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A German Requiem, to Words of the Holy Scriptures, Op. 45 by Johannes Brahms, is a large-scale work for chorus, orchestra, and soprano and baritone soloists, composed between 1865 and 1868. It comprises seven movements, which together last 65 to 80 minutes, making this work Brahms's longest composition. A German Requiem is sacred but non-liturgical, and unlike a long tradition of the Latin Requiem, A German Requiem, as its title states, is a Requiem in the German language.
Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.
The Armed Man is a Mass by Welsh composer Karl Jenkins, subtitled "A Mass for Peace". The piece was commissioned by the Royal Armouries Museum for the Millennium celebrations, to mark the museum's move from London to Leeds, and it was dedicated to victims of the Kosovo crisis. Like Benjamin Britten's War Requiem before it, it is essentially an anti-war piece and is based on the Catholic Mass, which Jenkins combines with other sources, principally the 15th-century folk song "L'homme armé" in the first and last movements. It was written for SATB chorus with soloists and a symphonic orchestra. Guy Wilson, then master of the museum, selected the texts for the mass.
Chichester Psalms is an extended choral composition in three movements by Leonard Bernstein for boy treble or countertenor, choir and orchestra. The text was arranged by the composer from the Book of Psalms in the original Hebrew. Part 1 uses Psalms 100 and 108, Part 2 uses 2 and 23, and Part 3 uses 131 and 133. Bernstein scored the work for a reduced orchestra, but also made a version for an even smaller ensemble of organ, one harp, and percussion.
The Suite for Variety Orchestra No. 1 is a suite in eight movements arranged by Levon Atovmyan after 1956, based on music by Dmitri Shostakovich. An editorial error in the tenth volume of the Shostakovich collected works edition published by Muzyka in 1984 resulted in the Suite for Variety Orchestra No. 1 being misidentified as the "Suite for Jazz Orchestra No. 2" or "Jazz Suite No. 2". The score was first published with the correct name in 2001.
Sinfonia da Requiem, Op. 20, for orchestra is a symphony written by Benjamin Britten in 1940 at the age of 26. It was one of several works commissioned from different composers by the Japanese government to mark Emperor Jimmu's 2600th anniversary of the founding of the Japanese Empire. The Japanese government rejected the Sinfonia for its use of Latin titles from the Catholic Requiem for its three movements and for its somber overall character, but it was received positively at its world premiere in New York on 29 March 1941 under John Barbirolli. A performance in Boston under Serge Koussevitzky led to the commission of the opera Peter Grimes from the Koussevitzky Music Foundations.
Stabat Mater is a 2008 composition for choir and orchestra by Karl Jenkins, based on the 13th-century prayer Stabat Mater. Like much of Jenkins' earlier work, the work incorporates both traditional Western music with ethnic instruments and vocals, this time focusing on the Middle East. The first recording features the Royal Liverpool Philharmonic Orchestra and Choir, along with two soloists, Lithuanian mezzo-soprano Jurgita Adamonyte, and English musician Belinda Sykes, who both sings and performs on the duduk, an Armenian reed instrument.
Requiem Canticles is a 15-minute composition by Igor Stravinsky, for contralto and bass soli, chorus, and orchestra. Stravinsky completed the work in 1966, and it received its first performance that same year.
Requiem is a classical work by Karl Jenkins, first recorded and performed in 2005. It was premièred at Southwark Cathedral on 2 June 2005, by the West Kazakhstan Philharmonic Orchestra and Adiemus percussion and brass, conducted by the composer. Soloists were Nicole Tibbels (soprano), Clive Bell (shakuhachi), Sam Landman (treble) and Catrin Finch (harp).
Max Reger's 1915 Requiem, Op. 144b, is a late Romantic setting of Friedrich Hebbel's poem "Requiem" for alto or baritone solo, chorus and orchestra. It is Reger's last completed work for chorus and orchestra, dedicated in the autograph as Dem Andenken der im Kriege 1914/15 gefallenen deutschen Helden.
Benjamin Britten's Piano Concerto, Op. 13, is the composer's sole piano concerto.
Gregory Rose is a conductor, composer, arranger, and music director. He has conducted orchestral, choral and ensemble premieres throughout Europe and the Far East.
Gloria is a sacred choral composition by Karl Jenkins, completed in 2010. It is an extended setting of the Gloria part of the mass in Latin, on the text of the Gloria in three movements, interpolated with two movements on other texts, Psalm 150 in Hebrew and a song derived from biblical verses in English. Spoken passages from sacred text from four religious traditions are part of the composition. It was published by Boosey & Hawkes in 2010. Gloria is often performed together with the composer's Te Deum.
Palladio is a composition for string orchestra by Karl Jenkins, completed in 1995, with the title referring to the Italian Renaissance architect Andrea Palladio (1508–1580). The work in three movements is in the form of a concerto grosso.
Incantations for Percussion and Orchestra is a concerto for percussion and orchestra in three movements by the Finnish composer Einojuhani Rautavaara. The work was composed for the percussionist Colin Currie on a joint commission from the London Philharmonic Orchestra, the Baltimore Symphony Orchestra, the Rotterdam Philharmonic Orchestra, and the Tampere Philharmonic Orchestra. The first performance was given in Royal Festival Hall, London by Currie and the London Philharmonic Orchestra under the conductor Yannick Nézet-Séguin on October 24, 2009.
Towards the Horizon is the second cello concerto by the Finnish composer Einojuhani Rautavaara. The work was commissioned by the Minnesota Orchestra under the direction of Osmo Vänskä. It was first performed by the cellist Arek Tesarczyk and the Minnesota Orchestra conducted by Osmo Vänskä in Orchestra Hall, Minneapolis, on September 30, 2010. The piece is dedicated to the cellist Truls Mørk, who was originally scheduled to perform the world premiere, but had to drop due to health concerns.
Idsteiner Kantorei is a mixed choir in Idstein, Rheingau-Taunus-Kreis, Germany. The group performs regularly in the Protestant Unionskirche in services and concerts, also in smaller churches of the region and internationally. They practice collaboration with other choirs for larger projects.
Opening Prayer is a composition for baritone and orchestra, written for the reopening of Carnegie Hall in 1986. Composer Leonard Bernstein set a Hebrew biblical benediction, which concludes a traditional morning service. He derived the music from an earlier piano composition, and later included it in his Jubilee Games in 1988, and in their expansion to the Concerto for Orchestra in 1989, calling the movement now Benediction.
Carsten Koch is a German organist, choral conductor and academic. He is the church musician at the Unionskirche in Idstein, Hesse, conducting the concert choir Idsteiner Kantorei and the orchestra Nassauische Kammerphilharmonie that he founded. He lectured orchestral conducting at the Frankfurt University of Music and Performing Arts.
