Inti Ombak

Last updated
Inti Ombak
Inti Ombak Pencak Silat logo.png
Country of originIndonesia
CreatorDaniel Prasetya, Ki Poleng Sudamala, and Tjahjadi Tanudjaya
Olympic sportExhibition (2020)
Official website www.intiombak.com
MeaningInner wave

Inti Ombak is a style of pencak silat which blends martial arts descended from the Mataram Kingdom of Central Java with those hailing from the island of Madura. [1] In English it is often abbreviated to IOPS, short for "Inti Ombak Pencak Silat". The Inti Ombak Pencak Silat Union (Persatuan Pencak Silat Inti Ombak) is guided by three caretakers in accordance with the Javanese adage "In the front as a leader, in the middle as a moderator, in the back as an advocate". [2] The current caretakers are Ki Poleng Sudamala of Yogyakarta, Daniel Prasetya of Colorado, and Tjahjadi Tanudjaya of Tengerang. [3] [4] The school's international headquarters are located in Yogyakarta, Indonesia while the US headquarters are in Ault, Colorado.

Contents

The name Inti Ombak is Indonesian for "inner wave" and refers to the dual rising and cresting nature of a wave. Interpretations of this include the pairing of mind and body, the duality of internal and external power, or the low motion of Madura coupled with the high movements of Mataram.

Training

Instruction in Inti Ombak spans four phases: basic, animal, element and human. These represent the cycle of beginning and ending life with all of the tools and instincts mankind has inherently. The basic phase focuses on learning the fundamentals of safety versus risk when engaging with a bladed opponents. All motion in Inti Ombak assumes attackers may be wielding one or more blades. The animal phase consists of seven animal-based forms and develops the mechanisms for tapping into raw, instinctual power and reaction. These animals are the pangolin (pengguling), crane (bangau), dragon (naga), mantis (belalang), monkey (monyet), snake (ular) and tiger (harimau). The element phase consists of the four classical elements: wind (bayu), earth (bantolo), water (tirta) and fire (agni). Elements are the students' first concentrated exposure to using the intellect within Inti Ombak. The human phase consists of forms (jurus) imitating a fisherman, nanny, monk, drunkard, and pretty woman. These routines are archetypes of human motion and teach the student to understand both the possibility and limitations of the human form.

Weapons

Agni Tactical Knife Agni knife.jpg
Agni Tactical Knife

Traditional weapons of Inti Ombak include the knife (pisau), kerambit (claw-like blade), celurit (Madurese sickle), single-edge sword, double-edged sword, stick (toya), rattan stick (rotan), and whip. These are meant to represent the full spectrum of traditional weaponry, so that the practitioner is able to wield any object or weapon even without being specifically trained in its use. As each system of pencak silat often incorporates a unique weapon of its own, so the specialty of Inti Ombak is the Agni tactical knife designed by Daniel Prasetya. [5] This knife is a hybrid between straight and curved knives. In designing the blade, Prasetya aimed for a profile optimized for use and application of Inti Ombak principles.

Inti Ombak's logo features a golden seagull flying, a 12-pointed sun, and a swirling, wave-like vortex. The symbolism behind this emblem is explained as follows:

Related Research Articles

<span class="mw-page-title-main">Java</span> Island in Indonesia

Java is one of the Greater Sunda Islands in Indonesia. It is bordered by the Indian Ocean to the south and the Java Sea to the north. With a population of 151.6 million people, Java is the world's most populous island, home to approximately 56% of the Indonesian population. Indonesia's capital city, Jakarta, is on Java's northwestern coast.

<span class="mw-page-title-main">Silambam</span> Indian martial art

Silambam is an Indian martial art originating in Tamil Nadu, South India in the Indian subcontinent. This style is mentioned in Tamil Sangam literature. The World Silambam Association is the official international body of Silambam.

<span class="mw-page-title-main">Central Java</span> Province of Indonesia

Central Java is a province of Indonesia, located in the middle of the island of Java. Its administrative capital is Semarang. It is bordered by West Java in the west, the Indian Ocean and the Special Region of Yogyakarta in the south, East Java in the east, and the Java Sea in the north. It has a total area of 33,750.37 km2, with a population of 36,516,035 at the 2020 Census making it the third-most populous province in both Java and Indonesia after West Java and East Java. The official population estimate in mid-2023 was 37,608,336 The province also includes a number of offshore islands, including the island of Nusakambangan in the south, and the Karimun Jawa Islands in the Java Sea.

<span class="mw-page-title-main">Karambit</span> Curved South East Asian knife

The karambit or kerambit, kurambik or karambiak is a small Indonesian curved knife resembling a claw, associated with the Minangkabau people of West Sumatra. The karambit is one of the weapons commonly used in pencak silat and Filipino martial arts.

<span class="mw-page-title-main">Kris</span> Indonesian weapon

The kris or keris is a Javanese asymmetrical dagger with a distinctive blade-patterning achieved through alternating laminations of iron and nickelous iron (pamor). The kris is famous for its distinctive wavy blade, although many have straight blades as well, and is one of the weapons commonly used in the pencak silat martial art native to Indonesia. Kris have been produced in many regions of Indonesia for centuries, but nowhere—although the island of Bali comes close—is the kris so embedded in a mutually-connected whole of ritual prescriptions and acts, ceremonies, mythical backgrounds and epic poetry as in Central Java. Within Indonesia the kris is commonly associated with Javanese culture, although other ethnicities in it and surrounding regions are familiar with the weapon as part of their cultures, such as the Balinese, Sundanese, Malay, Madurese, Banjar, Buginese, and Makassar people. The kris itself is considered as a cultural symbol of Indonesia and also neighbouring countries like Brunei, Malaysia, Philippines, Singapore, and Thailand.

<span class="mw-page-title-main">Culture of Indonesia</span> Overview of the culture of Indonesia

The culture of Indonesia has been shaped by long interaction between original indigenous customs and multiple foreign influences. Indonesia is centrally-located along ancient trading routes between the Far East, South Asia and the Middle East, resulting in many cultural practices being strongly influenced by a multitude of religions, including Buddhism, Christianity, Confucianism, Hinduism, and Islam, all strong in the major trading cities. The result is a complex cultural mixture, often different from the original indigenous cultures.

<span class="mw-page-title-main">Gadjah Mada University</span> Public research university in Yogyakarta, Indonesia

Gadjah Mada University is a public research university located in Sleman, Special Region of Yogyakarta, Indonesia. Officially founded on 19 December 1949, Gadjah Mada University is one of the oldest and largest institutions of higher education in the country, and has been credited as one of the best universities in Indonesia. In the 2024 QS World University Rankings, UGM is ranked 2nd in Indonesia and 263rd in the world.

<span class="mw-page-title-main">Golok</span> Machete

A golok is a cutting tool, similar to a machete, that comes in many variations and is found throughout the Malay Archipelago. It is used as an agricultural tool as well as a weapon. The word golok is used in Indonesia and Malaysia. Both in Malaysia and in Indonesia, the term is usually interchangeable with the longer and broader parang. In the Sundanese region of West Java it is known as bedog. In the Philippines, the term gulok, refers to different dagger weapons including the kris.

<i>Priyayi</i> Constituency in Perak, Malaysia

Priyayi was the Dutch-era class of the nobles of the robe, as opposed to royal nobility or ningrat (Javanese), in Java, Indonesia. Priyayi is a Javanese word originally denoting the descendants of the adipati or governors, the first of whom were appointed in the 17th century by the Sultan Agung of Mataram to administer the principalities he had conquered. Initially court officials in pre-colonial kingdoms, the priyayi moved into the colonial civil service and then on to administrators of the modern Indonesian Republic.

<span class="mw-page-title-main">Pencak silat</span> Indonesian martial art

Pencak silat is an umbrella term for a class of related Indonesian martial arts. In neighbouring countries, the term usually refers to professional competitive silat. It is a full-body fighting form incorporating strikes, grappling, and throwing, in addition to weaponry. Every part of the body is used and subject to attack. Pencak silat was practiced not only for physical defense but also for psychological ends. There are hundreds of different pencak silat styles and schools which tend to focus either on strikes, joint manipulation, weaponry, or some combination thereof.

<span class="mw-page-title-main">Bedhaya</span> Indonesian sacred dance

The bedhaya is a sacred, ritualised Javanese dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta. Along with the srimpi, the bedhaya epitomized the elegant character of the royal court and became an important symbol of the ruler's power.

<span class="mw-page-title-main">Tumi</span> Ceremonial axe used by Incas and other tribes

Tumi, is a generic term encompassing the many kinds of sharp tools utilized in pre- and post-colonial eras of the Central Andes region, Tumis were employed for a diverse set of purposes such as kitchen knives, agricultural tools, warrior or hunting secondary weapons, sacrificial knives, barber implements, pendants, or medical tools. In addition, the tumi form, in metal, was used as a type of coin. Pre-columbian Tumis were usually made of metal or stone.

<span class="mw-page-title-main">Silat</span> Southeast Asian martial art

Silat is the collective term for a class of indigenous martial arts from the Nusantara and surrounding geocultural areas of Southeast Asia. It is traditionally practised in Brunei, Indonesia, Malaysia, Singapore, Southern Thailand, Southern Philippines and Southern Vietnam. There are hundreds of different styles (aliran) and schools (perguruan) which tend to focus either on strikes, joint manipulation, weaponry, or some combination thereof.

<span class="mw-page-title-main">Weapons of pencak silat</span>

Listed here are the weapons of pencak silat. The most common are the machete, staff, kris, sickle, spear, and kerambit. Because Southeast Asian society was traditionally based around agriculture, many of these weapons were originally farming tools.

<span class="mw-page-title-main">Paatje Phefferkorn</span> Indonesian martial art (1922–2021)

Verdi Phefferkorn von Offenbach, better known as Paatje Phefferkorn, was an Indo practitioner of the Indonesian martial art Pencak Silat in the Netherlands. As one of its best known teachers he has played an important role in increasing the popularity of this Martial Art in the Netherlands and Europe.

<span class="mw-page-title-main">Wedung</span> Ceremonial Knife, Machete

Wedung is a traditional large knife of the Javanese people and the Balinese people originating from Indonesia.

<span class="mw-page-title-main">Indonesian martial arts</span> Overview of martial arts in Indonesia

Indonesian martial arts includes a variety of fighting systems native to or developed in the archipelago of Indonesia, both the age-old traditional arts, and the more recently developed hybrid combatives. In the Indonesian language the term bela-diri is used to mean martial art, and in essence the Indonesian fighting arts are meant as one's defence against perceived threat and assault. Other than physical training, they often include spiritual aspects to cultivate inner strength, inner peace and higher psychological ends.

<span class="mw-page-title-main">Indonesian art</span> Overview of the art in Indonesia

It is quite difficult to define Indonesian art, since the country is immensely diverse. The sprawling archipelago nation consists of 17.000 islands. Around 922 of those permanently inhabited, by over 1,300 ethnic groups, which speak more than 700 living languages.

<span class="mw-page-title-main">Parang (batik)</span> Indonesian batik motifs

Parang batik is one of the oldest Indonesian batik motifs. Parang comes from the Javanese word Pereng which means slope. Parang depicts a diagonal line descending from high to low. The arrangement of the S motifs intertwining unbroken symbolizes continuity. The basic shape of the letter S is taken from the ocean waves which depict a spirit that never goes out.

References

  1. Becker, Lee. "About Inner Wave Pencak Silat" . Retrieved 20 December 2013.
  2. "Ing ngarsa sung tuladha, ing madya mangun karsa, tut wuri andayani" . Retrieved 20 December 2013.
  3. Baskoro, Arif. "Perguruan Silat Inti Ombak" . Retrieved 20 December 2013.
  4. Prasetya, Daniel. "IOPS Instructor Profile" . Retrieved 20 December 2013.
  5. WOapplication 2008115490,Prasetya, Daniel,"Tactical knife",published 2008-09-25