Stuckism is an international art movement founded in 1999 by Billy Childish and Charles Thomson to promote figurative painting as opposed to conceptual art. By May 2017 the initial group of 13 British artists had expanded to 236 groups in 52 countries.
The National Science and Media Museum, located in Bradford, West Yorkshire, is part of the national Science Museum Group in the UK. The museum has seven floors of galleries with permanent exhibitions focusing on photography, television, animation, videogaming, the Internet and the scientific principles behind light and colour. It also hosts temporary exhibitions and maintains a collection of 3.5 million pieces in its research facility.
The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, with "a like vision". It originally consisted of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and Lionel LeMoine FitzGerald (1890–1956) joined in 1932.
John Bourne is a British artist and painter, living and working in Wales, and a member of the Stuckists art movement. He founded the Wrexham Stuckists group in 2001 and has been exhibited in the group's shows since then, including The Stuckists Punk Victorian. He has also taken part in Stuckist demonstrations against the Turner Prize. The subject matter for his paintings, which are done in a simplified style, comes from his memories.
A virtual museum is a digital entity that draws on the characteristics of a museum, in order to complement, enhance, or augment the museum experience through personalization, interactivity, and richness of content. Virtual museums can perform as the digital footprint of a physical museum, or can act independently, while maintaining the authoritative status as bestowed by the International Council of Museums (ICOM) in its definition of a museum. In tandem with the ICOM mission of a physical museum, the virtual museum is also committed to public access; to both the knowledge systems embedded in the collections and the systematic, and coherent organization of their display, as well as to their long-term preservation. As with a traditional museum, a virtual museum can be designed around specific objects, or can consist of online exhibitions created from primary or secondary resources. Moreover, a virtual museum can refer to the mobile or World Wide Web offerings of traditional museums ; or can be born digital content such as, 3D environments, net art, virtual reality and digital art. Often, discussed in conjunction with other cultural institutions, a museum by definition, is essentially separate from its sister institutions such as a library or an archive. Virtual museums are usually, but not exclusively delivered electronically when they are denoted as online museums, hypermuseum, digital museum, cybermuseums or web museums.
ACMI, formerly the Australian Centre for the Moving Image, is Australia's national museum of screen culture including film, television, videogames, digital culture and art. ACMI was established in 2002 and is based at Federation Square in Melbourne, Victoria.
Stuckist demonstrations since 2000 have been a key part of the Stuckist art group's activities and have succeeded in giving them a high-profile both in Britain and abroad. Their primary agenda is the promotion of figurative painting and opposition to conceptual art.
Susan Alexis Collins is a British artist and academic. She is currently Slade Professor and Director of the Slade School of Fine Art in London, England.
Jon Thomson and Alison Craighead are London-based visual artists, who work with video, sound and the internet.
Amy Balkin is an American artist who studied at Stanford University and is now located in San Francisco. Her work "combines cross-disciplinary research and social critique to generate ambitious, bold, and innovative ways of conceiving the public domain outside current legal and discursive systems.". She focuses on how humans create, interact with, and impact the social and material landscapes they inhabit. Ultimately, one of her long-term goals is to create a physical shared space with society.
Thorold Barron Dickinson was a British film director, screenwriter, film editor, film producer, and Britain's first university professor of film. Dickinson's work received much praise, with fellow director Martin Scorsese describing him as "a uniquely intelligent, passionate artist... They're not in endless supply."
Furtherfield.org is an artist-led online community, arts organisation and online magazine. It creates and supports global participatory projects with networks of artists, theorists and activists. and offers "a chance for the public to present its own views and enter or alter various art discourses". Their lab-office and gallery currently operates out of in Finsbury Park in London, UK.
Sarah Cook is a Scotland-based Canadian scholar. She is well known as a historian and curator in the field of New Media art. Cook was a Research Fellow at the University of Sunderland, where she worked with the research institute CRUMB – Curatorial Resource for Upstart Media Bliss, that she co-founded with Beryl Graham in 2000, and taught on the MA Curating course. In 2013 she was appointed as a Reader and Dundee Research Fellow at Duncan of Jordanstone College of Art, University of Dundee. As part of her role as Dundee Fellow she founded and curated LifeSpace Science Art Research Gallery in the School of Life Sciences, University of Dundee (2014-2018). She is a trustee of folly in Lancaster.
Dryden Goodwin based in London, is a British artist known for his intricate drawings, often in combination with photography and live action video; he creates films, gallery installations, projects in public space, etchings, works on-line and soundtracks.
An online exhibition, also referred to as a virtual exhibition, online gallery, cyber-exhibition, is an exhibition whose venue is cyberspace.
Martin John Callanan, is a British conceptual artist working in Scotland. He taught at the Slade School of Fine Art from 2008-2019. Key exhibitions include White Cube Mason's Yard, Or Gallery, Berlin, Casal Solleric, Spain, Whitechapel Gallery, London, Imperial War Museum, International Film Festival Rotterdam and Whitstable Biennale. In 2013 Callanan was awarded the Philip Leverhulme Prize, an award for young academic researchers. Callanan worked with the Bank of England for 12 months from July 2015, and was a Fellow of the Royal Society of Arts.
T.J. Demos is an art historian and cultural critic who writes on contemporary art and visual culture, particularly in relation to globalization, politics, migration and ecology. Currently a Professor in the Department of History of Art and Visual Culture (HAVC) at UC Santa Cruz, and the founding director of the Center for Creative Ecologies, he is the author of several books, including Against the Anthropocene: Visual Culture and Environment Today, Decolonizing Nature: Contemporary Art and the Politics of Ecology , The Migrant Image: The Art and Politics of Documentary during Global Crisis, and Return to the Postcolony: Spectres of Colonialism in Contemporary Art. Previous to his current appointment, Demos taught at University College London between 2005-2015.
Brighton Photo Biennial (BPB), now known as Photoworks Festival, is a month-long festival of photography in Brighton, England, produced by Photoworks. The festival began in 2003 and is often held in October. It plays host to curated exhibitions across the city of Brighton and Hove in gallery and public spaces. Previous editions have been curated by Jeremy Millar (2003), Gilane Tawadros (2006), Julian Stallabrass (2008), Martin Parr (2010) and Photoworks (2012). Brighton Photo Biennial announced its merger with Photoworks in 2006 and in 2020 its name was changed to Photoworks Festival.
ATLAS Arts is a visual arts organisation dedicated to commissioning contemporary arts, culture, heritage, and education based in the Isle of Skye. It was formed in 2010 and since then has delivered a varied programme of contemporary art including installations, sculpture, live performances, film screenings, and collaborative public works. It is one of Creative Scotland's portfolio of regularly-funded organisations.
Corinne Silva is a British artist who's work is a reflection on landscapes throughout the world, including conflict zones. Her photographs include images of Almería, Morocco, Israel, and Palestine. Silva is a senior lecturer at the Photography and the Archive Research Centre, University of the Arts London.
