Disraeli is a 1929 American pre-Code historical film directed by Alfred E. Green, released by Warner Bros. Pictures, Inc., and adapted by Julien Josephson (screenplay) and De Leon Anthony (titles) from the 1911 play Disraeli by Louis N. Parker.
My Man Godfrey is a 1936 American screwball comedy film directed by Gregory La Cava and starring William Powell and Carole Lombard, who had been briefly married years before appearing together in the film. The screenplay for My Man Godfrey was written by Morrie Ryskind and Eric S. Hatch, with uncredited contributions by La Cava, based on Hatch's 1935 novel, 1101 Park Avenue. The story concerns a socialite who hires a derelict to be her family's butler, and then falls in love with him.
Nosferatu: A Symphony of Horror is a 1922 silent German Expressionist vampire film directed by F. W. Murnau and starring Max Schreck as Count Orlok, a vampire who preys on the wife of his estate agent and brings the plague to their town.
Betty Compson was an American actress and film producer who got her start during Hollywood's silent era. She is best known for her performances in The Docks of New York and The Barker, the latter of which earned her an Academy Award nomination for Best Actress.
Mischa Auer was a Russian-born American actor who moved to Hollywood in the late 1920s. He first appeared in film in 1928. Auer had a long career playing in many of the era's best known films. He was nominated for the Academy Award for Best Supporting Actor in 1936 for his performance in the screwball comedy My Man Godfrey, which led to further zany comedy roles. He later moved into television and acted in films again in France and Italy well into the 1960s.
Blackmail is a 1929 British thriller directed by Alfred Hitchcock and starring Anny Ondra, John Longden, and Cyril Ritchard. Based on the 1928 play of the same name by Charles Bennett, the film is about a London woman who is blackmailed after killing a man who tries to rape her.
Nosferatu the Vampyre is a 1979 gothic horror film written and directed by Werner Herzog. It is set primarily in 19th-century Wismar, Germany and Transylvania, and was conceived as a stylistic adaptation of Bram Stoker's 1897 novel Dracula, taking the title, setting and titular character's design from F. W. Murnau's 1922 film Nosferatu: A Symphony of Horror. The picture stars Klaus Kinski as Count Dracula, Isabelle Adjani as Lucy Harker, Bruno Ganz as Jonathan Harker, and French artist-writer Roland Topor as Renfield. There are two different versions of the film, one in which the actors speak English, and one in which they speak German.
The Man Who Knew Too Much is a 1934 British spy thriller film directed by Alfred Hitchcock, featuring Leslie Banks and Peter Lorre, and released by Gaumont British. It was one of the most successful and critically acclaimed films of Hitchcock's British period.
Leo Birinski was a playwright, screenwriter and director. He worked in Austria-Hungary, Germany and in the United States. As a playwright in Europe, he gained his biggest popularity from 1910 to 1917 but was ultimately forgotten. From the 1920s to 1940s he worked mainly as a screenwriter, first in Germany, later in the United States, to which he emigrated in September 1927. In the United States, he also returned to writing stage plays. He wrote in German and English. Until recently, only a minimal amount of information about his life has been available. Complicating matters, there have been many legends and rumours concerning Birinski's person, including the false report of his "suicide" in 1920 that found its way from newspaper obituaries into encyclopedias.
Hellzapoppin' is a 1941 American musical comedy film, and an adaptation of the stage musical of the same name that ran on Broadway from 1938 to 1941. The film was directed by H. C. Potter and distributed by Universal Pictures. Although the entire Broadway cast was initially slated to feature in the film, the only performers from the stage production to appear in the film were lead actors Ole Olsen and Chic Johnson, Katherine Johnson, and the specialty act Whitey's Lindy Hoppers.
Stamboul Quest is a 1934 American spy film set in World War I, directed by Sam Wood, starring Myrna Loy and George Brent and featuring Lionel Atwill. The screenplay was written by Herman J. Mankiewicz from a story by Leo Birinski.
The Prude's Fall is a 1925 British silent drama film directed by Graham Cutts and starring Jane Novak, Julanne Johnston, and Warwick Ward.
Three Faces East is a 1930 American pre-Code film directed by Roy Del Ruth and starring Constance Bennett and Erich von Stroheim. Produced by Daryl Zanuck and released by Warner Brothers it is based on a 1918 Broadway play about World War I spies, Three Faces East, by Anthony Paul Kelly. It was filmed as a silent in 1926. A later remake in 1940 starred Boris Karloff and Margaret Lindsay was titled British Intelligence.
The Lady Refuses is a 1931 American pre-Code melodrama film, directed by George Archainbaud, from a screenplay by Wallace Smith, based on an original story by Guy Bolton and Robert Milton. It stars Betty Compson as a destitute young woman on the verge of becoming a prostitute, who is hired by a wealthy man to woo his ne'er-do-well son away from the clutches of a gold-digger. The plot is regarded as risqué enough to appear in at least one collection of pre-Code Hollywood films.
Those Who Dance is a 1930 American Pre-Code crime film produced and distributed by Warner Bros., directed by William Beaudine, and starring Monte Blue, Lila Lee, William "Stage" Boyd and Betty Compson. It is a remake of the 1924 silent film Those Who Dance starring Bessie Love and Blanche Sweet. The story, written by George Kibbe Turner, was based on events that occurred among gangsters in Chicago.
Władysław Sikorski's death controversy revolves around the death of the commander-in-chief of the Polish Army and Prime Minister of the Polish government in exile, General Władysław Sikorski, in the 1943 B-24 crash in Gibraltar. Sikorski's Liberator II crashed off Gibraltar almost immediately after takeoff, with the plane's pilot being the only survivor. The catastrophe, while officially classified as an accident, has led to several conspiracy theories that persist to this day, and often propose that the crash was an assassination, which has variously been blamed as a German, Soviet, British and even Polish conspiracy. The incident is still described by some historians as mysterious and was investigated by the Polish Institute of National Remembrance. They concluded that the injuries sustained were consistent with a plane crash and that there was not enough evidence to support or reject the theory that the plane was deliberately sabotaged.
Lawful Larceny is a 1930 American pre-Code melodramatic film, directed by Lowell Sherman from Jane Murfin's screenplay. The screenplay, a melodrama, was based on the play of the same name by Samuel Shipman, which originally was a comedy. It starred a staple of the early RKO stable, Bebe Daniels, along with Kenneth Thomson, Olive Tell and Lowell Sherman, who reprised the role he had created in the original Broadway play. This film was a remake of the 1923 silent film version of the same name, produced by Famous Players–Lasky Corporation
The Law and the Woman is a lost 1922 American silent drama film directed by Penrhyn Stanlaws and starring Betty Compson. This film is a version of Clyde Fitch's play The Woman in the Case and a remake of a 1916 silent version The Woman in the Case starring Pauline Frederick. Jesse Lasky produced.
The Benson Murder Case is a 1930 American pre-Code crime film directed by Frank Tuttle and written by S. S. Van Dine and Bartlett Cormack. The film stars William Powell, William "Stage" Boyd, Eugene Pallette, Paul Lukas, Natalie Moorhead, Richard Tucker and May Beatty. The film was released on April 13, 1930, by Paramount Pictures. The film was based on the 1926 novel of the same name by S. S. Van Dine. The film had initial copyright notice, and it was renewed in 1957. Under the terms of Title 17 of the U.S. Code, the film will enter the public domain in 2026.
Inside the Lines is a 1918 American silent thriller film directed by David Hartford and starring Lewis Stone, Marguerite Clayton and George Field. It was based on a play by Earl Derr Biggers, later remade as a 1930 sound film of the same title.
