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The Three Stooges was an American vaudeville and comedy team active from 1922 until 1970, best remembered for their 200 short subject films by Columbia Pictures. Their hallmark styles were physical farce and slapstick. Six Stooges appeared over the act's run : Moe Howard and Larry Fine were mainstays throughout the ensemble's nearly 50-year run; the pivotal "third stooge" was played by Shemp Howard, Curly Howard, Shemp Howard again, Joe Besser, and "Curly Joe" DeRita.
Roscoe Conkling "Fatty" Arbuckle was an American silent film actor, comedian, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St. John. He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business. Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1,000,000 a year.
Samuel Horwitz, better known by his stage name Shemp Howard, was an American comedian and actor. He was called "Shemp" because "Sam" came out that way in his mother's thick Litvak accent.
Jerome Lester Horwitz, better known by his stage name Curly Howard, was an American comedian and actor. He was best known as a member of the American comedy team the Three Stooges, which also featured his elder brothers Moe and Shemp Howard and actor Larry Fine. In early shorts, he was billed as Curley. Curly Howard was generally considered the most popular and recognizable of the Stooges.
Dough and Dynamite is a 1914 American comedy silent film made by Keystone Studios starring Charlie Chaplin.
George O'Brien was an American actor, popular during the silent film era and into the sound film era of the 1930s, best known today as the lead actor in F. W. Murnau's 1927 film Sunrise: A Song of Two Humans.
Soup to Nuts is a 1930 American pre-Code comedy film written by cartoonist, sculptor, author, and inventor Rube Goldberg and directed by Benjamin Stoloff. It was the film debut of the original four members who would later, minus Ted Healy, go on to become known as The Three Stooges comic trio. Goldberg made a cameo appearance in the film as himself, opening letters in a restaurant. Several other comedians are also featured.
These are the films of the American silent film actor, comedian, director, and screenwriter Roscoe Arbuckle. Films marked with a diamond (♦) were directed by and featured Arbuckle. He used the name William Goodrich on the films he directed from 1924 onward.
The Round-Up is a 1920 American silent Western film starring Roscoe "Fatty" Arbuckle and featuring Wallace Beery. The movie was written by Edmund Day and Tom Forman, directed by George Melford, and based on Day's play that was a huge hit for Roscoe Arbuckle's older cousin Macklyn Arbuckle and Julia Dean on the Broadway stage in 1907. It was Macklyn in the play who created the famous phrase used in advertisements of the film, nobody loves a fat man.
The Gangsters is a 1913 American short comedy film featuring Roscoe "Fatty" Arbuckle as one of the Keystone Cops.
How've You Bean? is a 1933 American Pre-Code comedy film starring Fatty Arbuckle, the last short film released before his death.
Close Relations is a 1933 American Pre-Code comedy film starring Fatty Arbuckle. This film features Shemp Howard of The Three Stooges in a non-speaking role.
Earle W. Hammons, known professionally as E. W. Hammons, was an American film producer,. He produced more than 220 films between 1921 and 1938.
The Fighting Dude is a 1925 American silent comedy film directed and written by Fatty Arbuckle as William Goodrich. Although Arbuckle was acquitted in the third trial for the death of Virginia Rappe, he could not obtain work in Hollywood under his own name, so he adopted the pseudonym William Goodrich for directing the comedy shorts he made under his contract with Educational Film Exchanges.
Home Cured is a 1926 American silent comedy film directed by Roscoe Arbuckle. Although Arbuckle was acquitted in the third trial for the death of Virginia Rappe, he could not obtain work in Hollywood under his own name, so he adopted the pseudonym William Goodrich for directing the comedy shorts he made under his contract with Educational Film Exchanges.
Fool's Luck is a 1926 American silent comedy film directed by Roscoe Arbuckle as William Goodrich. Although Arbuckle was acquitted in the third trial for the death of Virginia Rappe, he could not obtain work in Hollywood under his own name, so he adopted the pseudonym William Goodrich for directing the comedy shorts he made under his contract with Educational Film Exchanges.
Who Done It? is a 1949 short subject directed by Edward Bernds starring American slapstick comedy team The Three Stooges. It is the 114th entry in the series released by Columbia Pictures starring the comedians, who released 190 shorts for the studio between 1934 and 1959.
One Glorious Day is a lost 1922 American silent fantasy comedy film directed by James Cruze and written by Barry Barringer and Walter Woods. The film stars Will Rogers, Lila Lee, Alan Hale, Sr., Johnny Fox, George Nichols, and Emily Rait. It was released on January 29, 1922, by Paramount Pictures. Working titles included Ek, A Fighting Soul and Souls Before Birth. Forrest J. Ackerman, the publisher of Famous Monsters of Filmland magazine, credited this film as being the one that "created his lifelong interest in science fiction and horror".
Trouble Chasers is a 1945 American comedy film directed by Lew Landers and starring Billy Gilbert and Shemp Howard.
Mai Wells, also billed as May Wells and Mae Wells, was an American actress whose career spanned eight decades. A prolific actress of the silent era, she worked with Charlie Chaplin, made at least two films with Roscoe 'Fatty' Arbuckle and one sound film, If I Had a Million (1932).
References
- ↑ Merritt, Greg (2013). Room 1219: The Life of Fatty Arbuckle, The Mysterious Death of Virginia Rappe and the Scandal That Changed Hollywood. Chicago, IL: Chicago Review Press Inc. pp. 361–362. ISBN 978-1-61374-792-6.
