Internet band

Last updated

An Internet band, also called an online band, is a musical group whose members collaborate online through broadband by utilizing a content management system and local digital audio workstations. [1] The work is sometimes released under a Creative Commons license, so musicians can share their "samples" to create collaborative musical expressions for noncommercial purposes without ever meeting face to face.

Contents

History

Cathedral

In March 1996, Nora Farrell and William Duckworth began to develop Cathedral, one of the first interactive works of music and art on the World Wide Web. Their aim was to create an interactive website with web-based musical instruments that anyone could play. Also in the preliminary stages of the system, they determined that they wanted to make a place on the Web for acoustic music through a series of live webcasts and performances online.

In June 1997, Cathedral went live online. The first build of this system included streaming audio, streaming video, animation, images, and text. At the time, there were fewer than one million sites on the World Wide Web and fewer than 2% of those made any sounds.

According to the creators of Cathedral, their goals at that point were:

By 2003, Cathedral consisted of three primary components:

Current scenario

Social networking sites have gained a large number of users because many aspects of society revolve around computers and the Internet. The music industry itself has undergone this change as well. People are using iTunes, YouTube and MySpace Music to share their music and communicate with others. Adaptively, artists and record labels can utilize Web sites and file sharing sites to spread their music. Musicians who use the Internet can also form bands online.

Internet bands became popular in the early 2000s when music technology, file sharing and collaboration software became more prevalent on the Internet. While the extent of collaboration between bands may vary, an Internet band identifies as a band whose members collaborate on music projects via the Internet.

A growing number of websites offer people the opportunity to compose music online. They marry social networking with music mixing and uploading technology. Users decide what projects they wish to add their special touches to and how actively they want to get involved. [3] [4]

Advantages

The advantages of joining an online band include the ability to collaborate with musicians, vocalists, audio engineers, etc. who reside in any part of the world with Internet access. Also, since many online bands do not perform or record in "real-time", it allows members to record their track (their part of a collaboration) at their leisure. [4]

Education through online music collaboration

In addition to setting a platform to creatively collaborate with other musicians, online music collaboration gives opportunities to educators and students that were not possible before its conception. This platform provides an alternative to the traditional 1:1 music lesson, but its effectiveness on a higher scale is questionable.

Research conducted in 2007 at Boston University led by musicologist and comparative educationist David G. Hebert provided five key challenges for online music education programs:

  1. Prejudice regarding the legitimacy of online degrees
  2. Coordination between distance education and music departments
  3. Pressure to maximize profits at the expense of educational quality
  4. Management of adjunct music instructors
  5. Management of student behavior and provision of student services

To address these challenges, Hebert pointed out the importance of expert mentors, outstanding research theses completed online, a strong record of graduate job placement from online programs, detailed planning between instructors and music departments, and the implementation of assessment moderation systems. [5]

Collaboration

Online music collaboration is an Internet-based system designed to help coordinate online music projects. Most platforms provide a virtual space to upload recorded music files, a community forum where members can offer feedback or make alterations to the uploaded music.

Each musician usually needs to record to a click track or metronome and upload the instrument or vocals for the song independently. Then a designated Internet music producer can edit for timing and tightness between all tracks, arrange, optimize and mix all instruments together and do a final mastering process to get a complete song out of single tracks.

Internet-based music collaboration can be done by individuals who never form one permanent band. The Playing for Change Foundation is a musical charity that releases music recorded by musicians from all around the globe, only some of whom have gone on to play together live. Even more decentralized collaboration happens between YouTube users; one Cracked columnist praised the cover of the Game of Thrones theme performed by violinist Jason Yang and guitarist and sound engineer Roger Lima and directed by Paolo Dy.

And these people have never met. The Internet isn't just causing collaborations between people who would otherwise never have got together, it's creating collaborations between people who still haven't got together. There's just so much creativity being uploaded that we've reached collaboration critical-mass, where mixes can be generated across the world with nothing but HTTP. The result is a "super-feit" -- a copy superior to the original. [6]

Examples of Internet bands

See also

Related Research Articles

<span class="mw-page-title-main">Musical composition</span> An original musical piece, or the process of creating a new piece

Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score", which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration is typically done by the composer, but in musical theatre and in pop music, songwriters may hire an arranger to do the orchestration. In some cases, a pop or traditional songwriter may not use written notation at all and instead compose the song in their mind and then play, sing or record it from memory. In jazz and popular music, notable sound recordings by influential performers are given the weight that written or printed scores play in classical music.

<span class="mw-page-title-main">Collaboration</span> Act of working together

Collaboration is the process of two or more people, entities or organizations working together to complete a task or achieve a goal. Collaboration is similar to cooperation. Most collaboration requires leadership, although the form of leadership can be social within a decentralized and egalitarian group. Teams that work collaboratively often access greater resources, recognition and rewards when facing competition for finite resources.

William Duckworth was an American composer, author, educator, and Internet pioneer. He wrote more than 200 pieces of music and is credited with the composition of the first postminimal piece of music, The Time Curve Preludes (1977–78), for piano. Duckworth was a Professor of Music at Bucknell University. Together with Nora Farrell, his wife, he ran Monroe Street Music, the publisher of many Duckworth's pieces.

<span class="mw-page-title-main">Ninjam</span>

NINJAM stands for Novel Intervallic Network Jamming Architecture for Music. The software and systems comprising NINJAM provide a non-realtime mechanism for exchanging audio data across the internet, with a synchronisation mechanism based on musical form. It provides a way for musicians to "jam" (improvise) together over the Internet; it pioneered the concept of "virtual-time" jamming. It was originally developed by Brennan Underwood, Justin Frankel, and Tom Pepper.

Doujin music, also called otokei doujin (音系同人) in Japan, is a sub-category of doujin activity. Doujin are non-official self-published Japanese works which can be based on official products or completely original creations. Such products are sold online on specialized sites, on the authors' own sites, and in conventions such as the popular Comiket.

<span class="mw-page-title-main">Bob Ostertag</span> American musician, political activist, and writer

Robert "Bob" Ostertag is an American musician, writer, and political activist based in San Francisco. He has published seven books, one feature film, a DVD, twenty-six albums, and collaborated with numerous musicians.

Virtual orchestra refers to a variety of different types of technologies and art forms. Most commonly used to refer to orchestral simulations, either for pre-recorded or live environments, it also has been used in other ways, such as IRCAM's virtual orchestra database.

<span class="mw-page-title-main">Andrew Moore (musician)</span> Musical artist

Andrew Moore, better known by his stage name A.M., is an electronic musician and elementary school teacher from Toronto, Ontario, Canada.

<span class="mw-page-title-main">Vincent Moon</span> French film director

Vincent Moon is an independent filmmaker, photographer, and sound artist from Paris. He was the main director of the Blogotheque's Take Away Shows, a web-based project recording field work music videos of indie rock related musicians as well as some notable mainstream artists like Tom Jones, R.E.M., or Arcade Fire.

A networked music performance or network musical performance is a real-time interaction over a computer network that enables musicians in different locations to perform as if they were in the same room. These interactions can include performances, rehearsals, improvisation or jamming sessions, and situations for learning such as master classes. Participants may be connected by "high fidelity multichannel audio and video links" as well as MIDI data connections and specialized collaborative software tools. While not intended to be a replacement for traditional live stage performance, networked music performance supports musical interaction when co-presence is not possible and allows for novel forms of music expression. Remote audience members and possibly a conductor may also participate.

<span class="mw-page-title-main">Indaba Music</span>

Indaba Music is a web-based company that provides a music collaboration environment for musicians: "a place to build a profile, promote their tunes and collaborate with other musicians" as well as enter opportunities like remixing and songwriting contests with popular artists.

Paul David Harbour is an American bass guitar and guitar player, pianist and composer. He is recognised for his work with David T. Chastain, Michael Harris and Tony MacAlpine. He has played in the bands "Leather", "Chastain" and "King Diamond". He teaches bass guitar, guitar and piano.

Hollow were a Swedish progressive power metal band from Umeå, and is now a solo project by Andreas Stoltz.

<span class="mw-page-title-main">Music community</span> Subculture of a music genre

A music community is a group of people involved in a given type of music. Typically such a community has an informal, supportive structure. In the past such groups have typically developed within a town or school, where the members can meet physically. The internet has made it possible for a more dispersed music community to use the web for communication, either via specialized websites or through broader social media. Ethnographic studies indicate that online music communities do not center around one website, but use a network of sites, including personal blogs, artist or publisher sites and social media.

David G. Hebert is a musicologist and comparative educationist, employed as Professor of Music at Western Norway University of Applied Sciences, where he leads the Grieg Academy Music Education (GAME) research group. He has contributed to the fields of music education, ethnomusicology, sociomusicology, comparative education, and East Asian Studies. Since 2018, he has been manager of the Nordic Network for Music Education, a multinational state-funded organization that sponsors intensive Master courses and exchange of university music lecturers and students across Northern Europe. He is also a visiting professor in Sweden with the Malmo Academy of Music at Lund University, and an honorary professor with the Education University of Hong Kong. He has previously been sponsored by East Asian governments as a visiting research scholar with Nichibunken in Kyoto, Japan, and the Central Conservatory of Music, in Beijing, China.

<span class="mw-page-title-main">Band (rock and pop)</span> Musical ensemble which performs rock music, pop music, or a related genre

A rock band or pop band is a small musical ensemble that performs rock music, pop music, or a related genre. A four-piece band is the most common configuration in rock and pop music. In the early years, the configuration was typically two guitarists, a bassist, and a drummer. Another common formation is a vocalist who does not play an instrument, electric guitarist, bass guitarist, and a drummer. Instrumentally, these bands can be considered as trios. Sometimes, in addition to electric guitars, electric bass, and drums, also a keyboardist plays.

<span class="mw-page-title-main">Superorganism (band)</span> English indie pop band

Superorganism are an indie pop band based in London, formed in early 2017. The group originally consisted of eight members: lead vocalist Orono Noguchi, as well as Emily, Harry, Tucan, Robert Strange, Ruby, B, and Soul.

<i>Superorganism</i> (Superorganism album) 2018 studio album by Superorganism

Superorganism is the self-titled debut studio album by indie pop band Superorganism, released through Domino on 2 March 2018.

<span class="mw-page-title-main">Humility (song)</span> 2018 single by Gorillaz featuring George Benson

"Humility" is a single by British virtual band Gorillaz featuring American jazz guitarist George Benson. It was released on 31 May 2018 along with "Lake Zurich" as the first single from their sixth studio album, The Now Now. On 12 July 2018, two remixes of the song by Superorganism and DJ Koze were released. It charted in a total of 8 countries reaching number 85 on the US Billboard Hot 100, with its highest position in any chart being number 7 in Billboard's Hot Rock Songs.

<span class="mw-page-title-main">Bedroom production</span>

A bedroom producer is an amateur musician who creates, performs, and records their music independently using a home studio, often considered a hobbyist opposed to a professional record producer in the recording industry that works in a traditional studio with clients. Typically bedroom producers use accessible digital technology that costs less than the equipment in a professional studio, such as MIDI controller-based instruments and virtual studio technology, to create music for release to the world. While a professional record producer oversees and guides the recording process, often working alongside multiple people such as studio musicians, singers, engineers, mixers, songwriters, arrangers, and orchestrators, a bedroom producer does everything independently: creating the ideas, recording them and processing them for release. Bedroom producers are often self-taught, learning sound design, mixing and music theory by reading music production blogs and watching tutorials on the internet. As bedroom producers depend on the accessibility of music technology, bedroom production has been made easier with advances in home computing power and digital audio workstations (DAW).

References

  1. "What is a virtual band?". HowStuffWorks.com. 2 July 2008. Retrieved 4 September 2017.
  2. Duckworth, William (1 November 2003). "Perceptual and Structural Implications of "Virtual" Music on the Web". Annals of the New York Academy of Sciences. 999 (1): 254–262. Bibcode:2003NYASA.999..254D. doi:10.1196/annals.1284.036. ISSN   1749-6632. PMID   14681149. S2CID   20721156.
  3. "What is a virtual band?". HowStuffWorks.com. 2 July 2008. Retrieved 4 September 2017.
  4. 1 2 "The Dead Clowns". The Dead Clowns. Retrieved 4 September 2017.
  5. Hebert, David G. (September 2007). "Five Challenges and Solutions in Online Music Teacher Education" (PDF). Research and Issues in Music Education.
  6. "5 Music Videos That Justify the Existence of the Internet". Cracked.com. 23 October 2012. Retrieved 4 September 2017.
  7. Lore Sjoberg, "The ClipBandits — Internet Band," Wired , 17 October 2006.
  8. "ClipBandits - The World's First Internet Band - Created by Nick Matzorkis". www.ClipBandits.com. Retrieved 4 September 2017.
  9. Alex Lee (2012). "Infant Annihilator - The Palpable Leprosy... (2012)". www.MegustaReviews.com. Retrieved 15 April 2018.
  10. "Popular Mechanics, January, 2008". Archived from the original on 16 May 2008. Retrieved 4 August 2008.
  11. "Superorganism on coming together via the web". Channel 4 News. 13 January 2018. Retrieved 13 June 2020.