Irene Staunton is a Zimbabwean publisher, editor, researcher and writer, who has worked in literature and the arts since the 1970s, both in the UK and Zimbabwe. She is co-founder and publisher of Weaver Press in Harare, having previously co-founded Baobab Books. Staunton is the editor of several notable anthologies covering oral history, short stories, and poetry, including Mothers of the Revolution: War Experiences of Thirty Zimbabwean Women (1990), [1] Children in our Midst: Voices of Farmworker's Children (2000), Writing Still: New Stories from Zimbabwe (2003), [2] Women Writing Zimbabwe (2008), [3] Writing Free (2011), [4] and Writing Mystery & Mayhem (2015). [5]
Staunton was born in Southern Rhodesia, which later became Zimbabwe, and studied English literature in the UK. [6] She began her career in publishing in London, where she was employed by John Calder. [1] [7] Following the 1980 Independence of Zimbabwe, she returned there and worked as an editor first for the Department of Culture in the Ministry of Education and Culture, and then on the Curriculum Development Unit in the same Ministry. [1] [8]
In 1987, Staunton and Hugh Lewin co-founded Baobab Press, [9] [10] "which rapidly acquired a reputation as an exciting literary publisher", [11] and during her 11 years there the company published a range of fiction, non-fiction, poetry, children's books, art books and textbooks. [1] Baobab's list included prizewinning work by such authors as Chenjerai Hove (Noma Award for Publishing in Africa) and Shimmer Chinodya (winner of the Commonwealth Writers' Prize, Africa region), as well as the posthumous work of Dambudzo Marechera, and all of Yvonne Vera's fiction. [1] Baobab also published several collections of poetry, including one by the performance poet, Chirikure Chirikure. [12] While at Baobab Books, Staunton compiled the first Zimbabwean oral history with narratives of women in the liberation struggle, Mothers of the Revolution. [1] She has said: "I was very fortunate in that my parents taught us to respect people from all walks of life and showed us that what mattered was not money or status but warmth, compassion, humour and integrity – values rooted in self-respect and human dignity. My mother was also involved in the Federation of African Women’s Clubs, doing voluntary work that she enjoyed very much and which gave me, through her, access to strong, gentle, humorous women working long hours for their families in rural areas." [8]
In 1999, Staunton left Baobab and began setting up Weaver Press with Murray McCartney, also working part-time for the Heinemann African Writers Series until 2003. [1] Established as a small independent general publishing company, producing books by and about Zimbabwe (encompassing literary fiction, history, politics, social studies and gender issues), [13] [14] Weaver Press now counts among its successful authors Chimamanda Ngozi Adichie, NoViolet Bulawayo, Brian Chikwava, Shimmer Chinodya, Petina Gappah, Tendai Huchu, Sarah Ladipo Manyika, Sekai Nzenza, Valerie Tagwira, Yvonne Vera, among others. [15] [16] Tinashe Mushkavanhu has written of Staunton: "It was the work of writers she published that always occupied center stage, winning international accolades, or getting translated. ...Weaver Press has been the most active publishing concern in Zimbabwe in a struggling economy". [17] The company's fiction programme has been developed with support from Dutch NGO Hivos. [13] [18]
Staunton has for many years concerned herself with research through oral histories, sometimes in projects with other organizations, focusing on otherwise unheard African voices, particularly of Zimbabwean women and children. [1] [19] [20]
She has worked with Save the Children Zimbabwe on various publications, including Children in Our Midst: Voices of Farmworkers' Children (2000), based on interviews with (and including drawings by) hundreds of children moving from farm school to farm school in rural Zimbabwe, who speak on the range of issues that affect them. The reviewer for the journal Children, Youth and Environments wrote: "The chapters, composed entirely of the children's written or recorded statements, cover many aspects of the children’s lives, including their sense of self ('I am a child'), families, homes, work experience, school, customs and play ('Sometimes we have fun'). ...This is not simply a book that publishes the opinions of working children. It is a book that challenges our Western assumptions about healthy childhood. It paints vivid pictures of what it is like to grow up on commercial farms in Zimbabwe, with work responsibilities from a very young age integrated into education and upbringing, as a legitimate aspect of the local traditions." [21]
In collaboration with Chiedza Musengezi of Zimbabwe Women Writers, Staunton compiled A Tragedy of Lives: Women in Prison in Zimbabwe, based on interviews with former female prisoners, and Women of Resilience: The Voices of Women Ex-combatants (2000). [22]
Staunton's own short story "Pauline's Ghost" was shortlisted for the 2009 PEN/Studzinski Literary Award, judged by J. M. Coetzee. [23] [24]
Well respected as an editor and publisher whose authors regularly win prizes [25] — Stanley Gazemba in his recent article "African Publishing Minefields and the Woes of the African Writer" commends the attention paid by Staunton "to the editing process and the design and quality of her books" [26] — she has been an invited participant in local and international literary events. [27] [28] [29] She has edited a number of well received collections of Zimbabwean writing, [26] [30] and has also written articles on publishing in Zimbabwe. [31] For 12 years from 2003 she worked closely with Poetry International as their Zimbabwe editor, handing over the role in 2015 to Togara Muzanenhamo. [32] Speaking in a 2011 interview Staunton said: "Editors are a bit like stage-hands: the play can't go on without them, and yet their role is necessarily in the shadows. It is, however, interesting to see how many writers acknowledge their editors – the third eye is of value." [8]
Staunton is married to Murray McCartney, whom she met at the Africa Centre in London while he was deputy director there. [7] McCartney moved to Harare with her in 1983, [33] and is a director of Weaver Press. [6]
Chenjerai Hove, was a Zimbabwean poet, novelist and essayist who wrote in both English and Shona. "Modernist in their formal construction, but making extensive use of oral conventions, Hove's novels offer an intense examination of the psychic and social costs - to the rural population, especially, of the war of liberation in Zimbabwe." He died on 12 July 2015 while living in exile in Norway, with his death attributed to liver failure.
Tsitsi Dangarembga is a Zimbabwean novelist, playwright and filmmaker. Her debut novel, Nervous Conditions (1988), which was the first to be published in English by a Black woman from Zimbabwe, was named by the BBC in 2018 as one of the top 100 books that have shaped the world. She has won other literary honours, including the Commonwealth Writers' Prize and the PEN Pinter Prize. In 2020, her novel This Mournable Body was shortlisted for the Booker Prize. In 2022, Dangarembga was convicted in a Zimbabwe court of inciting public violence, by displaying, on a public road, a placard asking for reform.
Yvonne Vera was an author from Zimbabwe. Her first published book was a collection of short stories, Why Don't You Carve Other Animals (1992), which was followed by five novels: Nehanda (1993), Without a Name (1994), Under the Tongue (1996), Butterfly Burning (1998), and The Stone Virgins (2002). According to the African Studies Center at University of Leiden, "her novels are known for their poetic prose, difficult subject-matter, and their strong women characters, and are firmly rooted in Zimbabwe's difficult past." For these reasons, she has been widely studied and appreciated by those studying postcolonial African literature.
Charles Lovemore Mungoshi, was a Zimbabwean writer.
Chirikure Chirikure, is a Zimbabwean poet, songwriter, and writer. He is a graduate of the University of Zimbabwe and an Honorary Fellow of University of Iowa, US. He worked with one of Zimbabwe's leading publishing houses as an editor/publisher for 17 years, until 2002. He now runs a literary agency and also works as a performance poet, cultural consultant and translator.
Kwani? is a prominent African literary magazine headquartered in Kenya. It has been hailed as "undoubtedly the most influential journal to have emerged from sub-Saharan Africa".
Gaele Sobott, also known as Gaele Sobott-Mogwe, is an Australian author of poetry, short stories, non-fiction and children's books.
Described as "a magazine of new writing in Zimbabwe", Tsotso (1989–2001) was published with a mandate to undermine the continued colonial domination of literature. It sought to create a platform where a new generation of Zimbabwean writers could give expression to their experiences through writing and create new contexts for the discussion, criticism and dissemination of their work.
Joseph Woods is an Irish poet born in Drogheda, Ireland. He moved with his family to Harare, Zimbabwe in 2016, where he works as a poet, writer and editor.
Sarah Ladipo Manyika FRSL is a British-Nigerian writer of novels, short stories and essays and an active member of the literary community, particularly supporting and amplifying young writers and female voices. She is the author of two well-received novels, In Dependence (2009) and Like A Mule Bringing Ice Cream To The Sun (2016), as well as the non-fiction collection Between Starshine and Clay: Conversations from the African Diaspora (2022), and her writing has appeared in publications including Granta, Transition, Guernica, and OZY, and previously served as founding Books Editor of OZY. Manyika's work also features in the 2019 anthology New Daughters of Africa, edited by Margaret Busby.
Makhosazana Xaba is a South African poet and short-story writer. She trained as a nurse and has worked a women's health specialist in NGOs, as well as writing on gender and health. She is Associate Professor of Practice in the Faculty of Humanities at the University of Johannesburg.
Neshani Andreas was a Namibian writer, who had also worked as a teacher and for the American Peace Corps. She is best known for her novel The Purple Violet of Oshaantu, which made her the first Namibian to be included in Heinemann's African Writers Series. She died at the age of 46, having been diagnosed with lung cancer in early 2010.
Freedom Nyamubaya was a poet, dancer, farmer, feminist, and revolutionary from Zimbabwe. She is known as one of Zimbabwe's celebrated "guerilla fighter-poets", with two published collections of her poems. During the Rhodesian Bush War, she served as one of the few female field operation commanders. In 1979, she was elected Secretary for Education at the first conference of the Zimbabwe African National Union (ZANU) Women’s League.
Barbara Makhalisa, also known by her married name as Barbara Nkala, is a teacher, Zimbabwean writer, Ndebele translator, novelist, editor and publisher, one of the earliest female writers published in Zimbabwe. She is the author of several books written in Ndebele, as well as in English, of which some have been used as school textbooks. Barbara is married to Shadreck Nkala. They have three adult children and six grandchildren.
Valerie Tagwira is a Zimbabwean writer who is a specialist obstetrician-gynecologist by profession. Her debut novel The Uncertainty of Hope, published in 2006 by Weaver Press, won the 2008 National Arts Merit Awards (NAMA) Outstanding Fiction Book.
Virginia Phiri is a Zimbabwean feminist writer.
Weaver Press is a Zimbabwean independent publisher formed in 1998 in Harare. The press was co-founded by Irene Staunton, who has been credited with "quietly shaping post-independence Zimbabwean literature", with Murray McCartney, and the Press has published many notable African writers. Weaver's list focuses on books on political and social history, the environment, media issues, women's and children's rights, fiction and literary criticism.
Flora Veit-Wild is a German literary academic, Professor of African Literatures and Cultures at Humboldt University, Berlin. She has published on the Zimbabwean writer Dambudzo Marechera, and on the body and madness in African literature.
Robert Muponde is a Zimbabwean writer and intellectual. He is currently Personal Professor at University of the Witwatersrand in Johannesburg, South Africa, where he has been based for over twenty years.