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Interpreting notes are used by some interpreters, who re-express oral communications (such as speeches) in whole or in part. Such notes may be used when the interpreter is working in "consecutive mode."
Interpreting notes are not part of any conventional graphic system, and practitioners are free to develop their own techniques. However, some basic rules facilitate the recording of details in order to aid the interpreter in coping with large amounts of information.
The purpose of interpreting notes is not to transcribe the speech verbatim. Interpreting notes are not a form of shorthand. Their purpose is to write minimal notes which will, at a quick glance, elicit in the interpreter's mind the intent of an oral communication so that it can be re-expressed in a different language.
It is not appropriate to document a speech in shorthand, as this would result in task duplication.
The interpreter listens to the speaker and writes only that information which the interpreter judges sufficient to render the meaning. Numbers, names, and the titles of persons are retained in the interpretation.
Interpreting notes are typically written in a notebook with each note being separated from the others by a horizontal line. After interpreting a sentence with the aid of a note, some interpreters might make a slash over it, if they have the time. This has an important psychological effect — it is similar to erasing data on a computer. Others might consider it too time-consuming to do so when a fast pace of interpretation is required or they might think that it detracts from the pace of their delivery.
The interpreter deciphers the notes and to expresses their content in the target language. Following analysis of the speech, the interpreter may write the information in abstract form.
Ideograms are an important tool used by interpreters. For example, the letter “E” laid on its side (like the Cyrillic letter sha, Ш) may represent Europe. Then one can specify whether eastern, western, or central Europe is meant by slashing the relevant upward leg. A horizontal bar with two vertical bars beneath it might represent a table, which would indicate a meeting or a conference. A bracket before an action indicates that the action will take place in the future, and vice versa.
These ideograms are linked by a system of arrows and brackets that show the structure of a sentence that is to be interpreted. Using this system, one can note, for instance, that a sum has increased or decreased by a certain percentage (according to the arrow’s direction).
For example, the notes in the illustration might be interpreted to mean :
We are particularly glad to inform you about an important increase in our company’s revenues, which rose by 10 percent from 3.5 to 3.85 billion dollars.(*) This derives from huge sales of helicopters. The United States of America bought 50 and South Africa 20 of them. On the other hand, we must relocate parts of our production in these countries. (A billion (bn) is called a milliard (mrd or Md) in some languages.)*
Some interpreters have devised complete systems of abbreviations, which include all academic titles, administrative titles, military ranks, etc. Such a system has the drawback that, like shorthand, it may be useful only for a particular language.
In linguistics, a grapheme is the smallest functional unit of a writing system. The word grapheme is derived from Ancient Greek γράφω (gráphō) 'write' and the suffix -eme by analogy with phoneme and other names of emic units. The study of graphemes is called graphemics. The concept of graphemes is abstract and similar to the notion in computing of a character. By comparison, a specific shape that represents any particular grapheme in a given typeface is called a glyph.
The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script. It was devised by the International Phonetic Association in the late 19th century as a standardized representation of speech sounds in written form. The IPA is used by lexicographers, foreign language students and teachers, linguists, speech–language pathologists, singers, actors, constructed language creators, and translators.
A bracket is either of two tall fore- or back-facing punctuation marks commonly used to isolate a segment of text or data from its surroundings. They come in four main pairs of shapes, as given in the box to the right, which also gives their names, that vary between British and American English. "Brackets", without further qualification, are in British English the (…) marks and in American English the […] marks.
The slash is the oblique slanting line punctuation mark /. It is also known as a stroke, a solidus, a forward slash or several other historical or technical names including oblique and virgule. Once used to mark periods and commas, the slash is now used to represent division and fractions, exclusive 'or' and inclusive 'or', and as a date separator.
Shorthand is an abbreviated symbolic writing method that increases speed and brevity of writing as compared to longhand, a more common method of writing a language. The process of writing in shorthand is called stenography, from the Greek stenos (narrow) and graphein. It has also been called brachygraphy, from Greek brachys (short), and tachygraphy, from Greek tachys, depending on whether compression or speed of writing is the goal.
In mathematics and computer programming, the order of operations is a collection of rules that reflect conventions about which operations to perform first in order to evaluate a given mathematical expression.
Phonetic transcription is the visual representation of speech sounds by means of symbols. The most common type of phonetic transcription uses a phonetic alphabet, such as the International Phonetic Alphabet.
In linguistics and semiotics, a notation system is a system of graphics or symbols, characters and abbreviated expressions, used in artistic and scientific disciplines to represent technical facts and quantities by convention. Therefore, a notation is a collection of related symbols that are each given an arbitrary meaning, created to facilitate structured communication within a domain knowledge or field of study.
Graphic notation is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation. Graphic notation was influenced by contemporary visual art trends in its conception, bringing stylistic components from modern art into music. Composers often rely on graphic notation in experimental music, where standard musical notation can be ineffective. Other uses include pieces where an aleatoric or undetermined effect is desired. One of the earliest pioneers of this technique was Earle Brown, who, along with John Cage, sought to liberate performers from the constraints of notation and make them active participants in the creation of the music.
Interpreting is a translational activity in which one produces a first and final target-language output on the basis of a one-time exposure to an expression in a source language.
The numbered musical notation is a cipher notation system used in Mainland China, Taiwan, Hong Kong, and to some extent in Japan, Indonesia, Malaysia, Australia, Ireland, the United Kingdom, the United States and English-speaking Canada. It dates back to the system designed by Pierre Galin, known as Galin-Paris-Chevé system. It is also known as Ziffernsystem, meaning "number system" or "cipher system" in German.
Tironian notes are a form of thousands of signs that were formerly used in a system of shorthand dating from the 1st century BCE and named after Tiro, a personal secretary to Marcus Tullius Cicero, who is often credited as their inventor. Tiro's system consisted of about 4,000 signs, extended to 5,000 signs by others. During the medieval period, Tiro's notation system was taught in European monasteries and expanded to a total of about 13,000 signs. The use of Tironian notes declined after 1100 but lasted into the 17th century. A few Tironian signs are still used today.
A neume is the basic element of Western and Eastern systems of musical notation prior to the invention of five-line staff notation.
In music, especially modern popular music, a slash chord or slashed chord, also compound chord, is a chord whose bass note or inversion is indicated by the addition of a slash and the letter of the bass note after the root note letter. It does not indicate "or". For example, a C major chord (C) in second inversion is written C/G or C/G bass, which reads "C slash G", "C over G" or "C over a G bass". Some chords may not otherwise be notated, such as A♭/A. Thus, a slash chord may also indicate the chord form or shape and an additional bass note.
Bezenšek Shorthand is a shorthand system, used for rapidly recording Bulgarian speech. The system was invented by the Slovene linguist Anton Bezenšek c. 1879. It is based on the Gabelsberger shorthand, so it is often referred to as the Gabelsberger–Bezenšek Shorthand.
Percussion notation is a type of musical notation indicating notes to be played by percussion instruments. As with other forms of musical notation, sounds are represented by symbols which are usually written onto a musical staff.
Telephone interpreting connects human interpreters via telephone to individuals who wish to speak to each other but do not share a common language. The telephone interpreter converts the spoken language from one language to another, enabling listeners and speakers to understand each other. Interpretation over the telephone most often takes place in consecutive mode, which means that the interpreter waits until the speaker finishes an utterance before rendering the interpretation into the other language. As the use of the telephonic modality is increasing it is allowing users to access an interpreter immediately, regardless of time and location.
Danica Seleskovitch was a French conference interpreter, teacher and prolific academic writer on translation studies. Among other career milestones, she founded the Interpretive Theory of Translation.
Simultaneous interpretation (SI) is when an interpreter translates the message from the source language to the target language in real-time. Unlike in consecutive interpreting, this way the natural flow of the speaker is not disturbed and allows for a fairly smooth output for the listeners.