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The Choctaw are a Native American people originally based in the Southeastern Woodlands, in what is now Alabama and Mississippi. Their Choctaw language is a Western Muskogean language. Today, Choctaw people are enrolled in three federally recognized tribes: the Choctaw Nation of Oklahoma, Mississippi Band of Choctaw Indians, and Jena Band of Choctaw Indians in Louisiana.
The Choctaw Nation is a Native American territory covering about 6,952,960 acres, occupying portions of southeastern Oklahoma in the United States. The Choctaw Nation is the third-largest federally recognized tribe in the United States and the second-largest Indian reservation in area after the Navajo. As of 2011, the tribe has 223,279 enrolled members, of whom 84,670 live within the state of Oklahoma and 41,616 live within the Choctaw Nation's jurisdiction. A total of 233,126 people live within these boundaries, with its tribal jurisdictional area comprising 10.5 counties in the state, with the seat of government being located in Durant, Oklahoma. It shares borders with the reservations of the Chickasaw, Muscogee, and Cherokee, as well as the U.S. states of Texas and Arkansas. By area, the Choctaw Nation is larger than eight U.S. states.
Shell Shaker (2001) is a novel by American LeAnne Howe. The novel's plot revolves around two tales of murder involving historical Choctaw political leaders. Set over a 200-year period, it focuses on several generations of the fictional Billy family, who try to keep the peace. It won the 2002 Before Columbus American Book Award.
The Choctaw freedmen are former enslaved African Americans who were emancipated and granted citizenship in the Choctaw Nation after the Civil War, according to the tribe's new peace treaty with the United States. The term also applies to their contemporary descendants.
The visual arts of the Indigenous peoples of the Americas encompasses the visual artistic practices of the Indigenous peoples of the Americas from ancient times to the present. These include works from South America and North America, which includes Central America and Greenland. The Siberian Yupiit, who have great cultural overlap with Native Alaskan Yupiit, are also included.
Juanita Growing Thunder Fogarty is a Native American, Assiniboine Sioux bead worker and porcupine quill worker. She creates traditional Northern Plains regalia.
Two-spirit is a modern, pan-Indian, umbrella term used by some Indigenous North Americans to describe Native people in their communities who fulfill a traditional third-gender ceremonial and social role in their cultures.
Earnest Spybuck was an Absentee Shawnee Native American artist, who was born on the land allotted the Shawnee Indians in Indian Territory and what was to later become Pottawatomie County, Oklahoma, near the town of Tecumseh. M. R. Harrington, an archaeologist/anthropologist, was touring the area documenting Native Americans, their history, culture and living habits. Interested in the religious ceremonies of the Shawnee which included the use of peyote, Harrington had ventured to the Shawnee Tribal lands. There he learned of Earnest Spybuck's artistic work and encouraged Spybuck in his endeavors. While Spybuck's work was obviously art, Harrington saw that he was illustrating detailed scenes of ceremonies, games, and social gatherings which could be used to illustrate many anthropological publications. Spybuck's work was received positively by both Native American and non-native artistic communities. Many of his works are now held by the Smithsonian's National Museum of the American Indian.
The textile arts of the Indigenous peoples of the Americas are decorative, utilitarian, ceremonial, or conceptual artworks made from plant, animal, or synthetic fibers by Indigenous peoples of the Americas.
Tichkematse, also called "Squint Eyes" or Quchkeimus (1857–1932) (Cheyenne), was an artist and collector who worked for the Smithsonian Institution in Washington, DC between 1879 and 1881.
Native American feminism or Native feminism is, at its root, understanding how gender plays an important role in indigenous communities both historically and in modern-day. As well, Native American feminism deconstructs the racial and broader stereotypes of indigenous peoples, gender, sexuality, while also focusing on decolonization and breaking down the patriarchy and pro-capitalist ideology. As a branch of the broader Indigenous feminism, it similarly prioritizes decolonization, indigenous sovereignty, and the empowerment of indigenous women and girls in the context of Native American and First Nations cultural values and priorities, rather than white, mainstream ones. A central and urgent issue for Native feminists is the Missing and murdered Indigenous women crisis.
Jolene Rickard, born 1956, citizen of the Tuscarora nation, Turtle clan, is an artist, curator and visual historian at Cornell University, specializing in indigenous peoples issues. Rickard co-curated two of the four permanent exhibitions for the Smithsonian’s National Museum of the American Indian.
Native American fashion is the design and creation of high-fashion clothing and fashion accessories by Native Americans. Indigenous designers frequently incorporate motifs and customary materials into their wearable artworks, providing a basis for creating items for the haute couture and international fashion markets. Their designs may result from techniques such as beadwork, quillwork, leather, and textile arts, such as weaving, twining, and tufting. In some cases, however, they choose not to include any materials associated with Indigenous cultures.
Margaret Roach Wheeler is a Chickasaw/Choctaw weaver and Native American fashion designer. Her work has been widely recognized for her scholarship in researching designs and techniques which existed prior to conquest and incorporating design elements into her woven garments. Her work has been featured in numerous collections including the Smithsonian's National Museum of the American Indian, where she has also served as a visiting artist and received a research fellowship. She was inducted into the Chickasaw Nation Hall of Fame in 2010 and was honored by the State of Oklahoma with the Governor's Arts Award in 2018 for her unique contributions to art. She is the founder of Mahota Textiles.
The REDress Project by Jaime Black is a public art installation that was created in response to the missing and murdered Indigenous women (MMIW) epidemic in Canada and the United States. The on-going project began in 2010 and commemorates missing and murdered indigenous women from the First Nations, Inuit, Métis (FNIM), and Native American communities by hanging empty red dresses in a range of environments. The project has also inspired other artists to use red to draw attention to the issue of MMIW, and prompted the creation of Red Dress Day.
Lily Hope is an Alaska Native artist, designer, teacher, weaver, Financial Freedom planner, and community facilitator. She is primarily known for her skills at weaving customary Northwestern clothing such as Chilkat robes and ensembles. She had a collaborative studio in downtown Juneau with Ricky Tagaban. Her larger studio, called Wooshkindein Da.àat: Lily Hope Weaver Studio opened downtown in 2022.
Brenda J. Child is an Ojibwe historian and author.
Heather Keeler is an American politician serving in the Minnesota House of Representatives since 2021. A member of the Democratic-Farmer-Labor Party (DFL), Keeler represents District 4A in northwest Minnesota, including the city of Moorhead and parts of Clay County. Keeler is an enrolled member of the Yankton Sioux Tribe.
Jaime Black is of Anishinaabe and Finnish descent. This Canadian multidisciplinary artist-activist is focused on First Nations and Indigenous representation and identity. She identifies as Métis, an ethnic group native to the three Prairie Provinces as well as parts of Ontario, British Columbia, and the Northwest Territories of Canada and the Northern United States, which traces descent to both Indigenous North Americans and Western European settlers. Black is best known for her art installation The REDress Project that she created as a response to the Missing and Murdered Indigenous Women (MMIW) crisis in Canada as well as the United States. A 2014 report by the Royal Canadian Mounted Police found that more than 1,000 Indigenous women were murdered over the span of 30 years from 1980 to 2012. However, some Indigenous advocacy groups dispute these reports arguing that the number is much greater than the government has acknowledged.
Renée Sans Souci is an Indigenous educator, artist, and activist born in Lincoln, NE in 1962. Sans Souci is a member of the Omaha Tribe of Nebraska. She is the co-leader of the Niskíthe Prayer Camp, located in Lincoln, NE. Sans Souci is also known for work as an advocate for the Missing and Murdered Indigenous Women (MMIW) movement, an Omaha spiritual practitioner, and a cultural consultant.
References
- ↑ Lenihan, Regan (2021-03-05). "Women's History Month: Isabella Aiukli Cornell". monah. Retrieved 2023-03-24.
- 1 2 Vong, Sam (2020-11-24). "Isabella Aiukli Cornell makes prom political". National Museum of American History. Retrieved 2023-03-23.
- ↑ Magazine, Smithsonian; Wu, Tara. "How Girls Have Brought Political Change to America". Smithsonian Magazine. Retrieved 2023-03-23.
- ↑ "Prom dress calls attention to missing, murdered Indigenous women at Smithsonian exhibit". Williams News. Retrieved 2023-03-23.
- 1 2 Sears, Emma. "Native Oklahoma Woman's Prom Dress on Exhibit in Smithsonian". Gaylord News. Retrieved 2023-03-24.