Editor | William Hamling |
---|---|
Categories | Fantasy, science fiction |
Format | Digest |
Publisher | Greenleaf Publishing |
Founded | 1954 |
Final issue | 1958 |
Country | United States |
Imaginative Tales was an American fantasy and science fiction magazine launched in September 1954 by William Hamling's Greenleaf Publishing Company. It was created as a sister magazine to Imagination , which Hamling had acquired from Raymond A. Palmer's Clark Publishing. Imaginative Tales began as a vehicle for novel-length humorous fantasy, early issues featuring stories by Charles F. Myers and Robert Bloch. After a year, Hamling switched the focus to science fiction and it became similar in content to Imagination, publishing routine space operas. In 1958, with public interest in space high, Hamling changed the title to Space Travel, but there was little effect on sales. Magazine circulation was suffering because of the rise of the paperback, and the liquidation in 1957 of American News Company, a major magazine distributor, made it even harder for small magazines to survive. Hamling eventually ceased publication of both Imaginative Tales and Imagination in 1958, preferring to invest the money in Rogue , a men's magazine he had started in imitation of Playboy in 1955.
Year | Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec |
---|---|---|---|---|---|---|---|---|---|---|---|---|
1954 | #1 | #2 | ||||||||||
1955 | #3 | #4 | #5 | 1/6 | 2/1 | 2/2 | ||||||
1956 | 3/1 | 3/2 | 3/3 | 3/4 | 3/5 | 3/6 | ||||||
1957 | 4/1 | 4/2 | 4/3 | 4/4 | 4/5 | 4/6 | ||||||
1958 | 5/1 | 5/2 | 5/3 | 5/4 | 5/5 | 5/6 | ||||||
William and Frances Hamling were editors throughout the run. The title changed to SpaceTravel with the July 1958 issue. |
American science fiction (sf) magazines first appeared in the 1920s with the launch of Amazing Stories , a pulp magazine published by Hugo Gernsback. World War II and its attendant paper shortages interrupted the expanding market for the genre, but by the late 1940s, the market had begun to recover again. [2] From a low of eight active magazines in 1946, the field expanded to 20 in 1950, and a further 22 had commenced publication by 1954. [3] One of these new titles was Imagination, launched at the end of 1950 by Raymond Palmer, who had recently left Ziff-Davis, where he had edited Amazing Stories. In September 1950, Ziff-Davis made the decision to move to New York from Chicago, and Palmer quickly sold Imagination to William Hamling, a Ziff-Davis editor who did not want to relocate and who, like Palmer, chose instead to become an independent publisher. [4] [5] In 1954, Hamling started a fantasy magazine as a companion to Imagination. He titled it Imaginative Tales; science fiction historian Mike Ashley comments that this was surprisingly late for Hamling to start a second title since it might have been more profitable earlier in the sf magazine boom, which was fading by late 1954. [6]
When Hamling announced the magazine, in an editorial in Imagination, he said "We actually don't know whether it's a magazine or paperback in magazine form", adding that it would usually carry book-length works. [7] The format of the magazine was initially similar to that of Galaxy Science Fiction Novels , a series of digest-sized novels started in 1950 as a companion to Galaxy Science Fiction. [7] [8]
Frank M. Robinson, a science fiction writer who was friends with Hamling, suggested changing the title from Imaginative Tales to Caravan and printing men's adventure fiction. Hamling knew Hugh Hefner, the publisher of Playboy , and Hefner set up a lunch with Playboy's distributor to talk over the idea. The distributor was unimpressed, and Hamling instead pitched the idea of a magazine that would compete with Playboy. [9] The result was Rogue , [9] which was more profitable than either of Hamling's science fiction titles. [notes 1] [9] [11]
By the late 1950s, paperbacks were displacing magazines on newsstands, and there was widespread resistance among dealers to stocking new magazines. A further blow came in 1957 with the collapse of American News Company, the most important US magazine distributor. The resulting disruption spelled the end for many sf titles. Hamling retitled Imaginative Tales to Space Travel with the July 1958 issue, hoping to cash in on public interest in the early years of the space program. There was no impact on sales, though Ashley attributes this to the lack of interest among book dealers in new magazines. [12] At the end of 1958, both the science fiction titles were axed, and Hamling invested the money in Rogue instead. [11]
While at Ziff-Davis, Hamling had become familiar with Fantastic Adventures , the fantasy companion to Ziff-Davis's Amazing Stories, and he was a fan of Charles F. Myers' "Toffee" stories, which had appeared in Fantastic Adventures from the late 1940s. These were humorous stories about a man and his beautiful imaginary girlfriend, Toffee, [14] with what sf historian Joe Sanders calls an "exaggerated pose of naughtiness": nakedness was implied but never directly described, and sex was only hinted at. [7] Hamling printed several "Toffee" stories in Imagination, [14] and when he launched Imaginative Tales, he reprinted Shades of Toffee, a book-length story that had appeared in the June 1950 Fantastic Adventures, in the first issue. [15] [16] [17] The first six issues included novels in the same vein by either Charles Myers or Robert Bloch, [18] and short fiction soon began to appear. [19] With the seventh issue, dated September 1955, Hamling converted Imaginative Tales to more closely resemble Imagination, printing science fiction rather than fantasy. [18]
Mike Ashley describes the contents from this point on as "unremarkable space opera"; [6] regular contributors included some of the same writers who wrote for Imagination, including Geoff St. Reynard and Dwight V. Swain. [18] [7] Hamling obtained stories from Edmond Hamilton, who Sanders considers "the most readable of the novelists", [7] but he also printed Raymond Palmer's "The Metal Emperor"—"a dreadful Shaveristic adventure" according to Ashley, [6] and "possibly the worst story published in either of Hamling's magazines", according to Sanders. [7] Henry Slesar's first sale, "The Brat", appeared in the November 1955 issue. [20] Other writers included many authors who had been regular contributors to Amazing Stories—Hamling was familiar with these writers from his time at Ziff-Davis. [18]
Non-fiction features appeared once Hamling gave up on the novels-only format: a letter column, editorials, and an sf movie news column, "Scientifilm Marquee", contributed by Forrest Ackerman. With the title change to Space Travel, science articles by Henry Bott and Guenther Schmidt were added. [7]
All 26 issues were digest-sized, edited by William Hamling and published by Hamling's Greenleaf Publishing Company, based in Evanston, Illinois. The schedule was bimonthly and was completely regular. Issues were initially labelled with a number only, and no volume; from the sixth issue this changed to a volume/number format. There were five volumes, all with six issues except the second volume, which had two. The first issue was 160 pages, and all remaining issues were 128 pages. The price was 35 cents throughout the run. [7]
If was an American science fiction magazine launched in March 1952 by Quinn Publications, owned by James L. Quinn.
Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.
The Magazine of Fantasy & Science Fiction is a U.S. fantasy and science fiction magazine, first published in 1949 by Mystery House, a subsidiary of Lawrence Spivak's Mercury Press. Editors Anthony Boucher and J. Francis McComas had approached Spivak in the mid-1940s about creating a fantasy companion to Spivak's existing mystery title, Ellery Queen's Mystery Magazine. The first issue was titled The Magazine of Fantasy, but the decision was quickly made to include science fiction as well as fantasy, and the title was changed correspondingly with the second issue. F&SF was quite different in presentation from the existing science fiction magazines of the day, most of which were in pulp format: it had no interior illustrations, no letter column, and text in a single-column format, which in the opinion of science fiction historian Mike Ashley "set F&SF apart, giving it the air and authority of a superior magazine".
Raymond Arthur Palmer was an American author and editor, best known as editor of Amazing Stories from 1938 through 1949, when he left publisher Ziff-Davis to publish and edit Fate Magazine, and eventually many other magazines and books through his own publishing houses, including Amherst Press and Palmer Publications. In addition to magazines such as Mystic,Search, and Flying Saucers, he published or republished numerous spiritualist books, including Oahspe: A New Bible, as well as several books related to flying saucers, including The Coming of the Saucers, co-written by Palmer with Kenneth Arnold. Palmer was also a prolific author of science fiction and fantasy stories, many of which were published under pseudonyms.
Science Fantasy, which also appeared under the titles Impulse and SF Impulse, was a British fantasy and science fiction magazine, launched in 1950 by Nova Publications as a companion to Nova's New Worlds. Walter Gillings was editor for the first two issues, and was then replaced by John Carnell, the editor of New Worlds, as a cost-saving measure. Carnell edited both magazines until Nova went out of business in early 1964. The titles were acquired by Roberts & Vinter, who hired Kyril Bonfiglioli to edit Science Fantasy; Bonfiglioli changed the title to Impulse in early 1966, but the new title led to confusion with the distributors and sales fell, though the magazine remained profitable. The title was changed again to SF Impulse for the last few issues. Science Fantasy ceased publication the following year, when Roberts & Vinter came under financial pressure after their printer went bankrupt.
Planet Stories was an American pulp science fiction magazine, published by Fiction House between 1939 and 1955. It featured interplanetary adventures, both in space and on some other planets, and was initially focused on a young readership. Malcolm Reiss was editor or editor-in-chief for all of its 71 issues. Planet Stories was launched at the same time as Planet Comics, the success of which probably helped to fund the early issues of Planet Stories. Planet Stories did not pay well enough to regularly attract the leading science fiction writers of the day, but occasionally obtained work from well-known authors, including Isaac Asimov and Clifford D. Simak. In 1952 Planet Stories published Philip K. Dick's first sale, and printed four more of his stories over the next three years.
Other Worlds, Universe Science Fiction, and Science Stories were three related US magazines edited by Raymond A. Palmer. Other Worlds was launched in November 1949 by Palmer's Clark Publications and lasted for four years in its first run, with well-received stories such as "Enchanted Village" by A. E. van Vogt and "Way in the Middle of the Air", one of Ray Bradbury's "Martian Chronicle" stories. Since Palmer was both publisher and editor, he was free to follow his own editorial policy, and presented a wide array of science fiction.
Fantastic was an American digest-size fantasy and science fiction magazine, published from 1952 to 1980. It was founded by the publishing company Ziff Davis as a fantasy companion to Amazing Stories. Early sales were good, and the company quickly decided to switch Amazing from pulp format to digest, and to cease publication of their other science fiction pulp, Fantastic Adventures. Within a few years sales fell, and Howard Browne, the editor, was forced to switch the focus to science fiction rather than fantasy. Browne lost interest in the magazine as a result and the magazine generally ran poor-quality fiction in the mid-1950s, under Browne and his successor, Paul W. Fairman.
Rogue was a Chicago-based, men's magazine published by William Hamling from 1956 until 1965. Founding editor Frank M. Robinson was followed by other editors, including Harlan Ellison and Bruce Elliott. The magazine was subtitled "Designed for Men."
William Lawrence Hamling was an American writer, science fiction fan, and publisher of both science fiction digests, and adult magazines and books, active from the late 1930s until 1975. He was a lifelong member of First Fandom.
Imagination was an American fantasy and science fiction magazine first published in October 1950 by Raymond Palmer's Clark Publishing Company. The magazine was sold almost immediately to Greenleaf Publishing Company, owned by William Hamling, who published and edited it from the third issue, February 1951, for the rest of the magazine's life. Hamling launched a sister magazine, Imaginative Tales, in 1954; both ceased publication at the end of 1958 in the aftermath of major changes in US magazine distribution due to the liquidation of American News Company.
Roger Phillip Graham was an American science fiction writer who was published most often using the name Rog Phillips, but also used other names. Of his other pseudonyms, only Craig Browning is notable in the genre. He is associated most with Amazing Stories and is known best for short fiction. He was nominated for the Hugo Award for Best Novelette in 1959.
Fantastic Adventures was an American pulp fantasy and science fiction magazine, published from 1939 to 1953 by Ziff-Davis. It was initially edited by Raymond A. Palmer, who was also the editor of Amazing Stories, Ziff-Davis's other science fiction title. The first nine issues were in bedsheet format, but in June 1940 the magazine switched to a standard pulp size. It was almost cancelled at the end of 1940, but the October 1940 issue enjoyed unexpectedly good sales, helped by a strong cover by J. Allen St. John for Robert Moore Williams' Jongor of Lost Land. By May 1941 the magazine was on a regular monthly schedule. Historians of science fiction consider that Palmer was unable to maintain a consistently high standard of fiction, but Fantastic Adventures soon developed a reputation for light-hearted and whimsical stories. Much of the material was written by a small group of writers under both their own names and house names. The cover art, like those of many other pulps of the era, focused on beautiful women in melodramatic action scenes. One regular cover artist was H.W. McCauley, whose glamorous "MacGirl" covers were popular with the readers, though the emphasis on depictions of attractive and often partly clothed women did draw some objections.
Saturn was an American magazine published from 1957 to 1965. It was launched as a science fiction magazine, but sales were weak, and after five issues the publisher, Robert C. Sproul, switched the magazine to hardboiled detective fiction that emphasized sex and sadism. Sproul retitled the magazine Saturn Web Detective Story Magazine to support the change, and shortened the title to Web Detective Stories the following year. In 1962, the title was changed yet again, this time to Web Terror Stories, and the contents became mostly weird menace tales—a genre in which apparently supernatural powers are revealed to have a logical explanation at the end of the story.
Future Science Fiction and Science Fiction Stories were two American science fiction magazines that were published under various names between 1939 and 1943 and again from 1950 to 1960. Both publications were edited by Charles Hornig for the first few issues; Robert W. Lowndes took over in late 1941 and remained editor until the end. The initial launch of the magazines came as part of a boom in science fiction pulp magazine publishing at the end of the 1930s. In 1941 the two magazines were combined into one, titled Future Fiction combined with Science Fiction, but in 1943 wartime paper shortages ended the magazine's run, as Louis Silberkleit, the publisher, decided to focus his resources on his mystery and western magazine titles. In 1950, with the market improving again, Silberkleit relaunched Future Fiction, still in the pulp format. In the mid-1950s he also relaunched Science Fiction, this time under the title Science Fiction Stories. Silberkleit kept both magazines on very slim budgets throughout the 1950s. In 1960 both titles ceased publication when their distributor suddenly dropped all of Silberkleit's titles.
Science Fiction Adventures was an American digest-size science fiction magazine, published from 1956 to 1958 by Irwin Stein's Royal Publications as a companion to Infinity Science Fiction, which had been launched in 1955. Larry Shaw was the editor for all 12 issues. Science Fiction Adventures focused on longer fiction than appeared in Infinity; these were often labeled as novels, though they were rarely longer than 20,000 words. Shaw declared in his first editorial that he wanted to bring back a "sense of wonder", and he printed straightforward action-adventure stories. Two other magazines of the period, Imagination and Imaginative Tales, had similar editorial approaches, but science fiction historian Mike Ashley considers that Science Fiction Adventures contained the best fiction of the three. Robert Silverberg was a prolific contributor, under his own name and under the pseudonym "Calvin M. Knox", and he also collaborated with Randall Garrett on two stories in the first issue, under two different pseudonyms. Other well-known writers occasionally appeared, including Harlan Ellison, Cyril M. Kornbluth, Algis Budrys, and Harry Harrison. Ed Emshwiller contributed cover art for nine of the twelve issues, and one of the other three was among John Schoenherr's earliest sales.
Marvel Science Stories was an American pulp magazine that ran for a total of fifteen issues in two separate runs, both edited by Robert O. Erisman. The publisher for the first run was Postal Publications, and the second run was published by Western Publishing; both companies were owned by Abraham and Martin Goodman. The first issue was dated August 1938, and carried stories with more sexual content than was usual for the genre, including several stories by Henry Kuttner, under his own name and also under pseudonyms. Reaction was generally negative, with one reader referring to Kuttner's story "The Time Trap" as "trash". This was the first of several titles featuring the word "Marvel", and Marvel Comics came from the same stable in the following year.
Two Complete Science-Adventure Books was an American pulp science fiction magazine, published by Fiction House, which lasted for eleven issues between 1950 and 1954 as a companion to Planet Stories. Each issue carried two novels or long novellas. It was initially intended to carry only reprints, but soon began to publish original stories. Contributors included Isaac Asimov, Robert A. Heinlein, Arthur C. Clarke, Poul Anderson, John Brunner, and James Blish. The magazine folded in 1954, almost at the end of the pulp era.
Science-fiction and fantasy magazines began to be published in the United States in the 1920s. Stories with science-fiction themes had been appearing for decades in pulp magazines such as Argosy, but there were no magazines that specialized in a single genre until 1915, when Street & Smith, one of the major pulp publishers, brought out Detective Story Magazine. The first magazine to focus solely on fantasy and horror was Weird Tales, which was launched in 1923, and established itself as the leading weird fiction magazine over the next two decades; writers such as H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard became regular contributors. In 1926 Weird Tales was joined by Amazing Stories, published by Hugo Gernsback; Amazing printed only science fiction, and no fantasy. Gernsback included a letter column in Amazing Stories, and this led to the creation of organized science-fiction fandom, as fans contacted each other using the addresses published with the letters. Gernsback wanted the fiction he printed to be scientifically accurate, and educational, as well as entertaining, but found it difficult to obtain stories that met his goals; he printed "The Moon Pool" by Abraham Merritt in 1927, despite it being completely unscientific. Gernsback lost control of Amazing Stories in 1929, but quickly started several new magazines. Wonder Stories, one of Gernsback's titles, was edited by David Lasser, who worked to improve the quality of the fiction he received. Another early competitor was Astounding Stories of Super-Science, which appeared in 1930, edited by Harry Bates, but Bates printed only the most basic adventure stories with minimal scientific content, and little of the material from his era is now remembered.
Between 1965 and 1976, Sol Cohen published over a hundred issues of science fiction magazines under a set of related titles.