Isabelle Schad (born 21 April 1970) is a German dancer and choreographer.
Isabelle Schad (born 21 April 1970) is a German dancer and choreographer.
Schad was born in Stuttgart and studied ballet there from 1981 to 1990. She then danced for six years in various ballet companies before becoming a member of Ultima Vez (Wim Vandekeybus) in Brussels and working with choreographers such as Olga Mesa, Angela Guerreiro, Felix Ruckert and Eszter Salamon. [1] Since 1999 she has choreographed her own work.
Schad has initiated several projects/artist groups/work structures such as Good Work, [2] Praticable [3] and Wiesen55 e.V. [4] In 2003 she initiated the series Good Work with Bruno Pocheron and Ben Anderson, and developed various pieces with Manuel Pelmus, Frédéric Gies, Hanna Hedman and others. [5] In 2005, with Alice Chauchat, Frédéric Gies, Frédéric de Carlo and Odile Seitz, she originated an open collective called Praticable, within which a specific model of dance and choreographic collaboration is practiced. [6] Schad is co-founder of the Verein Wiesen 55, a group of artists active in the areas of choreography, dance, lighting design, sculpture and multimedia. Together they operate the production site Wiesenburg-Halle. [7]
Schad was a member of the jury at the International Choreographic Competition in Sofia and a mentor at DanceWeb 2011 and PAP 2016–19, [8] and has been an artist in residence at the Podewil/TanzWerkstatt Berlin, Espace Pier Paolo Pasolini, Monty Antwerp and Rimbun Dahan Malaysia. [9]
Schad teaches at Berlin’s inter-university dance centre HZT, in Cologne, Helsinki and Stockholm, and around the world in workshops or short projects organised by the Goethe-Institut and followed by performances, for example in Kigali (RW), San Francisco (USA), Bogota (CO), Lagos (NG), Kuala Lumpur (MY). [10]
She understands learning and teaching as a circulating unity that she has shared for years with a ‘core’ of dancers, who thus participate in her own learning process. [11] Physical praxis, training and choreographic work are related to one another and made communicable in a format developed by her known as Open Practice Sessions (OPS). [12]
Schad has received awards such as Hope of the Year, Choreographer of the Year, and a tribute to her outstanding artistic development in contemporary dance at the 2019 German Dance Prize. [13]
Schad works at the interface of dance, performance and visual art, with a central fascination for group formation and the ensemble. Interests such as community in dance or collective bodies are deeply rooted in her movement research. Bodies and movements are examined in terms of their materiality, processuality and experienceability. Physical praxis is seen as a place of learning, community and political participation. [11] Schad orients her work to somatic bodywork such as Body-Mind Centering. She was decisively influenced by an embryology workshop with Bonnie Bainbridge Cohen. [14]
She is a shiatsu practitioner, and has practiced aikido zen since 2014. These form the basis of her qi training together with Asian kinetic teachings such as meridian work and qigong. [15] Western and Eastern practices and ways of thinking are also reflected in her solo and group works. [16] She is concerned with the formation of communities in dance and formulates the body as a place of resistance so as to investigate norms, competition, discipline, conformity and the status of collective processes. [17]
Schad has collaborated for many years with the visual artist Laurent Goldring. Together they developed the concept of the ‘amplifier’, which functions as a transition between the inner and the outer worlds. [18]
In 2007 Schad headed the mentoring project Tanztage Berlin. She also created Bach , for two dancers, which was taken into the repertoire of the Red House Sofia, and her solo Ohne Worte (Praticable). [19] Since 2008 she has collaborated with Laurent Goldring on the project Unturtled #1–4. She also initiated community projects, including Tüddeldüddel-Lüd, in Hamburg, which was revived for the Tanzkongress 2009. [20]
In 2010 and 2011 she developed the group pieces Glazba (Praticable) and Musik (Praticable), each for 14 dancers, Communicare for 25 dancers in Lima, [21] Experience # 0.1 for 20 dancers in Bogota and Experience # 0.2 for 10 dancers in Lagos. In 2011/12 she developed Experience # 0.3 for three Bulgarian dancers, a collaboration with the Goethe-Institut Sofia.
In her choreographic group work Experience#1, Schad explored the connections between inward and outward embryonal development patterns in their space-time conditions. The piece was seen at the Tanznacht Berlin in August 2012 [22] and at Serralves, Porto, in 2013. Schad developed a choreography for K3 in Hamburg as part of the project heute: Volkstanzen in 2013. [23]
2012 and 2013 saw the premieres of the solo projects Der Bau in Valenciennes and Form und Masse in Berlin. [24] Der Bau , a collaboration with Laurent Goldring, has been on tour worldwide since then and was invited to the Tanzplattform 2014. [25] Still Lives and an extract from Ohne Worte (Praticable) were invited to the Internationale Tanzplattform Deutschland in Hanover in 2008, [26] and California Roll to the Tanzplattform in Stuttgart in 2006. [27]
In 2014 Schad choreographed the group piece Der Bau–Gruppe, for twelve performers, in collaboration with the Croatian director Sasa Bozic and the visual artist Laurent Goldring. [24] The piece was performed in a version for children at the Purple Tanzfestival and the Junges Tanzhaus NRW in 2019. In 2014 the group choreography Collective Jumps was premiered at the Hebbel am Ufer (HAU), in Berlin, and in a local version in Poznań, followed by further local versions at Kampnagel in Hamburg, the Deutsches Kulturinstitut in Timișoara (Romania), [28] the Venice Biennale 2016 (link) and elsewhere. The retrospective On Visibility and Amplifications, at the HAU, was an extensive presentation of the artistic collaboration between Isabelle Schad and Laurent Goldring. The solo Fugen was premiered at the same theatre in 2015 and subsequently shown at Moving in November [29] in Helsinki, the NEXT Festival in Valenciennes [30] and other venues.
In 2016 Schad’s group work Pieces and Elements was first performed at the Hebbel am Ufer, and was also shown at the Pact-Zollverein in Essen and the Berlinische Galerie. [31] In 2017 Schad created the two portraits Double Portrait and Turning Solo. [3] Her performative exhibition INSIDE OUT was premiered at Tanz im August Berlin 2018. [11] Her trilogy on collective bodies was completed with the first performance of Reflection (HAU1 Berlin). [3]
Susanne Linke is an internationally renowned German dancer and choreographer who is one of the major innovators of German Tanztheater, along with Pina Bausch and Reinhild Hoffmann.
Michael Laub is an avant-garde stage director, contemporary dance choreographer and video artist. His work has notably been shown at the Venice Biennale of 1984, the Festival d'Avignon of 2005, the Burgtheater in 2011, and several times at ImPulsTanz Vienna International Dance Festival and Hebbel am Ufer (HAU) Berlin. He has often been described as a minimalist and "one of the founding fathers of anti-illusionist theater".
Meg Stuart is an American choreographer and dancer who lives and works in Brussels and Berlin. Her company, Damaged Goods, operates from Brussels since 1994.
Sasha Alexandra Waltz is a German choreographer, dancer and leader of the dance company Sasha Waltz and Guests.
Claudia Hill is an interdisciplinary artist, based in Berlin. Her work engages in performance art, costume and stage design, experimental film, visual art and sense-driven (somatic) form. Her practice has been presented internationally at venues such as Mumok, Centre Pompidou, Paris Internationale, Les Rencontres Internationales, ZKM, BAM, HAU, Broadway, the Smithsonian and New York Fashion Week.
Heike Hennig is a German dancer, choreographer and director of the opera and dance ensemble "Heike Hennig & Co".
Saskia Hölbling is an Austrian choreographer and dancer
zeitraumexit is an artist centre in Mannheim. The non-profit association and independent institution organizes, curates and (co-)produces exhibitions, performances, theatre, video art and installations.
Angela Richter is a German-Croatian theatre director and author.
The Deutscher Tanzpreis is a prestigious prize for artistic dance in Germany. It has been awarded annually since 1983.
Jefta van Dinther is a Dutch-Swedish choreographer and dancer. Today van Dinther lives and works in Berlin and Stockholm.
Margarita Tsomou is a Greek-German dramaturgist, curator, performance artist, dancer and activist. She is an editor of pop feminist Missy Magazine, professor for contemporary theatre praxis at Osnabrück University of Applied Sciences and curator for theory and discourse at theatre and performance center Hebbel am Ufer in Berlin.
Larissa Keat is a Swiss-American actress, director and performer.
The Hebbel-Theater is a historic theatre building for plays in Berlin-Kreuzberg, Germany. It has been a venue of the company Hebbel am Ufer (HAU) from 2003.
Annemie Vanackere is a Belgian festival curator and theatre director. Since 2012, she has been the artistic director and managing director of the Hebbel am Ufer Theatre in Berlin.
Nele HertlingnéeSchröder is a German theatre manager and promoter of innovative culture. Working for the Academy of Arts, Berlin, from 1962, she has founded regular programs of innovative art in the city, such as Pantomime-Musik-Tanz-Theater in 1970 and the Tanz im August festival in 1988. She managed the program for Berlin as the European City of Culture that year. Hertling is considered the grande dame of the established German Freies Theater.
Tanz im August is an annual festival for contemporary dance in Berlin. It was founded by Nele Hertling in West Berlin in 1988, and is now presented by the Hebbel am Ufer (HAU) theatre company on various stages in Berlin. It presents companies from all over the world with their new choreography, aesthetics and formats, new projects by Berlin artists, collaboration with international guests, and co-production for world premieres and German premieres. Virve Sutinen has been artistic director from 2014.
Bettina Masuch is a German dramaturg and theatre director as well as artistic director at the Festspielhaus St. Pölten.
Jochen Roller is a German choreographer and performance artist.
Virve Katri Maria Sutinen was director of the Dansens hus in Stockholm between 1 January 2008 and 31 December 2013 and artistic director of Tanz im August Berlin since 2014.
| International | |
|---|---|
| National | |
