A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group together instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds and percussion instruments, or the concert band, which uses brass, woodwinds and percussion.
Caprice No. 24 in A minor is the final caprice of Niccolò Paganini's 24 Caprices, and a famous work for solo violin. The caprice, in the key of A minor, consists of a theme, 11 variations, and a finale. His 24 Caprices were probably composed in 1807, while he was in the service of the Baciocchi court.
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.
Spartacus is the third album by the German group Triumvirat. It is a concept album based on Spartacus, the Thracian gladiator who led the 3rd slave uprising in 73–71 BC. The lyrics were written by Hans Bathelt, with contributions by Jürgen Fritz. It was originally released in 1975 on the EMI label, and later distributed in the U.S. by Capitol. It debuted at number 27 on the Billboard album charts.
Donald Johnson Ellis was an American jazz trumpeter, drummer, composer, and bandleader. He is best known for his extensive musical experimentation, particularly in the area of time signatures. Later in his life he worked as a film composer, contributing a score to 1971's The French Connection and 1973's The Seven-Ups.
Triumvirat was a West German progressive rock band from Cologne in then-West Germany. They became, during the 1970s, a key figure in Eurock, the progressive rock of continental Europe whose German variant is called krautrock. The name Triumvirat comes from the Latin word triumvirate, which refers to a group of three powerful individuals.
"Atom Heart Mother" is a six-part suite by the progressive rock band Pink Floyd, composed by all members of the band and Ron Geesin. It appeared on the Atom Heart Mother album in 1970, taking up the first side of the original vinyl record. At 23:38, it is Pink Floyd's longest uncut studio piece. Pink Floyd performed it live between 1970 and 1972, occasionally with a brass section and choir in 1970–71.
Barry Palmer is an English singer. He was a replacement for singer Helmut Köllen in the German band Triumvirat in 1976, and appeared on the albums Old Loves Die Hard and Pompeii in 1977. He later joined Mike Oldfield on his Discovery album in 1984, sharing vocals with Maggie Reilly. He has also released two solo albums.
Fusion – Live in London is a concert film by Electric Light Orchestra, recorded at the New Victoria Theatre in London on 20 June 1976. The concert was a part of the band's Face the Music tour. It was released in VHS format in 1990.
Eldorado is the fourth studio album by the Electric Light Orchestra (ELO). It was released in the United States in September 1974 by United Artists Records and in the United Kingdom in October 1974 by Warner Bros. Records.
Mediterranean Tales is the debut album of German progressive rock group Triumvirat.
Old Loves Die Hard is the fourth album by German progressive rock group Triumvirat. It was the first recording they did as a four men band, their first three albums were done as a trio. It was the first with British singer Barry Palmer and bassist Werner Frangenberg, both replacing their previous singer-bassist Helmut Köllen. It was also the last album for original drummer and lyricist Hans Bathelt.
Pompeii is the fifth album by German progressive rock group Triumvirat. The band released the album under the name of "The New Triumvirat" due to temporary legal squabbles over the original name from former members, drummer Hans Bathelt and bassist Werner Frangenberg. They were replaced by drummer Curt Cress and bassist Dieter Petereit, both from the band Passport. This would be the band's last progressive album, due to the pressure of the record company to do more commercial music, to enhance the record sales.
A la Carte is the sixth full-length studio album by German progressive rock band Triumvirat, released in 1978.
Gary Kulesha is a Canadian composer, pianist, conductor, and educator. Since 1995, he has been Composer Advisor to the Toronto Symphony Orchestra. He has been Composer-in-Residence with the Kitchener-Waterloo Symphony (1988–1992) and the Canadian Opera Company (1993–1995). He was awarded the National Arts Centre Orchestra Composer Award in 2002. He currently teaches on the music faculty at the University of Toronto.
Arthur Eckersley Butterworth, was an English composer, conductor, trumpeter and teacher.
Hans-Jürgen Fritz is a German musician. He was the keyboard player in progressive rock band Triumvirat. He also composed the film score to the 1989 science fiction film Hard to Be a God and also published a solo album in 1990, Millennium. In 1986-1988 he collaborated with German disco group Bad Boys Blue as arranger and keyboardist.
Helmut Köllen was a German bass and guitar player as well as a singer for the band Triumvirat.
Hans Bathelt is a German drummer, percussionist and lyricist who played with the German progressive rock band Triumvirat between 1970 and 1976. He left because of musical differences between him and the keyboardist Hans Jürgen Fritz, the record company wanted some more commercial music, Fritz gave them what they wanted so the drummer left
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