Isabella Maria dal Pozzo | |
|---|---|
| Born | |
| Died | 1700 [1] |
| Nationality | Italian |
| Known for | Painting |
| Elected | Princess Henriette Adelaide of Savoy [1] |
Isabella Maria dal Pozzo (died 1700) was an Italian painter.
Contents
Isabella Maria dal Pozzo | |
|---|---|
| Born | |
| Died | 1700 [1] |
| Nationality | Italian |
| Known for | Painting |
| Elected | Princess Henriette Adelaide of Savoy [1] |
Isabella Maria dal Pozzo (died 1700) was an Italian painter.
Isabella Maria dal Pozzo was born in Turin. She flourished as a painter starting in the 1660s. [1] Starting in 1676, she began working in the court of Princess Henriette Adelaide of Savoy. [1] [2]
Guido Bentivoglio d'Aragona was an Italian cardinal, statesman and historian.
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Francesco Albani or Albano was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633).
Simone Cantarini or Simone da Pesaro, called il Pesarese was an Italian painter and etcher. He is mainly known for his history paintings and portraits executed in an original style, which united aspects of Bolognese classicism with a bold naturalism.
Guido Cagnacci was an Italian painter originally from Santarcangelo di Romagna. Associated most readily with the Baroque period, his mature works are characterized by their use of chiaroscuro and their sensual subjects. He was influenced by the masters of the Bolognese School.
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Events from the year 1642 in art.
Elisabetta Sirani was an Italian Baroque painter and printmaker who died in unexplained circumstances at the age of 27. She was a pioneering female artist in early modern Bologna, who established an academy for other women artists.
Cassiano dal Pozzo was an Italian scholar and patron of arts. The secretary of Cardinal Francesco Barberini, he was an antiquary in the classicizing circle of Rome, and a long-term friend and patron of Nicolas Poussin, whom he supported from his earliest arrival in Rome: Poussin in a letter declared that he was "a disciple of the house and the museum of cavaliere dal Pozzo." A doctor with interests in the proto-science of alchemy, a correspondent of major figures like Galileo, a collector of books and master drawings, dal Pozzo was a node in the network of European scientific figures.
Domenico Maria Canuti was an Italian painter of the Baroque period, active mainly in Bologna and Rome. He was a major painter of fresco decorations. His ceiling decorations showed a mix of Bolognese and Roman influences.
Giovanni Domenico Cerrini (1609–1681), also called Gian Domenico Cerrini or il Cavalier Perugino, was a painter of the Baroque period, born in Perugia and active mainly in Rome and influenced in large part by painters of the Bolognese School.
Maria Vittoria dal Pozzo was an Italian noblewoman and became the 6th Princess de La Cisterna after the death of her father. Married to Prince Amadeo of Savoy, Duke of Aosta, second son of King Victor Emmanuel. In 1870 her husband became the King of Spain, making her Queen consort of Spain.
Caterina Ginnasi was an Italian noblewoman and painter of the Baroque period, active mainly in Rome.
Events from the year 1615 in art.
Giacomo Locatelli was an Italian painter. Other authors call him Girolamo Locatelli.
Bartolommeo Coriolano was an Italian engraver during the Baroque period. His father, Cristoforo Coriolano, and brother, Giovanni Battista Coriolano were also woodblock printers, although there is some doubt over the actual relationship between Cristoforo and Bartolommeo Coriolano. Coriolano had a daughter, Teresa Maria Coriolano, who later became a painter and engraver.
Giovanni BaptistaFerrari, was an Italian Jesuit and professor in Rome, a botanist, and an author of illustrated botanical books and a Syriac-Latin dictionary. Linguistically highly gifted and an able scientist, at 21 years of age Ferrari knew a good deal of Hebrew and spoke and wrote excellent Greek and Latin. He became a professor of Hebrew and Rhetoric at the Jesuit College in Rome and in 1622 was editor of a Syriac-Latin dictionary.
Italian Baroque art is a term that is used here to refer to Italian painting and sculpture in the Baroque manner executed over a period that extended from the late sixteenth to the mid eighteenth centuries.
Palazzo Spalletti-Trivelli is a palace located atVia Emilia A San Pietro #2, corner with Via San Nicolò, in the center of the city of Reggio Emilia, region of Emilia Romagna, Italy. The building now belongs to the Credito Emiliano (Credem) bank, and owns the art collection now in the palace.
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