical films were white, showing a small decrease from the previous year. In terms of representation, 25.4 percent of film directors were of ethnic minority in 2020. Of the 25.4 percent of minority filmmakers, a small percentage was female.
Ben Caldwell (1945) is a Los Angeles-based arts educator and independent filmmaker.
The L.A. Rebellion film movement, sometimes referred to as the "Los Angeles School of Black Filmmakers", or the UCLA Rebellion, refers to the new generation of young African and African-American filmmakers who studied at the UCLA Film School in the late-1960s to the late-1980s and have created a black cinema that provides an alternative to classical Hollywood cinema.
Alile Sharon Larkin is an American film producer, writer and director. She is associated with the L.A. Rebellion, which is said to have "collectively imagined and created a Black cinema against the conventions of Hollywood and Blaxploitation film." Larkin is considered to be part of the second wave of these revolutionary black filmmakers, along with Julie Dash and Billy Woodberry. Larkin also co-founded the Black Filmmakers Collective.
Barbara O. Jones, also known as Barbarao, Barbara-O, and Barbara O., is an American actor from Ohio best known for her work in the films of the L.A. Rebellion movement of 1970s black filmmakers, starring in films by Haile Gerima and Julie Dash. She also appeared on television alongside Muhammad Ali in Freedom Road and had smaller roles in other films including Demon Seed and on television.
Barbara McCullough is a director, production manager and visual effects artist whose directorial works are associated with the Los Angeles School of Black independent filmmaking. She is best known for Water Ritual #1: An Urban Rite of Purification (1979), Shopping Bag Spirits and Freeway Fetishes: Reflections on Ritual Space (1980), Fragments (1980), and World Saxophone Quartet (1980).
Pearl Bowser was an American author, collector, television director, film scholar, film director, producer, filmmaker, independent distributor and film archivist. Along with her peers Mel Roman and Charles Hobson, Bowser researched and curated "The Black Film" retrospective at the Jewish Museum in 1970. This prompted a new wave of public interest into "exhibiting, producing, and engaging with African American cinema beyond borders". Most of her exalted career was spent traveling the globe in order to cultivate audiences for marginalized filmmakers. An example of her efforts, and also her most groundbreaking work, manifested in her research on "early-1900s Black film pioneer Oscar Micheaux". This research can be seen in her book on the first ten years of the career of Oscar Micheaux, an African-American who directed 40 "race pictures" between 1918 and 1940. She is thus credited for having helped rediscover some of Oscar Micheaux's rare surviving films. She is the founder of African Diaspora Images, a collection of visual and oral histories that documents the history of African-American filmmaking. Part of her journey included teaching young people film in the 1960s and 1970s.
Carroll Parrott Blue was an American filmmaker, director and author. Based in Houston, Texas, she was part of the L.A. Rebellion film movement. She was noted for her documentary film and interactive multimedia works, particularly for her project The Dawn at My Back: Memoir of a Black Texas Upbringing. Blue was a research professor at the University of Houston. She worked to preserve and celebrate the history of the African American community in Houston.
Alva Rogers is an American playwright, composer, actor, vocalist, and arts educator. She is known for the use of dolls and puppetry in interdisciplinary work. Rogers performed in the role of Eula Peazant in Julie Dash's 1991 film Daughters of the Dust. and was a vocalist in the New York City alternative rock band Band of Susans.
African American cinema is loosely classified as films made by, for, or about Black Americans. Historically, African American films have been made with African-American casts and marketed to African-American audiences. The production team and director were sometimes also African American. More recently, Black films featuring multicultural casts aimed at multicultural audiences have also included American Blackness as an essential aspect of the storyline.
