Ilse Fehling | |
|---|---|
 Ilse Fehling in 1928 | |
| Born | April 25, 1896 Danzig-Langfuhr, Germany |
| Died | February 25, 1982 Munich, Germany |
Ilse Fehling was a German costume designer and sculptor associated with the Bauhaus and Nazi propaganda films.
Ilse Fehling | |
|---|---|
| Ilse Fehling in 1928 | |
| Born | April 25, 1896 Danzig-Langfuhr, Germany |
| Died | February 25, 1982 Munich, Germany |
Ilse Fehling was a German costume designer and sculptor associated with the Bauhaus and Nazi propaganda films.
Ilse Fehling was born on April 25, 1896, in Danzig-Langfuhr, Germany. In 1919, Fehling enrolled at the Reimann School in Berlin, where she studied art and fashion design. While in Berlin, she additionally studied at the city's Kunstgewerbeschule. [1] It was there that Fehling began to study sculpture. [2]
In 1920, Fehling matriculated at the Bauhaus Weimar, where much of her work focused on theatre design. Additionally, she studied sculpture, painting, and theory of harmonization [2] under a number of prominent artists including Oskar Schlemmer, Paul Klee, and Gertrud Grunow. [3] [4] Out of her work at the school, Fehling's best known is the rotating round puppet stage she designed and later patented [5] in her theater class with Lothal Schreyer. [2]
In 1923, she left the Bauhaus for Berlin to work as a freelance sculptor and stage and costume designer. [3]
Fehling received the Rome Prize from the Prussian Academy of Arts in 1932; she later studied in Rome using a grant associated with the award. [1] In the following years, her work took influences from Cubism. [3]
Following the Nazi rise to power, Fehling's work was deemed degenerate and its exhibition was banned. [3] Much of her work was lost due to bombing and confiscation during World War II. [1]
Fehling had begun working as a costume designer in 1926 [6] and continued this work after the 1933 rise of Nazism in Germany, working on propaganda films including Der Herrscher. [7]
In 1940, Fehling began work at Tobis-Europa as the chief outfitter. [2] Here she optimized the costume department by expanding and continuing to develop it. [2] While working there, Fehling implemented a system for reusing previously-worn costumes. [2] During World War II, she published an article on creative costume reuse in the popular fashion press as an inspiration to women living under rationing. [8]
By 1946, Fehling lived in Rottack before returning to Munich in 1952 where she lived out the rest of her life. [2] Fehling opened her own studio after settling in Munich, where she worked on sculptures, stage sets, and press drawings. [2] Fehling did some additional work in Geneva, where her daughter was an international student. [2] Her final design project was for the Cologne cinema "Die Lupe" in 1965, where she conceptualized the interior design. [2]
In 1923, Fehling married Henry S. Witting. In 1928, she gave birth to a daughter, Gaby; she divorced Witting a year later. [1] Fehling died on February 25, 1982.
Walter Adolph Georg Gropius was a German-American architect and founder of the Bauhaus School, who, along with Alvar Aalto, Ludwig Mies van der Rohe, Le Corbusier and Frank Lloyd Wright, is widely regarded as one of the pioneering masters of modernist architecture. He was a founder of Bauhaus in Weimar (1919). Gropius was also a leading architect of the International Style. Gropius emigrated from Germany to England in 1934 and from England to the United States in 1937, where he spent the rest of his life.
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Marianne Brandt was a German painter, sculptor, photographer, metalsmith, and designer who studied at the Bauhaus art school in Weimar and later became head of the Bauhaus Metall-Werkstatt in Dessau in 1928. Today, Brandt's designs for household objects such as lamps and ashtrays are considered timeless examples of modern industrial design. Although she pursued painting early in life and attended a private art school and the Grand Ducal College of Art in Weimar from 1912–1917, where she produced many works in the Expressionists style and also studied sculpture, the artist is best known for her sleek and elegant industrial designs.Brandt also worked with photography at the Bauhaus, taking photographs that featured unusual angles—in particular, self-portraits—and disorienting and distorting reflections in glass and metal surfaces.She worked as head of the design department of the company Ruppelwerk Metallwarenfabrik GmbH in Gotha until 1932. In 1949, she worked at the University of Applied Arts until 1954. In the year, 1954 she also supervised the exhibition The German applied art of the GDR in Beijing and Shanghai in 1953–54. She also created photomontages.
Oskar Schlemmer was a German painter, sculptor, designer and choreographer associated with the Bauhaus school.
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Gunta Stölzl was a German textile artist who played a fundamental role in the development of the Bauhaus school's weaving workshop, where she created enormous change as it transitioned from individual pictorial works to modern industrial designs. She was one of a small number of female teachers on the Bauhaus' staff and the first to hold the title of "Master".
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Helene Nonné-Schmidt was a German professor for art at the Ulm School of Design and a textile artist at the Bauhaus.
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