Inner City Records | |
---|---|
Parent company | Music Minus One |
Founded | 1976 |
Founder | Irv Kratka |
Status | Inactive |
Genre | Jazz Hip-Hop/Rap |
Country of origin | U.S. |
Location | New York City |
Inner City Records was a jazz record company and label founded by Irv Kratka in 1976 in New York City. [1]
The company was a division of Music Minus One and also owned the label Classic Jazz. It started with reissues, then moved on to new recordings covering various types of jazz. Other non-jazz labels it released under the Inner City Records umbrella included Aural Explorer and City Sounds. [1]
Inner City Records released over 60 albums between 1976 and 1980 and was voted the 1979 Record Label of the Year in the International Jazz Critics Poll. [2]
Many Inner City albums were also issued on the Japanese East Wind Records, including Sam Morrison's Dune, The Three (Joe Sample, Ray Brown, Shelly Manne), and albums from Japanese musicians Sadao Watanabe and Terumasa Hino. Additional international labels licensed for release in the US include SteepleChase Records, Black & Blue, Vogue, and Enja. A three volume series of Django Reinhardt recordings licensed from Pathe Marconi included "Quintet of the Hot Club of France," which was nominated for a Grammy for Best Historical Recording.
Original Inner City Records productions included releases by Eddie Jefferson, Jeff Lorber, Dan Siegel, Listen featuring Mel Martin, Dry Jack, Sun Ra, Michel Urbaniak, Urzula Dudziak, and Susannah McCorkle.
Coleman Randolph Hawkins, nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches". Hawkins denied being first and noted his contemporaries Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Barnet, Tex Beneke, Ben Webster, Vido Musso, Herschel Evans, Buddy Tate, and Don Byas, and through them the later tenormen, Arnett Cobb, Illinois Jacquet, Flip Phillips, Ike Quebec, Al Sears, Paul Gonsalves, and Lucky Thompson. While Hawkins became known with swing music during the big band era, he had a role in the development of bebop in the 1940s.
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