Lionel John Alexander Monckton was an English composer of musical theatre. He became Britain's most popular composer of Edwardian musical comedy in the early years of the 20th century.
James Sidney Jones, usually credited as Sidney Jones, was an English conductor and composer, who was most famous for composing the musical scores for a series of musical comedy hits in the late Victorian and Edwardian periods. Jones's most famous musical was The Geisha, but several of his pieces were among the most popular shows of the era, enjoying long runs, international tours and revivals.
Arthur Reed Ropes, better known under the pseudonym Adrian Ross, was a prolific writer of lyrics, contributing songs to more than sixty British musical comedies in the late 19th and early 20th centuries. He was the most important lyricist of the British stage during a career that spanned five decades. At a time when few shows had long runs, nineteen of his West End shows ran for over 400 performances.
Félix Marie Henri Tilkin, better known by his pen name Ivan Caryll, was a Belgian-born composer of operettas and Edwardian musical comedies in the English language, who made his career in London and later New York. He composed some forty musical comedies and operettas.
George Joseph Edwardes was an English theatre manager and producer of Irish ancestry who brought a new era in musical theatre to the British stage and beyond.
The Gaiety Theatre was a West End theatre in London, located on Aldwych at the eastern end of the Strand. The theatre was first established as the Strand Musick Hall in 1864 on the former site of the Lyceum Theatre. In 1868, it became known as the Gaiety Theatre and was, at first, known for music hall and then for musical burlesque, pantomime and operetta performances. From 1868 to the 1890s, it had a major influence on the development of modern musical comedy.
The Shop Girl was an Edwardian musical comedy in two acts written by Henry J. W. Dam, with lyrics by Dam and Adrian Ross and music by Ivan Caryll, and additional numbers by Lionel Monckton and Ross. It premiered at the Gaiety Theatre in London in 1894 and ran for an extremely successful 546 performances. Its cast included Seymour Hicks, George Grossmith Jr., Arthur Williams, Edmund Payne, and Ellaline Terriss. It soon played in New York and was successfully revived in London in 1920.
A Gaiety Girl is an English musical comedy in two acts by a team of musical comedy neophytes: Owen Hall, Harry Greenbank (lyrics) and Sidney Jones (music). It opened at Prince of Wales Theatre in London, produced by George Edwardes, on 14 October 1893 and ran for 413 performances. The show starred C. Hayden Coffin, Louie Pounds, Decima Moore, Eric Lewis, W. Louis Bradfield, and later Rutland Barrington, George Grossmith, Jr., Scott Russell, Huntley Wright and Marie Studholme. Topsy Sinden and later Letty Lind danced in the piece. Choreography was by Willie Warde. Percy Anderson designed the Japanese costumes for the musical, while the non-Japanese costumes were supplied by leading fashion houses. Blanche Massey was one of the Gaiety Girls in the piece. It also had a successful three-month Broadway run in 1894, followed by an American tour and a world tour.
James Tolman Tanner was an English stage director and dramatist who wrote many of the successful musicals produced by George Edwardes.
Ruy Blas and the Blasé Roué is a burlesque written by A. C. Torr and Herbert F. Clark with music by Meyer Lutz. It is based on the Victor Hugo drama Ruy Blas. The piece was produced by George Edwardes. As with many of the Gaiety burlesques, the title is a pun.
Cinder Ellen up too Late is a musical burlesque written by Frederick Hobson Leslie and W. T. Vincent, with music arranged by Meyer Lutz from compositions by Lionel Monckton, Sidney Jones, Walter Slaughter, Osmond Carr, Scott Gatti, Jacobi, Robertson, and Leopold Wenzel. Additional lyrics were written by Basil Hood. The show was a burlesque of the well-known pantomime and fairy tale, Cinderella.
Frankenstein, or The Vampire's Victim is a musical burlesque in three acts written by Richard Henry. The music was composed by Meyer Lutz. The piece is a burlesque loosely based on the 1818 Mary Shelley novel Frankenstein; or, The Modern Prometheus and the Adelphi Theatre drama based on the novel.
Galatea, or Pygmalion Re-Versed is a musical burlesque that parodies the Pygmalion legend, and specifically W. S. Gilbert's 1871 play Pygmalion and Galatea. The libretto was written by Henry Pottinger Stephens and W. Webster. The score was composed by Wilhelm Meyer Lutz.
Faust up to Date is a musical burlesque with a libretto was written by G. R. Sims and Henry Pettitt, and a score written by Meyer Lutz. Set in Nuremberg, it is a spoof of Gounod's opera, Faust, which had first been performed in London in 1864. The burlesque followed on from an earlier Lutz musical, Mephistopheles, or Faust and Marguerite.
Edwardian musical comedy is a genre of British musical theatre that thrived from 1892 into the 1920s, extending beyond the reign of King Edward VII in both directions. It began to dominate the English musical stage, and even the American musical theatre, when the Gilbert and Sullivan operas' dominance had ended, until the rise of American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following the First World War.
Gaiety Girls were the chorus girls in Edwardian musical comedies, beginning in the 1890s at the Gaiety Theatre, London, in the shows produced by George Edwardes. The popularity of this genre of musical theatre depended, in part, on the beautiful dancing corps of "Gaiety Girls" appearing onstage in bathing attire and in the latest fashions. The 1890s Gaiety Girls were respectable, elegant young ladies, unlike the actresses from London's earlier musical burlesques. Later, even the stars of these musical comedies were referred to as Gaiety Girls.
Caroline Maria Lupton, known professionally as Marie Studholme, was an English actress and singer of the Victorian and Edwardian eras, known for her supporting and sometimes starring roles in Edwardian musical comedy. Her attractive features made her one of the most popular postcard beauties of her day.
Carmen up to Data is a musical burlesque with a score written by Meyer Lutz. Set in Seville, the piece was a spoof of Bizet's 1875 opera Carmen. The libretto was written by G. R. Sims and Henry Pettitt.
Frederick John D'Auban was an English dancer, choreographer and actor of the Victorian and Edwardian eras. Famous during his lifetime as the ballet-master at the Theatre Royal, Drury Lane, he is best remembered as the choreographer of many of the Gilbert and Sullivan operas.
Monte Cristo Jr. was a Victorian burlesque with a libretto written by Richard Henry, a pseudonym for the writers Richard Butler and Henry Chance Newton. The score was composed by Meyer Lutz, Ivan Caryll, Hamilton Clarke, Tito Mattei, G. W. Hunt and Henry J. Leslie. The ballet and incidental dances were arranged by John D'Auban, and the theatre's musical director, Meyer Lutz, conducted. The play's doggerel verse was loosely based on The Count of Monte Cristo by Alexandre Dumas.
