The Inter-Action Centre was one of architect Cedric Price's few realized projects. [1] [2] The community centre, sited at Talacre Public Open Space in Kentish Town, in the London Borough of Camden, was commissioned in 1964 by Ed Berman and the Inter-Action Trust [3] and built in 1971. [4]
The Inter-Action Centre is particularly notable for having been one of the first buildings to make concrete the ideas of flexible architecture [5] and impermanence. [6] Price's body of work as a whole had a tremendous influence on the architecture profession, [7] [8] [9] and the Inter-Action Centre helped realize the ambitions of his earlier, unbuilt Fun Palace [4] [2] (which had proposed the fusion of architecture and information technology, entertainment and educational activities [10] ) and Potteries Thinkbelt. [11] It was constructed around an open framework into which modular, pre-fabricated elements could be inserted and removed according to need. [12] It was essentially a building that could be reconfigured over time as its occupants' requirements evolved.
Often compared to Centre Pompidou and other high-tech buildings of the time, the Inter-Action Centre differed in being explicitly designed around a democratic approach to architecture. [13]
Price had been working with, and was influenced by, cybernetician Gordon Pask and used the Inter-Action Centre as a way to present an architectural approach to second-order cybernetics. [14] The Inter-Action Centre was architectural evidence that Price's radical and utopian agenda could be materialized in a built form with a clear social agenda, [15] though there is also a view that the building showed that his goals were not quite realizable in the real world. [16] [17]
Price himself persuaded English Heritage not to list the building, and supported its demolition in 2003 [18] because he believed it had fulfilled its purpose as a temporary commodity with a short lifespan. [15]
Charles-Édouard Jeanneret, known as Le Corbusier, was a Swiss-French architect, designer, painter, urban planner and writer, who was one of the pioneers of what is now regarded as modern architecture. He was born in Switzerland to French speaking Swiss parents, and acquired French nationality by naturalization on 19 September 1930. His career spanned five decades, in which he designed buildings in Europe, Japan, India, as well as North and South America. He considered that "the roots of modern architecture are to be found in Viollet-le-Duc".
The Royal Palace of Caserta is a former royal residence in Caserta, Campania, 35km north of Naples in southern Italy, constructed by the House of Bourbon-Two Sicilies as their main residence as kings of Naples. Located 35 km north of the historic centre of Naples, Italy, the complex is the largest palace erected in Europe during the 18th century. In 1997, the palace was designated a UNESCO World Heritage Site; its nomination described it as "the swan song of the spectacular art of the Baroque, from which it adopted all the features needed to create the illusions of multidirectional space". The Royal Palace of Caserta is the largest former royal residence in the world, over 2 million m3 in volume and covering an area of 47,000 m2 and a floorspace of 138,000 square metres is distributed in the five stories of the building.
Cedric Price FRIBA was an English architect and influential teacher and writer on architecture.
Superstudio was an architectural firm, founded in 1966 in Florence, Italy by Adolfo Natalini and Cristiano Toraldo di Francia. Gian Piero Frassinelli, Alessandro, and Roberto Magris, Alessandro Poli later joined.
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High-tech architecture, also known as structural expressionism, is a type of late modernist architecture that emerged in the 1970s, incorporating elements of high tech industry and technology into building design. High-tech architecture grew from the modernist style, utilizing new advances in technology and building materials. It emphasizes transparency in design and construction, seeking to communicate the underlying structure and function of a building throughout its interior and exterior. High-tech architecture makes extensive use of aluminium, steel, glass, and to a lesser extent concrete, as these materials were becoming more advanced and available in a wider variety of forms at the time the style was developing – generally, advancements in a trend towards lightness of weight.
The architecture of Turkey includes heritage from the ancient era of Anatolia to the present day. Significant remains from the Greco-Roman period are located throughout the country. The Byzantine period produced, among other monuments, the celebrated Hagia Sophia in Constantinople. Following the arrival of the Seljuk Turks in the 11th century, Seljuk architecture mixed Islamic architecture with other styles of local architecture in Anatolia. The Ottoman Empire ushered in a centuries-long tradition of Ottoman architecture up until the early 20th century.
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Bionic architecture is a contemporary movement that studies the physiological, behavioural, and structural adaptions of biological organisms as a source of inspiration for designing and constructing expressive buildings. These structures are designed to be self-sufficient, being able to structurally modify themselves in response to the fluctuating internal and external forces such as changes in weather and temperature.
Robert E. Somol Jr. is an architectural theorist and was director of the School of Architecture at the University of Illinois at Chicago from 2007 to 2022. His writing has been centrally-linked to "post-critical" architectural theory at the turn of the 21st century; the concept is similar to that of postcritique found in literary criticism.
Cybernetics is the transdisciplinary study of circular processes such as feedback systems where outputs are also inputs. It is concerned with general principles that are relevant across multiple contexts, including in ecological, technological, biological, cognitive and social systems and also in practical activities such as designing, learning, and managing.
RIBA Competitions is the Royal Institute of British Architects' unit dedicated to organising architectural and other design-related competitions.
Edward David Berman is an American-born British community educator, social activist, children's poet, playwright, director and producer. In 1979, Queen Elizabeth II appointed Berman a Member of the Order of the British Empire (MBE) for Services to Community Education and Community Arts, examples of which include city farms, Instant Business Enterprise System, the Inter-Action Creative Game Method, Fun Art Bus I & II, the Community Media Van, FabLab on Wheels, the Father and Mother Xmas Union, and Inter-Action – the umbrella organization for a range of innovative, creativity-based projects and community training systems. Later, Berman saved the World War I ship HMS President (1918), which became the charity's centre for 15 years.
Interactive architecture refers to the branch of architecture which deals with buildings, structures, surfaces and spaces that are designed to change, adapt and reconfigure in real-time response to people, as well as the wider environment. This is usually achieved by embedding sensors, processors and effectors as a core part of a building's nature and functioning in such a way that the form, structure, mood or program of a space can be altered in real-time. Interactive architecture encompasses building automation but goes beyond it by including forms of interaction engagements and responses that may lie in pure communication purposes as well as in the emotive and artistic realm, thus entering the field of interactive art. It is also closely related to the field of Responsive architecture and the terms are sometimes used interchangeably, but the distinction is important for some.
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Fun Palaces is an annual festival of culture that takes place annually over the first weekend of October. The events take place in council-owned community spaces such as libraries, shopping centers, parks and schools. Theater director Joan Littlewood and architect Cedric Price put the idea forward.
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Mary Louise Lobsinger is a Toronto-based architectural historian, artist, and architect. She is currently an associate professor at the University of Toronto, where she teaches the history and theory of architecture and design.
British high-tech architecture is a form of high-tech architecture, also known as structural expressionism, a type of late modern architectural style that emerged in the 1970s, incorporating elements of high tech industry and technology into building design. High-tech architecture grew from the modernist style, using new advances in technology and building materials.
...the Inter-Action Centre is one of the very few projects where the architect put these ideas into practice.
Its main legacy is as one of the only built proof of Price's ideas... press overshadowed other narratives of the Inter-Action Centre by describing the project as 'Fun Palace Mark II', a built smaller-scale version of Price's vastly referenced project, Fun Palace.
...a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London.
...the Interaction Centre, built in London's Kentish Town in 1971, put some of these ideas into practice on a reduced scale...
The Interaction Centre, Kentish Town, by architect Cedric Price, realized in 1971, was one of the first contemporary examples of kinetic and flexible architecture.
Cedric Price (1934-2003) was an architect whose oeuvre, though mostly unbuilt, has had a marked influence on contemporary architecture.
Cedric Price (1934–2003) has been described as the most influential architect you have never heard of
Iconoclastic British architect and theorist Cedric Price is noted for the comparatively early incorporation of computing and other communications technologies into his designs, which he employed as part of an ongoing critique of the conventions of architectural form, and as part of his explorations of questions of mobility.
Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace.
The high-concept ideas behind the Fun Palace and the Potteries Thinkbelt found an outlet in one of the few structures of Price's design that actually got built: the Inter-Action Centre, a unique multipurpose community centre in Kentish Town. This was something of a scaled-down and more static version of the Fun Palace, but was still extendable and flexible. The Inter-Action Centre illustrates Price's insistence that buildings should not be monumental but mutable. He believed that buildings and institutions should not be preserved forever, but rather that obsolescence and demolition were a natural part of any building's 'life cycle'.
The InterAction Centre building constituted an open framework into which modular, pre-fabricated elements can be inserted and removed according to need.
...his ideas of radical indeterminacy and constant change inevitably come with contradictions that prevent the total realization of his ideals.