Information Overload Unit

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Information Overload Unit
SPK Information Overload Unit.jpg
Studio album by
SPK
ReleasedApril 1981
Recorded1979–1980, in London
Genre Industrial, noise
Length41:42
Label Side Effects (original album)
Producer SPK
SPK chronology
Meat Processing Section 7"
(1980)
Information Overload Unit
(1981)
Leichenschrei
(1982)
Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar half.svgStar empty.svgStar empty.svg [1]

Information Overload Unit is the 1981 debut full-length album by the Australian industrial band SPK. Originally released in 1981 by Side Effects, it was re-released twice; in 1985 by Normal, and in 1992 by The Grey Area. [2]

Contents

Track listing

Side A (aka Face ULTRA)

  1. "Emanation Machine R. Gie 1916" – 5:24
  2. "Suture Obsession" – 5:06
  3. "Macht Schrecken" – 5:19
  4. "Beruftverböt" – 5:31

Side B (aka Face HYPER)

  1. "Ground Zero: Infinity Dose" – 4:18
  2. "Stammheim Torturkammer" – 4:33
  3. "Retard" – 4:26
  4. "Epilept: Convulse" – 2:33
  5. "Kaltbruchig Acideath" – 4:32

Personnel

According to the band's official website [3]

Release history

RegionDateLabelFormatCatalog
United Kingdom 1981Side Effects LP SER 01
Germany 1985NormalLPNormal 9
United Kingdom1991Side EffectsLPSER 01
United Kingdom1992 Mute/The Grey Area CD SPK 1CD

Notes

  1. Allmusic review
  2. "SPK – Information Overload Unit (Album) at Discogs" . Retrieved 22 January 2010.
  3. "SPK Official Website Discography" . Retrieved 22 January 2010.

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SPK were an Australian industrial music and noise music group formed in 1978. They were fronted by mainstay member, Graeme Revell on keyboards and percussion. In 1980 the group travelled to the United Kingdom where they issued their debut album, Information Overload Unit. In 1983 Sinan Leong joined on lead vocals. The group disbanded in 1988. Two years later Revell and Leong relocated to the United States, where Revell works as a Hollywood film score composer. According to Australian rock music historian Ian McFarlane, SPK were "at the forefront of the local post-punk, electronic/experimental movement of the late 1970s ... [their] music progressed from discordant, industrial-strength metal noise to sophisticated and restrained dance-rock with strange attributes".

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