In the Court of the Wrestling Let's | ||||
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Studio album by | ||||
Released | June 29, 2009 UK, March 13, 2010 U.S. | |||
Genre | Indie rock, lo-fi | |||
Length | 42:49 | |||
Label | Stolen Recordings | |||
Let's Wrestle chronology | ||||
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Singles from In the Court of the Wrestling Let's | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Mojo | |
NME | link |
Clash | link |
Loud and Quiet | link |
Record Collector | link |
Rock Sound | link |
Metro | link |
Pitchfork Media | (7.6/10) link |
In the Court of the Wrestling Let's is the debut studio album by British indie rock band Let's Wrestle. It was released on June 29, 2009, through Stolen Recordings.
The name of the album was directly inspired by highly influential progressive rock band King Crimson's debut album In the Court of the Crimson King . [2]
No. | Title | Length |
---|---|---|
1. | "My Arms Don't Bend That Way, Damn It!" | 2:29 |
2. | "I'm In Love With Destruction" | 3:06 |
3. | "Tanks" | 3:11 |
4. | "My Eyes Are Bleeding (Interlude)" | 1:01 |
5. | "My Schedule" | 3:32 |
6. | "We Are The Men You'll Grow to Love Soon" | 3:02 |
7. | "In Dreams" | 2:41 |
8. | "Atlantis (Interlude)" | 0:50 |
9. | "Song For Old People" | 2:19 |
10. | "I Won't Lie to You" | 2:43 |
11. | "Diana's Hair" | 3:09 |
12. | "I'm In Fighting Mode" | 3:09 |
13. | "Insects" | 3:07 |
14. | "It's Not Going to Happen" | 3:19 |
15. | "Waltz (Interlude)" | 0:27 |
16. | "In the Court of Wrestling Let's" | 4:44 |
No. | Title | Length |
---|---|---|
17. | "We Are The Men You'll Grow to Love Soon (M.A.T.H.E.S. Remix)" | 2:07 |
King Crimson were an English progressive rock band formed in 1968 in London. The band drew inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, blues, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band earned a large cult following.
Robert Fripp is an English musician, songwriter, record producer, and author, best known as the guitarist, founder and longest-lasting member of the progressive rock band King Crimson. He has worked extensively as a session musician and collaborator, notably with David Bowie, Blondie, Brian Eno, Peter Gabriel, Daryl Hall, The Roches, Talking Heads, and David Sylvian. He also composed the startup sound of Windows Vista operating system, in collaboration with Tucker Martine and Steve Ball. His discography includes contributions to more than 700 official releases.
Emerson, Lake & Palmer were an English progressive rock supergroup formed in London in 1970. The band consisted of Keith Emerson (keyboards) of the Nice, Greg Lake of King Crimson, and Carl Palmer of Atomic Rooster. With nine RIAA-certified gold record albums in the US, and an estimated 48 million records sold worldwide, they are one of the most popular and commercially successful progressive rock groups of the 1970s, with a musical sound including adaptations of classical music with jazz and symphonic rock elements, dominated by Emerson's flamboyant use of the Hammond organ, Moog synthesizer, and piano.
Peter John Sinfield is an English poet and songwriter. He is best known as a co-founder and former lyricist of King Crimson. Their debut album In the Court of the Crimson King is considered one of the first and most influential progressive rock albums ever released.
Larks' Tongues in Aspic is the fifth studio album by the English progressive rock group King Crimson, released on 23 March 1973 through Island Records in the UK and Atlantic Records in the United States and Canada. This album is the debut of King Crimson's third incarnation, featuring co-founder and guitarist Robert Fripp along with four new members: bass guitarist and vocalist John Wetton, violinist and keyboardist David Cross, percussionist Jamie Muir, and drummer Bill Bruford. It is a key album in the band's evolution, drawing on Eastern European classical music and European free improvisation as central influences.
Gregory Stuart Lake was an English bassist, guitarist, singer, and songwriter. He gained prominence as a founding member of the progressive rock bands King Crimson and Emerson, Lake & Palmer (ELP).
In the Court of the Crimson King is the debut studio album by English progressive rock band King Crimson, released on 10 October 1969 by Island Records. The album is one of the earliest and most influential of the progressive rock genre, with the band combining musical influences that rock music was founded upon with elements of jazz, classical, and symphonic music.
In the Wake of Poseidon is the second studio album by English progressive rock group King Crimson, released in May 1970 by Island Records in Europe, Atlantic Records in the United States, Philips Records in Australia, and Vertigo Records in New Zealand. To date the album is their highest-charting in the UK, reaching number 4.
U.K. were a British progressive rock supergroup originally active from 1977 to 1980. The band was founded by bass guitarist John Wetton and drummer Bill Bruford, formerly the rhythm section of King Crimson. The band was rounded out by violinist/keyboardist Eddie Jobson, and guitarist Allan Holdsworth. Bruford and Holdsworth left in 1978, and Bruford was replaced by drummer Terry Bozzio. Jobson, Wetton and Bozzio reformed U.K. for a world tour in 2012.
Red is the seventh studio album by English progressive rock band King Crimson. It was released in October 1974 on the Island Records label in the United Kingdom, and Atlantic Records in North America and Japan. The album was recorded at Olympic Studios in London in July and August 1974, and produced by the band themselves. The track "Providence" was a free improvisation recorded at their 30 June 1974 concert at the Palace Theater in Providence, Rhode Island. Parts of some of the pieces were conceived during previous improvisations performed by the band live. "Starless" was originally written for their previous album, Starless and Bible Black (1974), but was considered too primitive to be released at the time. The lengthy version included on Red was refined and performed during concerts throughout 1974.
John Kenneth Wetton was an English musician, singer and songwriter. Although he was left handed he was known as a dexterous right handed bass player and had a booming baritone voice Wetton joined the band Family in 1971 for a short time before joining King Crimson in 1972. After the breakup of King Crimson at the end of 1974, Wetton spent the next seven years as a member of other progressive rock and hard rock bands which included Roxy Music (1974–1975), Uriah Heep (1975–1976), U.K. (1977–1980) and Wishbone Ash (1980–1981).
Ian Richard McDonald was an English musician, composer and multi-instrumentalist, best known as a founder member of the progressive rock band King Crimson in 1968, as well as the hard rock band Foreigner in 1976.
21st Century Schizoid Band were a King Crimson alumnus group formed in 2002.
"Epitaph" is the third track on British progressive rock band King Crimson's 1969 album In the Court of the Crimson King. It was written by Robert Fripp, Ian McDonald, Greg Lake, and Michael Giles with lyrics written by Peter Sinfield.
"Moonchild" is the fourth track from British progressive rock band King Crimson's debut album, In the Court of the Crimson King.
"The Court of the Crimson King", sometimes billed "In the Court of the Crimson King", is the titular fifth and final track from the British progressive rock band King Crimson's debut album, In the Court of the Crimson King. Released as a single, it reached No. 80 on the Billboard Hot 100 chart, the only King Crimson single to chart on the Hot 100.
"21st Century Supersister" is a song by the British rock singer Toyah Willcox, released in 2011.
In the Court of the Crimson King is the first of the major box set releases from English progressive rock group King Crimson, released in 2010 by Discipline Global Mobile & Panegyric Records. The set features recordings from the band's initial lineup and the sessions for their 1969 debut album In the Court of the Crimson King, including several mixes of the album. Over 5 CDs, 1 DVD, copious sleeve notes and replica memorabilia, In the Court of the Crimson King covers the genesis of King Crimson's birth.
Louise Patricia Crane is a Northern Irish singer-songwriter and visual artist. She is known for her unique blend of romantic escapism and dreamlike progressive rock, leading to music journalist Dom Lawson dubbing her "The new queen of psychedelic prog".